Core Viewpoint - The rise of "her power" among Chinese women is significantly enhancing the cultural landscape, with women actively participating as creators, enablers, and trendsetters in various cultural fields [1] Group 1: Cultural Contribution - Women are increasingly visible in cultural creation, dissemination, research, and preservation, expanding the boundaries of cultural expression and infusing a warm feminine touch into the cultural landscape of the new era [1] - The "New Era China Promoting Women's Comprehensive Development Practices and Achievements" white paper highlights that 45.2% of the national cultural talent project participants are women, and 25% of national intangible cultural heritage representatives are female [1] Group 2: Heritage Preservation - A women's archaeological team in Chongqing has been active since 2012, dedicating over 200 days a year to field archaeology, showcasing unique female strength in the preservation of cultural heritage [2] - Wan Xiaojuan, a representative inheritor of Bian embroidery, is transforming this ancient craft into a dual force for cultural inheritance and women's development, actively engaging in educational initiatives and collaborations with schools and universities [3] Group 3: Cultural Dissemination - Chen Jing, the 58th inheritor of Hua Tuo's Five Animal Play, has been promoting this traditional Chinese exercise internationally, conducting workshops in over 30 countries and creating online teaching videos to reach a broader audience [4] - Female writers in the Chinese online literature scene are telling Chinese stories from a "her perspective," breaking cultural barriers and gaining global readership through works like "Empresses in the Palace" [4][5] Group 4: Social Impact - Ordinary women are contributing positively to society through family values and community service, exemplified by individuals like Huang Yixiang, who balances family responsibilities with community engagement, and Liu Faying, who has raised over 35 million yuan for educational support [6] - These women embody the essence of love and responsibility, illuminating family values and contributing to the collective memory of society [7] Group 5: Future Outlook - The multifaceted influence of Chinese women in cultural preservation, dissemination, and social responsibility is expected to continue shaping the narrative of a culturally prosperous China, with "her power" deeply rooted in tradition while looking towards the future [7]

Core Viewpoint - The rise of "her power" has significantly enhanced the cultural landscape in China, with women actively participating as creators, enablers, and trendsetters in various cultural fields [1][7]. Group 1: Cultural Contribution - Women are increasingly visible in cultural creation, research, and preservation, contributing to a richer cultural expression in contemporary society [1]. - The "New Era China Promoting Women's Comprehensive Development Practice and Achievements" white paper highlights that 45.2% of the national cultural talent project participants are women, and 25% of national intangible cultural heritage representatives are female [1]. Group 2: Heritage Preservation - A women's archaeological team in Chongqing has been active since 2012, dedicating over 200 days a year to fieldwork, showcasing unique female strength in cultural heritage protection [2][3]. - Wan Xiaojuan, a representative inheritor of Bian embroidery, is transforming this ancient craft into a dual force for cultural transmission and women's development, engaging with schools and universities to attract younger generations [3]. Group 3: Cultural Dissemination - Chen Jing, the 58th inheritor of Hua Tuo's Five Animal Play, has been promoting this traditional practice globally, teaching in over 30 countries and creating online teaching resources [4]. - Female writers in the Chinese online literature scene are using their perspectives to tell Chinese stories, breaking cultural barriers and gaining international readership [4][5]. Group 4: Social Impact - Ordinary women are contributing positively to society through family values and community service, exemplified by individuals like Huang Yixiang and Liu Faying, who have dedicated their lives to education and community welfare [6]. - These women embody the spirit of love and responsibility, reinforcing the importance of family and community in societal development [6][7]. Group 5: Future Outlook - The multifaceted influence of Chinese women in cultural and social spheres is expected to continue growing, contributing to the prosperity and development of Chinese culture in the future [7].

Group 1 - The core viewpoint emphasizes the integration of cultural tourism and local identity in Kaifeng, showcasing how the city's rich history and modern lifestyle coexist harmoniously [1][2][3] - The cultural tourism industry in Kaifeng has evolved from basic sightseeing to immersive experiences, reflecting a significant upgrade in offerings that cater to both tourists and residents [2][3] - The city's commitment to "all-region tourism" is evident in the systematic restoration of historical sites and the creation of ecological tourism routes, enhancing the cultural landscape [3][4] Group 2 - Continuous improvement in the business environment and government services has attracted numerous quality cultural tourism projects to Kaifeng, fostering innovation and development [4] - The integration of cultural tourism with value education is highlighted, as various attractions serve as platforms for imparting traditional values and fostering cultural confidence among visitors and locals [4] - The transformation of urban spaces, including historical districts and modern recreational areas, contributes to a vibrant community atmosphere, enhancing the quality of life for residents and the experience for tourists [3][4]

Core Viewpoint - The fifth China Arts and Crafts Expo, organized by the China Light Industry Federation, will be held in Fuzhou, Fujian Province, showcasing the rich cultural heritage and unique artistic charm of Henan's arts and crafts industry, with a significant increase in exhibition space compared to the previous year [1][2]. Group 1: Exhibition Details - The Henan exhibition area has increased by nearly 40% compared to the last expo, providing a broader platform for showcasing exquisite Henan arts and crafts [1]. - The Henan delegation aims to not only win awards but also leverage the influence of the China Light Industry Federation for comprehensive promotion of local arts and crafts [2]. Group 2: Featured Artisans and Techniques - Notable artisans, including Wang Guanjun, a master of "Miyu Qiaose Carving," will present innovative works that transform flaws into artistic highlights, emphasizing new themes and techniques [5]. - The Henan exhibition will feature a variety of crafts, including jade carvings, ceramics, embroidery, and copper artifacts, reflecting the depth and uniqueness of Henan's arts and crafts [2][4]. Group 3: Cultural Significance and Innovation - The Henan Arts and Crafts Industry Association has been promoting regional brand building to drive industry upgrades, showcasing distinctive regional crafts at the expo [4]. - The Henan delegation's participation in the expo serves as an important platform for promoting the achievements of local artisans and fostering innovation in traditional crafts [2][7].

Core Viewpoint - The article highlights the issues surrounding the use of the geographical indication for Bian embroidery, emphasizing the need for regulatory oversight to protect this traditional craft and its market integrity [1][2][3] Group 1: Issues Identified - Bian embroidery, a traditional Han Chinese embroidery craft, has faced significant market chaos, including counterfeiting and improper use of geographical indications, threatening its heritage status [1] - Investigations revealed that some merchants without the right to use the geographical indication were using forged marks, while others with rights were still using outdated indications, undermining the brand value and healthy development of the industry [2] Group 2: Regulatory Actions - The Longting District Procuratorate issued recommendations to relevant departments to enhance regulatory responsibilities and address the illegal use of geographical indications by merchants [2] - Following the recommendations, authorities conducted a comprehensive market inspection, confiscated counterfeit products, and issued rectification notices to merchants using invalid geographical indications [2] Group 3: Long-term Solutions - The Longting District Procuratorate identified that the issues with Bian embroidery's geographical indication were not isolated and reported the situation to the Kaifeng City Procuratorate [3] - A meeting was organized to discuss the protection of Bian embroidery's geographical indication, leading to a six-month special rectification initiative to standardize the authorization of its use [3]

Core Viewpoint - Bian embroidery, originating from the Northern Song Dynasty, is recognized for its exquisite craftsmanship and vibrant colors, and was included in the national intangible cultural heritage list in 2008 [1] Group 1: Educational Initiatives - The Bian embroidery elective course at Henan Kaifeng Vocational College attracts many students, where the instructor, Miao Wei, teaches the techniques and artistic charm of the representative work "Along the River During the Qingming Festival" [3] - The Bian embroidery piece replicates the original's length of 5.28 meters and employs 18 different stitching techniques, showcasing over 800 characters, animals, boats, and buildings from the original artwork [5] Group 2: Artistic Techniques and Materials - Bian embroidery is known for its representation of famous historical paintings, with notable works including "Along the River During the Qingming Festival," "Nine Songs," and "Hundred Horses," utilizing various stitching techniques to recreate the grandeur of the original pieces [11] - The base materials for Bian embroidery typically include silk satin and silk gauze, with the creation process involving over ten steps, where the stitching phase is the most critical [13] Group 3: Skill Development and Innovation - According to Cheng Manping, a representative inheritor of Bian embroidery, mastering the techniques usually takes about three years, but the challenge lies in applying these techniques to create more three-dimensional and realistic works [16] - In recent years, Bian embroidery has sought innovation while preserving tradition, with young creators exploring its integration with contemporary art and life [18] Group 4: Cultural Promotion and Development - Initiatives such as the establishment of a national intangible cultural heritage production protection demonstration base, the introduction of Bian embroidery programs in local universities, and hosting intangible cultural heritage markets have revitalized Bian embroidery [19] - The director of the Kaifeng Bian Embroidery Research Institute, Wang Shuyuan, announced plans to accelerate the establishment of a Bian embroidery museum and develop cultural products suitable for various consumer groups, aiming to integrate Bian embroidery into everyday life [20]