截至1月28日港股午市收盘，海昌海洋公园股价报0.52港元/股。 智通财经记者 唐莹莹 海昌海洋公园董事会认为，北京项目是集团深耕海洋文旅二十余载的经验集大成之作。 公告显示，北京项目坐落于北京城市副中心文旅区北部产业带，紧邻北京环球影城度假区和北京地铁7 号线高楼金站，尽享北京环球影城度假区域集聚效应，实现"地铁出站即入园"。北京项目总建筑面积约 16万平方米，建设内容包括酒店、海洋馆和配套设施，预计于2027年建设完成投入运营。 目前，北京项目被列为北京市级重点工程，已全面进入工程建设阶段。 1月27日，海昌海洋公园控股有限公司（海昌海洋公园，02255.HK）发布公告，海昌海洋公园全资子公 司北京海昌海洋公园有限公司与北京通州城市建设运行集团有限公司的全资子公司北京易通中芯企业管 理有限公司签署合资合作合同，拟设立合资公司负责独家运营北京海昌海洋公园项目（下称"北京项 目"）。 根据合同，合资公司将使用"海昌海洋公园"品牌独家运营北京项目；集团将向合资公司提供项目运营所 需相关生物资产，并向合资公司收取生物资产租赁服务费；合资公司经营期限为长期。合同还明确了合 资公司的公司章程、治理结构、董事会、财务管 ...

香港交易及結算所有限公司及香港聯合交易所有限公司對本公佈的內容概不負責，對其準確性 或完整性亦不發表任何聲明，並明確表示概不就因本公佈全部或任何部分內容而產生或因依賴 該等內容而引致的任何損失承擔任何責任。 （於開曼群島註冊成立之有限公司） （股份代號：2255） 自願性公佈 北京海昌海洋公園的最新進展 茲提述海昌海洋公園控股有限公司（「本公司」，連同附屬公司統稱為「本集團」）日 期為2023年10月23日之公佈（「公佈」），內容有關與北京通州城市建設運行集團有 限公司的合作框架協議。除本公佈另有界定者外，所用詞彙與公佈所指定者具相 同涵義。 本公佈乃由本公司在自願基礎上刊發，旨在使本公司的股東及潛在投資者了解本 集團的最新業務發展。 董事會（「董事會」）欣然宣佈，近日，本公司之全資子公司北京海昌海洋公園有限 公司與北京通州城市建設運行集團有限公司之全資子公司北京易通中芯企業管理 有限公司簽署合資合作合同（「合同」），擬設立合資公司（「合資公司」）負責獨家運 營北京海昌海洋公園項目（「北京項目」）。 根據合同，合資公司將使用「海昌海洋公園」品牌獨家運營北京項目；本集團將向 合資公司提供項目運營所需相關生物資產 ...

据《北京城市副中心文化旅游区规划综合实施方案》，北京城市副中心文化旅游区的规划面积约为12平 方公里。公开数据显示，2025年，通州区接待游客超2600万人次，旅游花费同比增长12.5%，增速位列 全市第二。 "通州区消费如今主要依托文化旅游区和大运河沿岸两大文旅商品融合片区，周边带动宋庄艺术创意小 镇、台湖演艺小镇、张家湾设计小镇，形成'一区一河三镇'格局。未来还将建设六环高线公园，文商旅 体前景广阔。"王玥如是说。 截至目前，"环球影城×大运河"国际消费体验区正在不断释放出融合文化、旅游、商业等多个业态的消 费潜力。特别值得一提的是，在不久的将来，萧太后河通航体系的顺利通航，将为城市副中心的旅游产 业生态提供更为便利的消费赋能。 据悉，萧太后河贯穿文化旅游区，未来将打造通航及滨水空间。游客可乘船在文化旅游区游玩各项目， 再前往张湾古镇、大运河、台湖演艺小镇，形成7天7夜的游玩体验。 公开数据显示，2025年北京入境游客548万人次，并实现旅游花费505.6亿元，两项数据均再创历史新 高。随着入境游客人数的不断攀升，如今的北京正在通过更加便利的入境服务、更加多元的产品体系、 更符合客源需求的消费场景，加速成 ...

覆盖小猪佩奇、芭比、天线宝宝等五大国际亲子IP的顶点公园将于今年底正式亮相；侧重科研和保育的海昌海洋公园将于2027年底营业；城市运动中心2028 年将开门迎客；融合了火星及航天元素的火星科幻城项目也会在今年启动…… A 11 wille 45% 2 n The Holland al 中国人民政治协商会议 小编 The Beach 0 0 1月24日，在北京市第十六届人民代表大会第四次会议开幕前的"一府两院"有关部门接受代表询问活动上，城市副中心党工委管委会产业促进处处长王玥表 示，如今的副中心文旅区正以"一年一爆款"为目标，加速建设成为世界级旅游目的地。 城市副中心的"爆款"计划 一个月前，湾里国际娱乐综合体开业即火爆。火爆的热度仍在延续，城市副中心的"爆款"计划又有了新进展。 截至目前， "环球影城×大运河"国际消费体验区正在不断释放出融合文化、旅游、商业等多个业态的消费潜力。特别值得一提的是，在不久的将来，萧太后 河通航体系的顺利通航，将为城市副中心的旅游产业生态提供更为便利的消费赋能。 据悉，萧太后河贯穿文化旅游区，未来将打造通航及滨水空间。游客可乘船在文化旅游区游玩各项目，再前往张湾古镇、大运河、台 ...

Core Viewpoint - The article discusses the significant development of the Ferrari World entertainment complex in Beijing's Tongzhou district, highlighting its potential impact on the local tourism and cultural landscape, positioning Tongzhou as a new hub for cultural tourism in Beijing [6][14][32]. Group 1: Project Overview - The Ferrari World entertainment complex has officially signed in Tongzhou, with an estimated total investment of approximately $1 billion (about 7.1 billion RMB) [6]. - The complex will feature various attractions, including the world's fastest roller coaster, an esports park, a Ferrari museum, and a Ferrari club, with an expected annual visitor count of 1.8 million [6][12]. - This project is part of a broader initiative in Tongzhou, which includes the establishment of a Mars-themed immersive experience base with an investment of nearly 5 billion RMB [12]. Group 2: Strategic Importance - The establishment of Ferrari World in Tongzhou is seen as a strategic move to enhance the cultural tourism sector in the area, similar to the successful model of Yas Island in Abu Dhabi, which has multiple theme parks attracting significant visitor numbers [23][30]. - The article emphasizes that the introduction of high-profile projects like Ferrari World can enhance the overall appeal of the region, making it more attractive to global brands and tourists [30][32]. Group 3: Competitive Landscape - The article raises questions about potential competition between Ferrari World and existing attractions like Universal Studios, noting that while Universal has a strong brand presence, Ferrari World offers unique indoor experiences that may mitigate seasonal visitor fluctuations [39][40]. - It highlights the importance of the overall destination's attractiveness, suggesting that the success of Ferrari World will depend on the synergy with other attractions in the area [43][44]. Group 4: Market Context - The article notes that the global expansion of Ferrari World has been slow, with the brand historically cautious about entering new markets, indicating that the Chinese market has been a long-term target since a memorandum of understanding was signed in 2016 [19][20]. - It also mentions that the visitor numbers for existing Ferrari parks have stabilized around the million mark, suggesting that the projected visitor numbers for the Tongzhou location may be optimistic and reliant on the overall destination's draw [42][43].

Core Viewpoint - The acquisition of Suzhou Huayi Brothers Movie World by MBK Partners highlights the challenges faced by domestic theme parks in China and the increasing interest of foreign capital in the Chinese cultural tourism sector [5][9][25]. Group 1: Acquisition and Financial Performance - MBK Partners has completed the full acquisition of Suzhou Huayi Brothers Movie World, which has been renamed Suzhou Yangcheng Peninsula Park, marking a significant shift in ownership from a struggling domestic entity to foreign investment [5][8]. - The theme park, which opened in 2018, has faced continuous losses, with reported losses of 134 million yuan, 162 million yuan, and 93 million yuan from 2018 to 2020, leading to its bankruptcy restructuring in 2024 [10][12][13]. - Following MBK's investment of 100 million yuan, the park saw a significant increase in visitor numbers, reaching 350,000 during the summer trial operation period in 2025, with a daily peak of 20,000 visitors and a revenue increase of 68% year-on-year [8][11]. Group 2: Strategic Shifts and Market Dynamics - The initial vision for Suzhou Huayi Brothers Movie World was to replicate the Disney model by monetizing popular IPs, but the project quickly became a financial burden for Huayi Brothers, leading to its eventual sale [10][12]. - The failure of the park can be attributed to a mismatch between the IPs used and the expectations of the target audience, as the films associated with the park did not maintain their popularity, unlike Disney's enduring characters [14][20]. - The trend of foreign investment in Chinese cultural tourism projects, such as MBK's previous acquisitions of several marine parks, indicates a shift in market dynamics where international players are capitalizing on distressed assets in the sector [9][25][31]. Group 3: Investment Strategies and Future Outlook - MBK's approach to investing in distressed assets, known as "distressed investing," involves acquiring undervalued properties with the potential for future profitability through operational improvements [22][31]. - The strategic focus for MBK includes localizing the park's offerings and enhancing family-friendly attractions, which are expected to attract a broader audience and improve financial performance [22][23]. - The easing of regulatory conditions for foreign investments in entertainment venues since 2021 has facilitated increased foreign interest in the Chinese cultural tourism market, suggesting a potential recovery and growth in this sector [25][28].

Core Viewpoint - The article discusses the failure of the Suzhou Huayi Brothers Movie World, which was once envisioned as a "Chinese Disneyland," and its subsequent acquisition by Korean capital, highlighting the challenges faced by domestic companies in the theme park industry and the increasing interest of foreign investors in China's cultural tourism sector [4][8][25]. Group 1: Huayi Brothers' Theme Park Dream - The Suzhou Huayi Brothers Movie World, which opened in 2018, was intended to replicate the success of Disneyland but has faced continuous losses, leading to its acquisition by MBK Partners [4][6][13]. - The park, covering 690 acres, suffered losses of 134 million yuan, 162 million yuan, and 93 million yuan from 2018 to 2020, ultimately leading to its bankruptcy restructuring in 2024 [13][14]. - Huayi Brothers initially aimed to generate significant revenue from the park, projecting 18 billion yuan in annual income from 20 planned projects, but the reality proved disappointing [11][12]. Group 2: Foreign Investment in Chinese Cultural Tourism - MBK Partners has previously engaged in "distressed asset" investments, acquiring underperforming assets at a discount, as seen in their successful turnaround of Osaka Universal Studios [22][25]. - The acquisition of Suzhou Huayi Brothers Movie World is part of a broader trend of foreign capital entering China's cultural tourism market, driven by relaxed regulations and a favorable investment environment [26][28]. - The strategic location of the Suzhou park, situated in a prime tourist area, enhances its potential for recovery and profitability, attracting foreign investment interest [33]. Group 3: Challenges in the Domestic Theme Park Market - Domestic theme parks often struggle due to high investment costs and long payback periods, with many companies unable to sustain operations long enough to see returns [15][20]. - The reliance on popular film IPs has not translated into sustained visitor interest, as evidenced by the declining box office performance of related films [16][20]. - The article suggests that the broader issue lies in the lack of effective IP cultivation and operational strategies among domestic companies, which has led to failures in the cultural tourism sector [20][22].

Core Viewpoint - The current situation for domestic ocean parks in China is increasingly dire, with options limited to either shutting down or being sold off [1][62]. Group 1: Financial Performance and Challenges - The Shenzhen Special Development Group intends to transfer its entire stake in the Jingzhou Xiaomeisha Ocean Park, indicating a complete exit from the project [3][4]. - The Jingzhou Xiaomeisha Ocean Park reported a loss of 8.93 million yuan in the first half of 2025, with total investments nearing 280 million yuan, and losses exceeding the previous year's total within just six months [5][6]. - The financial struggles of the Jingzhou Xiaomeisha Ocean Park are not isolated, as the operator of Hainan R&F Ocean World has recently filed for bankruptcy restructuring [7][8]. Group 2: Industry Trends and Comparisons - The fate of ocean parks across China appears to be interconnected, with various parks facing similar challenges, from Dalian to Jingzhou and Hainan [13][14]. - Many domestic ocean parks are overly reliant on ticket sales from local visitors, lacking diversified revenue streams such as food, merchandise, and repeat visits [30][32]. - The operational model of these parks is flawed, particularly as they depend heavily on local populations, which can lead to unsustainable financial situations when visitor numbers are low [35][39]. Group 3: Future Outlook and Potential Solutions - The industry is witnessing attempts at restructuring, with companies like Tongcheng Holdings acquiring Dalian Shengya and Xiangyuan Holdings taking over Haichang Ocean Park, aiming to integrate these parks into broader tourism ecosystems [58][60]. - Successful international examples, such as Japanese aquariums, demonstrate that smaller, community-focused attractions can achieve financial stability without relying on large-scale government subsidies [54][56]. - The future of domestic ocean parks hinges on their ability to redefine their business models and engage more meaningfully with local communities [62].

Group 1: Event Overview - The 21st China (Shenzhen) International Cultural Industries Fair (Cultural Fair) showcased the Henan Pavilion with the theme "Walking Henan, Understanding China" [3] - The Henan Pavilion featured four main sections: "Hua Xia Source Pulse," "Craftsmanship of Henan," "Trendy Henan," and "Henan's Cultural Chapters," highlighting the province's cultural heritage and innovative practices [3] - The event attracted a large number of visitors, showcasing a variety of cultural products including intangible cultural heritage, arts and crafts, creative design, and cultural tourism [3][4] Group 2: Cultural Products and Innovations - The Henan Pavilion displayed unique cultural products such as peony porcelain, tri-colored pottery, and gold and silver crafts, emphasizing the blend of traditional craftsmanship with modern design [3][4] - The Yuxiang District presented diverse intangible cultural heritage items, including stone guardian figurines and Yuzhou Jun porcelain, showcasing the unique cultural value of the region [4] - The introduction of projects like the "Only Henan Drama Fantasy City" and "Jianye Movie Town" highlighted the integration of traditional culture with modern trends, appealing to family tourism [5] Group 3: Copyright and Cultural Exchange - The Henan Copyright Pavilion made its debut at the Cultural Fair, focusing on "Copyright Empowering Value, Innovation Driving Future" with a display area of 64 square meters [6] - The pavilion emphasized three main areas: "Root Transmission and Copyright Protection," "Innovative Development and Copyright Empowerment," and "Cultural Going Global and Copyright Safeguarding," showcasing how copyright can activate traditional culture [6] - The exhibition included various cultural works that demonstrated the province's efforts to promote its culture globally through copyright [6]

Core Insights - The theme park industry is experiencing significant growth, particularly in the Asia-Pacific region, with a 78% increase in visitor numbers compared to 2022, and a 4% increase compared to pre-pandemic levels [2][3] - China is the second-largest and fastest-growing theme park market globally, with seven Chinese parks in the top 25 worldwide, showcasing impressive growth rates [3][4] - The emotional value associated with theme parks is becoming a crucial driver of business, as consumers seek joy and escapism in the current economic climate [2][3] Industry Overview - The 2023 report indicates that the top 25 theme parks globally welcomed over 245 million visitors, a 23% increase from the previous year [2][4] - Shanghai Disneyland saw a remarkable 164.2% increase in attendance compared to 2022, highlighting the strong recovery and growth potential in the Chinese market [4][5] - The market penetration rate for theme parks in China is only 27%, compared to 68% in developed markets, indicating substantial growth opportunities [6] Competitive Landscape - Major international players are rapidly entering the Chinese market, with new projects like the Shanghai LEGO Land Resort and the Harry Potter Studio Tour set to open in the coming years [6][8] - Local companies such as Fantawild and Chimelong are also expanding aggressively, with Fantawild reporting a 111% increase in attendance [9][10] - The competition is intensifying as various sectors, including entertainment and media, are entering the theme park space, with companies like Bubble Mart and iQIYI launching their own parks [10][12] Financial Performance - Despite the growth in visitor numbers, profitability remains a challenge for many Chinese theme parks, with 22% of parks still operating at a loss [13][14] - The financial data shows that major players like Hong Kong Disneyland and Chimelong are facing declining profit margins, indicating the high operational costs associated with maintaining and upgrading attractions [14][16] - The reliance on ticket sales for revenue, which constitutes about 70% of total income, is a significant factor in the profitability issues faced by local parks [16][17] Future Trends - The theme park sector is expected to continue growing, driven by government support and the economic benefits these parks bring to local communities [17][18] - There is a growing emphasis on IP (intellectual property) development, with local parks increasingly focusing on creating or acquiring strong IPs to enhance their appeal [19][20] - Innovative models, such as drama-themed parks, are emerging, showcasing the potential for cultural integration and local storytelling in the theme park experience [27][29]