稷馨以宏大的世界观和细腻的笔触，让读者在烧脑的剧情中，感受到两个破碎灵魂逆流而行的震撼力 量。 《太平令》（完结） 作者：阎ZK 网络文学蓬勃生长，优质作品不断涌现。本期推荐榜单，由北大网络文学研究论坛的几位老师遴选评 定，聚焦2025年下半年口碑与热度兼具的网络热文。之后我们将定期推荐，只为发掘更多值得一读的佳 作，搭建作者与读者之间的沟通桥梁，愿这些文字为你带来片刻慰藉与启发。 《誓不成仙》（完结） 作者：稷馨 平台：番茄小说 推荐人：北京大学 齐欣欣 女主长嬴身为九尾天狐，却被剜去八尾、记忆全失；男主谢与安身负螣蛇血脉，却被至亲视为怪物，敲 碎骨头囚禁于地底百年。一狐一蛇的相遇，始于一场赤裸裸的算计与交易，她自断最后一尾助他破开枷 锁，哄骗他种下同生共死的"同心咒"，从此命运纠缠。在寻找真相的过程中，他们逐渐挖掘出九重天的 罪恶和彼此惊人的身世之谜。病娇偏执的谢与安与坚韧清醒的长嬴从最初的互相利用，到最后少年愿以 血肉之躯抵挡万仙之力，只为守住那句带他走的承诺。 《誓不成仙》一反传统仙侠的升级套路，以女主找回断尾为线索，串联起诡谲的凶域副本。赶尸客栈 的"活死人"、长生村的"续命肉"、问仙庙的古怪佛像… ...

Group 1 - The article highlights the flourishing growth of online literature, emphasizing the continuous emergence of quality works and the establishment of a platform for communication between authors and readers [1] - The recommendations are curated by professors from Peking University’s Online Literature Research Forum, focusing on works that balance reputation and popularity for the second half of 2025 [1] Group 2 - "The Adventure of the Wang Family" features a protagonist who navigates the chaotic Southern and Northern Dynasties using modern knowledge and historical insights, emphasizing themes of identity crisis and class barriers [2] - "Living Forever" explores the protagonist's journey through a long life, questioning the implications of immortality and the nature of existence, reflecting contemporary readers' desires for a leisurely life [3] - "The Tale of the Great Tang" combines elements of mystery and adventure, showcasing a complex world filled with intricate characters and emotional depth, reminiscent of classic Chinese literature [4][5] - "Auspicious and Fortunate" shifts the narrative focus to the lives of servants in a noble household, providing a unique perspective on social hierarchies and the daily struggles of lower-class characters [7]

本次入藏大英图书馆的作品包括《重生之将门毒后》《第一侯》《逢晴日》《国色芳华》《惊山月》 《九重紫》《九章奇案》《墨燃丹青》《为什么它永无止境》《伪像报告》《问九卿》《我花开后百花 杀》，涵盖了科幻、悬疑、言情等多元题材。 据介绍，本次入藏作品的其中一个鲜明特征在于其创作者全部为女性。这标志着在世界文化评价体系 中，女性叙事在网络文学领域的核心创造力与独特审美已获得显著关注。 责任编辑：宋雅芳 据介绍，本次入藏作品的其中一个鲜明特征在于其创作者全部为女性。这标志着在世界文化评价体系 中，女性叙事在网络文学领域的核心创造力与独特审美已获得显著关注。 责任编辑：宋雅芳 新浪科技讯 12月19日下午消息，12月18日，第四届上海国际网络文学周开幕式正式举行，大会现场宣 布，阅文12部网络文学作品入藏全球最大的学术图书馆大英图书馆，这也是继2022年以来中国网文第三 次入藏大英图书馆，累计已达38部。 新浪科技讯 12月19日下午消息，12月18日，第四届上海国际网络文学周开幕式正式举行，大会现场宣 布，阅文12部网络文学作品入藏全球最大的学术图书馆大英图书馆，这也是继2022年以来中国网文第三 次入藏大英图书馆，累 ...

Core Insights - The impact of AI on the online literature industry is significant, with a dramatic increase in the number of new works being published, rising from around 400 to 5,606 in one year, a 1,302% increase [1] - While AI-generated content is flooding platforms, established authors are adapting and leveraging AI tools for efficiency, while new authors face challenges due to stricter platform regulations against AI submissions [8][10] - The audience's perception of AI-generated content is mixed, with many readers expressing a preference for human-written stories due to emotional depth and connection [21][24] Group 1: AI's Impact on Online Literature - The number of new online literature works has surged, with over 3,000 male-oriented novels debuting in March this year [1] - Established authors like "Xiao Li" argue that AI cannot replace the nuanced understanding of reader preferences and emotional storytelling that human authors provide [4][5] - Data from the reading platform indicates that by 2025, 75% of authors will regularly use AI tools, with a 40% increase in interaction frequency with AI [7] Group 2: Challenges for New Authors - New authors are struggling as platforms implement stricter measures against AI-generated content, leading to potential penalties for using AI tools [8][10] - The AI detection systems are inconsistent, causing issues for authors who may be unfairly penalized despite their efforts to enhance their work with AI [10] - New authors lack the established reader base and creative maturity, making them vulnerable to the dual pressures of AI and anti-AI regulations [10] Group 3: Voice Acting Industry Dynamics - The voice acting industry is experiencing growth due to AI, with the market for audiobooks expanding significantly, driven by lower production costs [13][14] - Voice actors are finding new opportunities in AI-generated content, with some transitioning to roles as directors or expanding their services [12][15] - The distinction between reading and acting remains crucial, as experienced voice actors emphasize the importance of emotional delivery that AI cannot replicate [18] Group 4: Reader Perspectives - A survey indicated that a significant portion of readers (over 62%) would not read AI-generated novels, citing a lack of emotional connection [19][21] - Some readers expressed difficulty in distinguishing between AI and human-written content, highlighting the importance of engaging storytelling over the method of creation [23][24] - Overall, readers prioritize quality and emotional resonance in literature, regardless of whether it is produced by AI or humans [24]

Core Viewpoint - The "IP of Light" competition, celebrating the 10th anniversary of Yuewen, attracted 30 million participants and highlighted popular IP characters in Chinese online literature [1][4]. Group 1: Competition Overview - The event lasted for 20 days and included various stages such as "Summon to Battle," "Top 100 Competition," and "Peak Showdown" [4]. - The top three characters were Klein Moretti from "Mystery Lord," Li Muwan from "Immortal Reverse," and Ye Xiu from "Full-Time Master" [1][4]. Group 2: Popular Characters - The top ten popular characters also included Lu Xueqi from "Zhu Xian," Zhang Qiling from "Tomb Raider Notes," Wang Lin from "Immortal Reverse," Shi Hao from "Perfect World," Han Li from "Mortal Cultivation," Li Huawang from "Dao of Weird Immortals," and Xiao Yan from "Fights Break Sphere" [4]. - The selection of characters reflects a generational growth and the evolution of online literature, featuring both new benchmarks like "Mystery Lord" and classic returns like "Immortal Reverse" and "Fights Break Sphere" [4].

Core Insights - The 2025 Galaxy Science Fiction Conference was held in Chengdu, Sichuan from September 19 to 21, focusing on the theme "In the Face of the Future, Enjoy the Future" [1] - The conference featured the launch of the "Galaxy Plan" by Qidian Reading in collaboration with "Science Fiction World" [1] - The 36th Galaxy Awards were announced, with notable winners including Yang Wanqing for Best Science Fiction Novel and various authors for short and medium-length works [1][3] Group 1: Conference Highlights - The Galaxy Science Fiction Conference, originally established in 1991, has been held biennially since 2017 [1] - The event was co-hosted by the Sichuan Provincial Association for Science and Technology and the Sichuan Tianfu New Area Management Committee [1] - The conference included a thematic forum titled "The Multiverse of Science Fiction," featuring prominent authors and industry figures discussing global dissemination and cross-media narratives [5] Group 2: Awards and Recognitions - Yang Wanqing's novel "Golden Peach" won the Best Science Fiction Novel award, set against a backdrop of the Tang Dynasty [1] - The Best Science Fiction Network Literature Award was awarded to "Faulty Utopia" by Hu Wei, highlighting the increasing importance of online literature in the science fiction industry [3][5] - New awards were introduced, including Best Network Science Fiction Writer and Best Overseas Dissemination of Network Literature, reflecting a growing emphasis on digital and international engagement [3][5] Group 3: Galaxy Plan Initiatives - The "Galaxy Plan" aims to support young science fiction creators and includes initiatives like a "Science Fiction Genre Writing Contest" and dedicated funding for science fiction web literature [5] - The plan is backed by notable authors such as A Lai and Liu Cixin, indicating a strong commitment to enhancing the quality and reach of Chinese science fiction [5] - The initiative is expected to foster a more vibrant creative environment and broaden the dissemination channels for Chinese science fiction [5]

Group 1 - The article discusses the evolution of online romance literature, particularly focusing on female-centric narratives and their significance in expressing women's desires and experiences [2][11][19] - It highlights the academic efforts to legitimize online literature as a serious field of study, bridging the gap between academia and popular culture [10][11] - The work of Xue Jing, particularly her book "The Powder Empire: Online Romance Novels and Women's Discourse Politics," is emphasized as a critical analysis of the genre's transformation and its underlying themes [2][10][11] Group 2 - The article notes that early online romance novels often mirrored traditional narratives, but contemporary works have shifted to explore complex themes of power dynamics and personal desires [15][17][19] - It points out that the portrayal of male characters has evolved from idealized figures to more flawed representations, reflecting a deeper understanding of women's aspirations and societal roles [17][18][24] - The concept of "love as a tool" is introduced, suggesting that romantic relationships in these narratives often serve as a means for women to explore their own identities and desires [21][25][26] Group 3 - The article discusses the emergence of "love for women" literature, which emphasizes female values and experiences, and the dynamics between readers and authors in this context [48][49] - It addresses the societal implications of female empowerment through literature, highlighting the importance of creating a supportive community among women [56][57] - The narrative also touches on the broader themes of power and identity, suggesting that the exploration of female experiences in literature reflects ongoing societal changes and challenges [40][41][42]

Core Insights - The trend of "shorter dramas with more precision" is becoming a necessity in the online audio-visual industry, with Zhihu's Salted Story emerging as a benchmark for this shift [1][3] - Salted Story's unique short suspense format achieves a breakthrough in narrative tension, artistic value, and social reflection, establishing a new standard for "good stories" in the digital age [1][4] - The 8th "Online Literature+" Conference highlighted the market prospects and future development directions of short literature, gathering industry leaders and experts for in-depth discussions [1][4] Industry Trends - The rise of short-form content is reshaping the online literature landscape, with short stories gaining traction as a new form of literary expression [3][4] - The integration of short stories with contemporary aesthetic demands is creating a new narrative aesthetic, characterized by concise structures and innovative expressions [4][6] - The increasing popularity of short suspense stories is attracting a growing number of readers, with Salted Story leading the charge in producing high-quality content [3][6] Market Dynamics - The online literature market has seen a surge in new works, with 2 million new pieces added in a year, indicating a robust growth in the short and medium-length creation segment [4][6] - Salted Story's content aligns with the fast-paced lifestyle of modern readers, allowing them to consume complete stories in fragmented time [4][5] - The potential for adaptation into various media formats, including short dramas and audio dramas, is significant, with hundreds of Salted Story IPs sold for film rights [6][7] Strategic Developments - Zhihu is enhancing collaboration with short drama production and distribution platforms to launch more high-quality short dramas [7][9] - The establishment of the "Salted Treasure Pavilion" copyright cooperation center aims to streamline the adaptation process for Salted Story's works [7][9] - The overall online literature industry has evolved into a mature ecosystem, generating over 30 billion yuan annually and driving a 300 billion yuan industry chain value [9]

Core Insights - The 2024 Chinese online literature market is projected to reach a revenue scale of 49.55 billion yuan, reflecting a year-on-year growth of 29.37%, indicating strong resilience and broad market prospects [1][3]. Market Overview - By the end of 2024, the cumulative number of Chinese online literature works is expected to reach 42.1 million, an increase of over 4.2 million works compared to 2023 [3]. - The user base for Chinese online literature is anticipated to grow to 638 million, representing a year-on-year increase of 16% [3]. Industry Characteristics - The development of Chinese online literature in 2024 is characterized by three main features: 1. Online literature has become a representative form of new mass art [3]. 2. New business models are promoting the development of a diversified value system within the industry [3]. 3. The integration of online literature with micro-short dramas is opening new pathways for industry transformation [3]. IP Adaptation and Content Development - The number of IP adaptations from online literature is projected to reach 83,250 works, marking a year-on-year growth of 14.55% [3]. - The report indicates that after a period of explosive growth, the IP adaptation sector is transitioning to a more rational development phase, with a focus on high-quality content and refined copyright management [3]. International Market Expansion - The overseas market revenue for Chinese online literature is expected to reach 4.815 billion yuan in 2024, showing a year-on-year growth of 10.68% [4]. - The total number of "going abroad" works from Chinese online literature, including overseas original works, is approximately 750,900, reflecting a year-on-year increase of 7.92% [4]. - Southeast Asia has ranked as the top region for Chinese online literature exports for two consecutive years [4].

Core Insights - The announcement of the 2025 "Platinum God" author list by Yuewen Group highlights the emergence of young creators, particularly those born in the 1990s, showcasing the vitality of online literature as a creative hub [1][4]. Group 1: Author Recognition - Five authors received the "Platinum Writer" title, while six authors were recognized as "God Writers," indicating a diverse range of talent in the online literature space [1]. - The list reflects a significant presence of post-95 authors, emphasizing the generational shift in the literary landscape [5]. Group 2: Creative Depth and Cultural Integration - Many authors are deeply engaged in genres such as history, fantasy, and traditional Chinese literature, integrating national sentiment and traditional culture into their works [4]. - Notable works include "Shaosong" by Liudan Pasui, which has gained immense popularity, with related videos on Douyin surpassing 1.5 billion views, leading to a 1300% increase in original reading volume [4]. Group 3: Industry Trends and New Generation Impact - The 2025 "God List" reflects a robust development in the online literature ecosystem, with nearly 80% of the authors being born in the 1990s [5]. - New generation authors like Yan ZK and the White Crow have shown strong market potential, with their works advancing into various media adaptations, including print, audio, and animation [5]. Group 4: Author Brand Significance - The "Platinum Writer" and "God Writer" titles, established in 2006 and 2009 respectively, have become recognized and prestigious honors in the online literature field, reflecting nearly two decades of development [6].