AI 对网文的冲击，早已不是新鲜事了。 早在去年3月，番茄小说每日首秀新书达到5606部——去年同期这个数字还只是400本左右。一年时间暴涨1302%，这显然不是「作者群体扩张了13倍」能 解释的。而到了今年3月，男频小说首秀依然有3000多部。 今年上半年，「网文编辑被AI逼疯」话题频频登上社交媒体热搜。在DeepSeek于今年初爆红之后，AI稿件开始潮水般涌向起点、番茄等各大网文平台。 有平台审稿编辑每天收到七八个AI长篇，有的编辑甚至一度关闭了投稿邮箱，还有编辑开始私下交流选哪个AI鉴定工具来审稿更好用…… 与此同时，网文产业链之一的配音市场也面临冲击，近日配音演员穆雪婷和亚马逊之间的维权事件也让"声音权保护"进入公众视野。 AI ，真的杀死起点番茄了吗？ 01 为什么中腰部网文作者不怕AI？ ChatGPT还没出圈时，小李就开始写网文了。几年时间完结了三本书，每月稳定能拿到三倍于主业工作的收入。 当我们问他「你觉得AI有没有冲击到你的行业」时，小李笑了。他说我们不是第一个问他这个问题的人，甚至不是第十个了。 同时，他给了我们一个直截了当的回答：没有。 「你知道吗，哪怕用上AI，95%-98%的新人网文 ...

Core Viewpoint - The "IP of Light" competition, celebrating the 10th anniversary of Yuewen, attracted 30 million participants and highlighted popular IP characters in Chinese online literature [1][4]. Group 1: Competition Overview - The event lasted for 20 days and included various stages such as "Summon to Battle," "Top 100 Competition," and "Peak Showdown" [4]. - The top three characters were Klein Moretti from "Mystery Lord," Li Muwan from "Immortal Reverse," and Ye Xiu from "Full-Time Master" [1][4]. Group 2: Popular Characters - The top ten popular characters also included Lu Xueqi from "Zhu Xian," Zhang Qiling from "Tomb Raider Notes," Wang Lin from "Immortal Reverse," Shi Hao from "Perfect World," Han Li from "Mortal Cultivation," Li Huawang from "Dao of Weird Immortals," and Xiao Yan from "Fights Break Sphere" [4]. - The selection of characters reflects a generational growth and the evolution of online literature, featuring both new benchmarks like "Mystery Lord" and classic returns like "Immortal Reverse" and "Fights Break Sphere" [4].

Core Insights - The 2025 Galaxy Science Fiction Conference was held in Chengdu, Sichuan from September 19 to 21, focusing on the theme "In the Face of the Future, Enjoy the Future" [1] - The conference featured the launch of the "Galaxy Plan" by Qidian Reading in collaboration with "Science Fiction World" [1] - The 36th Galaxy Awards were announced, with notable winners including Yang Wanqing for Best Science Fiction Novel and various authors for short and medium-length works [1][3] Group 1: Conference Highlights - The Galaxy Science Fiction Conference, originally established in 1991, has been held biennially since 2017 [1] - The event was co-hosted by the Sichuan Provincial Association for Science and Technology and the Sichuan Tianfu New Area Management Committee [1] - The conference included a thematic forum titled "The Multiverse of Science Fiction," featuring prominent authors and industry figures discussing global dissemination and cross-media narratives [5] Group 2: Awards and Recognitions - Yang Wanqing's novel "Golden Peach" won the Best Science Fiction Novel award, set against a backdrop of the Tang Dynasty [1] - The Best Science Fiction Network Literature Award was awarded to "Faulty Utopia" by Hu Wei, highlighting the increasing importance of online literature in the science fiction industry [3][5] - New awards were introduced, including Best Network Science Fiction Writer and Best Overseas Dissemination of Network Literature, reflecting a growing emphasis on digital and international engagement [3][5] Group 3: Galaxy Plan Initiatives - The "Galaxy Plan" aims to support young science fiction creators and includes initiatives like a "Science Fiction Genre Writing Contest" and dedicated funding for science fiction web literature [5] - The plan is backed by notable authors such as A Lai and Liu Cixin, indicating a strong commitment to enhancing the quality and reach of Chinese science fiction [5] - The initiative is expected to foster a more vibrant creative environment and broaden the dissemination channels for Chinese science fiction [5]

Group 1 - The article discusses the evolution of online romance literature, particularly focusing on female-centric narratives and their significance in expressing women's desires and experiences [2][11][19] - It highlights the academic efforts to legitimize online literature as a serious field of study, bridging the gap between academia and popular culture [10][11] - The work of Xue Jing, particularly her book "The Powder Empire: Online Romance Novels and Women's Discourse Politics," is emphasized as a critical analysis of the genre's transformation and its underlying themes [2][10][11] Group 2 - The article notes that early online romance novels often mirrored traditional narratives, but contemporary works have shifted to explore complex themes of power dynamics and personal desires [15][17][19] - It points out that the portrayal of male characters has evolved from idealized figures to more flawed representations, reflecting a deeper understanding of women's aspirations and societal roles [17][18][24] - The concept of "love as a tool" is introduced, suggesting that romantic relationships in these narratives often serve as a means for women to explore their own identities and desires [21][25][26] Group 3 - The article discusses the emergence of "love for women" literature, which emphasizes female values and experiences, and the dynamics between readers and authors in this context [48][49] - It addresses the societal implications of female empowerment through literature, highlighting the importance of creating a supportive community among women [56][57] - The narrative also touches on the broader themes of power and identity, suggesting that the exploration of female experiences in literature reflects ongoing societal changes and challenges [40][41][42]

Core Insights - The trend of "shorter dramas with more precision" is becoming a necessity in the online audio-visual industry, with Zhihu's Salted Story emerging as a benchmark for this shift [1][3] - Salted Story's unique short suspense format achieves a breakthrough in narrative tension, artistic value, and social reflection, establishing a new standard for "good stories" in the digital age [1][4] - The 8th "Online Literature+" Conference highlighted the market prospects and future development directions of short literature, gathering industry leaders and experts for in-depth discussions [1][4] Industry Trends - The rise of short-form content is reshaping the online literature landscape, with short stories gaining traction as a new form of literary expression [3][4] - The integration of short stories with contemporary aesthetic demands is creating a new narrative aesthetic, characterized by concise structures and innovative expressions [4][6] - The increasing popularity of short suspense stories is attracting a growing number of readers, with Salted Story leading the charge in producing high-quality content [3][6] Market Dynamics - The online literature market has seen a surge in new works, with 2 million new pieces added in a year, indicating a robust growth in the short and medium-length creation segment [4][6] - Salted Story's content aligns with the fast-paced lifestyle of modern readers, allowing them to consume complete stories in fragmented time [4][5] - The potential for adaptation into various media formats, including short dramas and audio dramas, is significant, with hundreds of Salted Story IPs sold for film rights [6][7] Strategic Developments - Zhihu is enhancing collaboration with short drama production and distribution platforms to launch more high-quality short dramas [7][9] - The establishment of the "Salted Treasure Pavilion" copyright cooperation center aims to streamline the adaptation process for Salted Story's works [7][9] - The overall online literature industry has evolved into a mature ecosystem, generating over 30 billion yuan annually and driving a 300 billion yuan industry chain value [9]

Core Insights - The 2024 Chinese online literature market is projected to reach a revenue scale of 49.55 billion yuan, reflecting a year-on-year growth of 29.37%, indicating strong resilience and broad market prospects [1][3]. Market Overview - By the end of 2024, the cumulative number of Chinese online literature works is expected to reach 42.1 million, an increase of over 4.2 million works compared to 2023 [3]. - The user base for Chinese online literature is anticipated to grow to 638 million, representing a year-on-year increase of 16% [3]. Industry Characteristics - The development of Chinese online literature in 2024 is characterized by three main features: 1. Online literature has become a representative form of new mass art [3]. 2. New business models are promoting the development of a diversified value system within the industry [3]. 3. The integration of online literature with micro-short dramas is opening new pathways for industry transformation [3]. IP Adaptation and Content Development - The number of IP adaptations from online literature is projected to reach 83,250 works, marking a year-on-year growth of 14.55% [3]. - The report indicates that after a period of explosive growth, the IP adaptation sector is transitioning to a more rational development phase, with a focus on high-quality content and refined copyright management [3]. International Market Expansion - The overseas market revenue for Chinese online literature is expected to reach 4.815 billion yuan in 2024, showing a year-on-year growth of 10.68% [4]. - The total number of "going abroad" works from Chinese online literature, including overseas original works, is approximately 750,900, reflecting a year-on-year increase of 7.92% [4]. - Southeast Asia has ranked as the top region for Chinese online literature exports for two consecutive years [4].

Core Insights - The announcement of the 2025 "Platinum God" author list by Yuewen Group highlights the emergence of young creators, particularly those born in the 1990s, showcasing the vitality of online literature as a creative hub [1][4]. Group 1: Author Recognition - Five authors received the "Platinum Writer" title, while six authors were recognized as "God Writers," indicating a diverse range of talent in the online literature space [1]. - The list reflects a significant presence of post-95 authors, emphasizing the generational shift in the literary landscape [5]. Group 2: Creative Depth and Cultural Integration - Many authors are deeply engaged in genres such as history, fantasy, and traditional Chinese literature, integrating national sentiment and traditional culture into their works [4]. - Notable works include "Shaosong" by Liudan Pasui, which has gained immense popularity, with related videos on Douyin surpassing 1.5 billion views, leading to a 1300% increase in original reading volume [4]. Group 3: Industry Trends and New Generation Impact - The 2025 "God List" reflects a robust development in the online literature ecosystem, with nearly 80% of the authors being born in the 1990s [5]. - New generation authors like Yan ZK and the White Crow have shown strong market potential, with their works advancing into various media adaptations, including print, audio, and animation [5]. Group 4: Author Brand Significance - The "Platinum Writer" and "God Writer" titles, established in 2006 and 2009 respectively, have become recognized and prestigious honors in the online literature field, reflecting nearly two decades of development [6].

Group 1 - The core viewpoint of the articles highlights the recognition of new literary talents in the Chinese online literature industry, with the announcement of the 2025 "Platinum Master" and "Master" author lists by Yuewen Group [1][3] - The 2025 "Platinum Master" list includes five authors, while six authors are recognized as "Master" authors, showcasing the vibrant growth of online literature as a creative hub [1][3] - A significant proportion of the recognized authors are from the post-90s and post-95s generations, indicating a generational shift and the healthy development of online literature [3] Group 2 - The "Platinum Master" and "Master" titles, established in 2006 and 2009 respectively, have become the most prestigious author recognition systems in the online literature field, reflecting the authors' outstanding creative achievements [3] - Notable works from the new "Platinum Masters" include "Tai Ping Ling" by Yan ZK and "Who Let Him Cultivate!" by Zui Bai De Wu Ya, both of which have received significant accolades [3] - The recognition of these authors not only serves as a milestone in their careers but also contributes to the high-quality development of the Chinese online literature industry [3]

Group 1 - The eighth "Internet Literature+" conference will be held in Beijing on July 17-18, focusing on cultivating new cultural productivity and driving high-quality development in internet literature through innovation [1][2] - The conference consists of two main sections: "1+4+2" thematic forums and "1+1+3" supporting activities, including a main forum, four sub-forums, and two sharing salons [2] - The main forum will release the annual report on the development of internet literature, while the sub-forums will cover topics such as creation and commentary, technology empowerment, copyright protection, and youth power [2] Group 2 - Supporting activities include a promotional corridor, a recommended activity for internet literature, and three special events, showcasing the latest achievements in the integration and development of internet literature [2] - Special events like "IP Night," "Creative Field Trip," and "Cloud Reading Season" will highlight the results of internet literature creation, a writing competition, and foster a strong reading atmosphere among the public [2][3] - The conference is co-hosted by several organizations, including the Beijing Municipal Committee Propaganda Department and the China Audio-Video and Digital Publishing Association [3]

Group 1 - The core viewpoint of the article is the publication of the award-winning work "The Kite Runner," which was recognized in the 2024 Ningbo Bank Tian'e Online Literature Competition [3][4] - "The Kite Runner" was co-created by authors Yao Qin and Kong Fangxun, and it tells the story of a new "Chinese partner" while incorporating many elements from Ningbo [3][4] - The competition aims to discover outstanding online literary works that combine literary quality with contemporary relevance, promoting the high-quality development of online literature [4] Group 2 - The Tian'e Online Literature Competition is held every two years, offering a total prize pool of 1 million yuan, which is considered rare nationwide [4] - Each winning work receives a prize of 200,000 yuan, while the Tian'e Online Literature Newcomer Award offers 100,000 yuan to each winner [4] - "The Kite Runner" has been well-received, with the final judge, a researcher from the China Writers Association, praising its storytelling and its exploration of China's transition from "Made in China" to "Intelligent Manufacturing" [4][5] Group 3 - Following its award, Yao Qin and Kong Fangxun shared the 200,000 yuan prize [5] - The book is now available in major online and offline bookstores, as well as on e-book platforms [9] - There is a preliminary agreement for the film adaptation of "The Kite Runner" with notable producer Zhao Kaiwen and director Ma Zilong [9]