Group 1 - The article highlights the efforts of Hunan Provincial People's Congress representative Shen Yanxi in preserving the Huayao embroidery, a national intangible cultural heritage, by transforming it into various products, thus revitalizing the craft and increasing local income [1][3] - Shen Yanxi emphasizes the importance of collecting public opinions and suggests increasing funding support for intangible cultural heritage sites and improving incentive mechanisms for inheritors [3][4] - The article mentions that Hunan representatives collected over 5,100 public opinions last year and proposed 1,045 suggestions, focusing on quality rather than quantity [4][5] Group 2 - The Hunan government plans to invest approximately 60.1 billion yuan in 23 key livelihood projects for 2026, which is a 5.2% increase from the previous year [5] - Key projects include improving prenatal screening rates, expanding public high school enrollment, and establishing support systems for outdoor workers [5][6] - The Hunan Provincial People's Congress aims to enhance mechanisms for gathering public opinions and improve the effectiveness of representative liaison stations [6]

Core Viewpoint - The Chengdu Cultural, Sports and Tourism Bureau has shut down the "Inheritance Person Network" following the exposure of fake "intangible cultural heritage" practices by CCTV's "Weekly Quality Report" program [1] Group 1 - On February 1, 2026, the Chengdu Cultural, Sports and Tourism Bureau reported the operation of the "Inheritance Person Network" in Chenghua District [1] - A task force was formed, including market supervision, civil affairs, and local street offices, to investigate the "Inheritance Person Network" [1] - The website has been closed and its business activities halted, with a commitment to strict legal investigation and special rectification measures for the protection of intangible cultural heritage [1]

Group 1 - The Chenghua District Cultural, Sports and Tourism Bureau of Chengdu reported on February 1 that the CCTV program "Weekly Quality Report" exposed a fake "intangible cultural heritage" issue involving the "Inheritance Person Network" operating in the district [1] - A task force was formed, including market regulation, civil affairs, and local street offices, to conduct inspections of the "Inheritance Person Network" premises, question involved parties, and secure evidence [1] - The website has been shut down and its operations ceased, with the task force committed to conducting a thorough investigation and implementing special rectification measures to ensure the protection of intangible cultural heritage [1]

Core Viewpoint - The article highlights the emergence of fraudulent practices in the application for intangible cultural heritage (ICH) certifications, where individuals and companies are offering to expedite the process for a fee, undermining the legitimacy of the ICH recognition system [34]. Group 1: Fraudulent Practices - Numerous online platforms are advertising the ability to quickly obtain "ICH certificates" for prices ranging from hundreds to thousands of yuan, suggesting that these certifications can be purchased [1][3]. - Some companies claim they can facilitate the application process for ICH recognition without the necessary qualifications, offering to prepare application documents and even guarantee approval [5][7]. - The costs for becoming recognized as a "master" of ICH can be as high as 25,000 yuan for provincial-level recognition, with promises of expedited processing [5][9]. Group 2: Lack of Legitimacy - Many of the organizations issuing these certificates lack legal authority, as only government cultural departments are recognized as legitimate certifying bodies under the law [13][34]. - The certificates and plaques issued by these companies often bear logos that differ significantly from those recognized by official cultural departments, indicating their illegitimacy [11][21]. - The proliferation of these fraudulent certifications is driven by the commercial value associated with ICH recognition, leading to a market where businesses seek to exploit the ICH label for profit [23][34]. Group 3: Impact on Genuine Practitioners - The rise of these fraudulent practices threatens the livelihood of genuine ICH practitioners who have dedicated years to preserving their cultural heritage, as the market becomes saturated with unqualified individuals claiming ICH status [33][34]. - The commercialization of ICH recognition diminishes the cultural significance of these traditions, reducing them to mere marketing tools rather than preserving their true value [23][34].

Core Viewpoint - The proliferation of fake intangible cultural heritage (ICH) certifications in China raises concerns about authenticity and regulatory oversight, as many companies are willing to pay for these certifications to enhance their product marketing. Group 1: Fake Certification Practices - Numerous websites claim to offer ICH certifications for a fee, with prices ranging from 8,000 yuan for county-level to 25,000 yuan for provincial-level certifications, and even higher for national-level certifications [1][7] - A company named ISC2000 claims to be an authorized body for ICH certification, despite not being recognized by local cultural and tourism departments [1][6] - Various other entities, such as the "China Intangible Cultural Heritage Talent Pool" and "Inheritance Person Network," also offer similar services, often without any legitimate oversight [7][21] Group 2: Misuse of ICH in Marketing - Businesses are using ICH certifications to market products that do not genuinely represent traditional heritage, such as health products claiming to be based on ICH techniques [26][31] - The lack of stringent regulations allows companies to exploit ICH branding for commercial gain, leading to a dilution of the cultural significance of genuine ICH [32][33] Group 3: Regulatory Challenges - Experts emphasize that only government departments can legitimately certify ICH, and the current market is flooded with unauthorized certifications that mislead consumers [24][33] - There is a call for a unified digital traceability system to help consumers verify the authenticity of ICH certifications and to combat the proliferation of fake certifications [32][33] - Recommendations include establishing joint enforcement mechanisms between cultural and market regulatory bodies to address the misuse and commercialization of ICH [33]

Core Viewpoint - The province will host nearly 50 events themed "Intangible Cultural Heritage Celebrating the New Year and Tasting Chinese New Year" and "Intangible Cultural Heritage New Year Shopping Month" from late January to March, creating a unique "intangible cultural heritage version" of the Hainan New Year [1][2]. Group 1: Event Details - The Haikou venue will set up a special area for intangible cultural heritage creative products in February at the Friendship Sunshine City Commercial Plaza, showcasing various handmade and creative New Year goods from multiple intangible cultural heritage enterprises and representative inheritors [1]. - The year-end markets in Wuzhishan and Baisha will feature local intangible cultural heritage products such as Li brocade, pottery, bamboo weaving, and specialty foods, allowing citizens and tourists to experience the craftsmanship and warmth of Hainan's intangible cultural heritage while shopping for New Year goods [1]. - The Hainan Provincial Cultural Center will launch an intangible cultural heritage experience display event on March 3, while the Hainan Danjia Museum will host guided tours, themed exhibitions, and parent-child interactive activities from February 19 to March 3 [1]. Group 2: Cultural Integration and Community Engagement - The activities are designed to cater to different age groups, providing quality public cultural services that are "experiential, participatory, and purchasable," making "celebrating the New Year in the intangible cultural heritage museum" a new custom [1]. - Wanning will hold a "Celebrating the New Year with Intangible Cultural Heritage" event on January 31 at People's Park Square, featuring dragon and lion dances, Indonesian dance, and Qiong opera to create a festive atmosphere [1]. - Qionghai Cultural Center will launch a series of programs titled "The Taste of My Hometown" in February through multimedia platforms, guiding viewers to explore traditional foods from Qiong [2].

Core Viewpoint - The article highlights the efforts to preserve and promote the "Amei Qituo" dance, a national intangible cultural heritage originating from the Buyi and Miao Autonomous Prefecture in Qianxinan, Guizhou, emphasizing its role in cultural tourism and rural revitalization [1][6]. Group 1: Cultural Heritage and Promotion - "Amei Qituo" is a traditional Yi dance with over 500 years of history, revitalized through the efforts of local representatives like Wen Anmei, who focuses on its transmission and promotion [1][6]. - The dance has transitioned from a traditional wedding performance to a regular showcase, becoming a key attraction for tourism in the Amei Qituo scenic area [6][7]. Group 2: Educational Integration - The integration of "Amei Qituo" into local schools has led to significant improvements in students' behavior and confidence, with the dance being adopted as part of the school’s physical education curriculum [5][6]. - Six dance transmission centers have been established in the county, conducting over 20 teaching sessions annually in various community settings [6]. Group 3: Economic Impact and Tourism - The Amei Qituo scenic area is projected to receive over 340,000 visitors in 2025, generating tourism revenue exceeding 40 million yuan [7]. - The promotion of "Amei Qituo" is also linked to the development of local agricultural products, aiming to enhance the visibility and marketability of Guizhou's unique offerings [9].

去年省两会，陈月巧提交的关于非遗科学认定的提案得到了有关部门重视。今年，她的思考更进一步、 更系统，准备了两份提案，一是希望推动全省民间民族博物馆高质量发展，另一个则是关注加强省级非 物质文化遗产项目认定工作。 转自：贵州日报 从推动非遗认定，到探索文化与教育的深度融合，陈月巧的履职始终朝着一个方向：让文化遗产从"展 柜"走向"课堂"，从"保存"迈向"生长"。 贵州日报天眼新闻记者 权若青 冬日贵阳寒意渐浓，五彩黔艺民族服饰博物馆的实训教室里却暖意融融。一群年轻人正俯身描画苗绣纹 样，笔尖轻触纸面，仿佛能听见文化生根的声音。省政协委员、博物馆馆长陈月巧轻步走过，在一件苗 族盛装前驻足。她轻轻抚过衣裳上精致的银饰，眼里闪烁着光芒："文物静立在展柜里是历史，但把 它'种'进孩子心里，才能长出未来。" 翻开她的笔记本，记录着许多生动的实践：职业技术学院的学生将苗绣图腾重新设计成时尚图案，中小 学课间操融入民族舞蹈的轻快节奏，蜡染从衣裙"走"到文具上，古歌被孩子们清澈的嗓音再次唱 响……"当文化不再是书本上遥远的符号，而成为可亲的伙伴，传承就有了肥沃的土壤。"陈月巧说。 作为民间博物馆的运营者，陈月巧深知这类场馆在传 ...

Core Viewpoint - The successful premiere of the Yue opera "Embroidered Handkerchief" marks a creative transformation and living inheritance of the provincial intangible cultural heritage "Zhu San and Liu Erjie," showcasing the importance of local cultural practices in preserving heritage [3][4]. Summary by Sections Cultural Heritage and Background - "Zhu San and Liu Erjie" is a widely circulated folk narrative song in Jiangnan, telling a tragic love story from the Ming Dynasty, which has been recognized as a provincial intangible cultural heritage since 2007 [3]. - The song was collectively created by paper farmers in Fuyang and has spread to various regions, reflecting the cultural significance tied to local paper-making traditions [3]. Creative Transformation - The project leader, Xie Yuting, emphasized the urgency of preserving this cultural heritage as the number of traditional singers dwindles, prompting a year-long effort to adapt the folk song into a dramatic text suitable for modern audiences [3][4]. - The adaptation into Yue opera was chosen due to its popularity in Fuyang, aiming to provide a contemporary expression while maintaining the essence of the original folk song [3][4]. Performance and Artistic Team - The premiere featured a high-level creative team, including award-winning playwrights and directors, to ensure the artistic quality of the production [3][4]. - The 19-minute performance breaks traditional romantic tropes, presenting a light-hearted narrative that highlights the characters' contrasting social backgrounds and emotional depth [4][5]. Community Engagement and Future Plans - The project adopts a dual approach of "professional creation + folk inheritance," recruiting local enthusiasts to form community Yue opera troupes for further training and performance [5]. - The goal is to ensure that the opera becomes rooted in the community, allowing the heritage to thrive and grow organically [5].

（来源：天津日报） 转自：天津日报 本报讯（记者 王洋 摄影 姚文生）日前，"农民点戏 戏进农家"乡村绝活秀——乡土文化能人展演活动 （宁河站）在芦台大集举行。活动由市委宣传部、市文化和旅游局指导，北方演艺集团、天津海河传媒 中心、市文联主办，以"送文化"与"种文化"相结合的方式，集中展示了宁河区非遗的独特魅力与乡土文 化能人的精湛技艺。 伴随着开场歌舞《吉祥幸福中国年》欢快的旋律与热烈的舞姿，展演正式拉开帷幕。随后，女声独唱 《在希望的田野上》等节目轮番登场，悠扬的歌声、动人的演绎让观众沉浸在浓郁的艺术氛围之中。现 场还举行了宁河区第八批区级非物质文化遗产代表性项目颁证仪式，《张氏（鸿庆）形意拳》《芦台大 集商贸习俗》《宁河王氏糖画》等13个入选项目，彰显了宁河区深厚的文化底蕴。 在非遗展示环节，多位文化能人相继登台献艺。该区东丰台镇百年年画世家"义盛做"第五代传人、东丰 台木版年画代表性传承人董静，以《木版技艺与非遗匠心》为题讲述传承历程，介绍了该年画贴近乡野 百姓、色彩浓烈、风格粗犷豪放的特点；七里海芦苇画代表性传承人田宝军，用《从风中芦苇到壁上生 花的艺术故事》展现了芦苇在匠人手中如何蜕变为精美艺术品 ...