Group 1 - The company announced that its subsidiary, Central China Times, plans to jointly invest 21 million yuan to establish Beijing Twelve Happiness Cultural Development Co., Ltd. with related party Mr. Wang Keran [1] - Central China Times will invest 10 million yuan, while Mr. Wang Keran will invest 11 million yuan, resulting in a registered capital of 22 million yuan for Beijing Twelve Happiness [1] - After the investment, the shareholding ratios will be 45.45% for Central China Times and 54.55% for Mr. Wang Keran, indicating a strategic partnership [1] Group 2 - The investment aims to integrate high-quality industry resources and deeply bind with leading creative teams, enhancing the company's comprehensive competitiveness [1] - This move is expected to have a positive impact on the future development of the subsidiary, Central China Times, by constructing an innovative ecosystem that merges culture and tourism [1]

Core Viewpoint - Guangsheng Holdings Group showcased its achievements in empowering high-quality development through cultural construction at the 21st China (Shenzhen) International Cultural Industries Fair, held from May 22 to 26 [1]. Group 1: Exhibition Highlights - The exhibition design cleverly incorporated Lingnan traditional cultural elements and was divided into multiple thematic areas, including cultural achievements display, interactive experiences, and product showcases [2]. - The interactive experience area highlighted traditional craftsmanship, such as the hand-crafted silverwork from Guangdong Gold Group and the full-scene lighting technology from Foshan Lighting, allowing visitors to experience the integration of culture and technology through VR [4]. - The product display area featured innovative products from various subsidiaries, including Lingnan cultural gold jewelry, automotive-grade electronic products, a 130-inch ultra-high-definition display, high-performance composite metal materials, signature Cantonese snacks from Huameida Hotel, and cultural creative products from Guangsheng Culture [4]. Group 2: Corporate Philosophy - Guangsheng Holdings Group emphasizes the importance of corporate culture and the implementation of its FAITH management philosophy, which stands for Focus, Actions, Innovation, Technology, and Human-oriented [6]. - The FAITH philosophy is rooted in the reflection on the original mission of state-owned enterprises and combines problem-oriented and goal-oriented approaches to reform and development [6]. - The company aims to continue promoting the deep integration of culture and technology to inject new momentum and vitality into its high-quality development [6].

Group 1: Event Overview - The 21st Shenzhen Cultural Expo concluded with over 15,000 visitors at the Jiangsu exhibition area and on-site transaction volume exceeding 2.3 million yuan, with intended transaction volume around 78 million yuan [1] - The event served as a significant platform for Jiangsu cultural enterprises to connect with national and global markets, showcasing the integration of culture and technology [1] Group 2: Cultural Innovation and Technology - Jiangsu's exhibition featured four 4-meter high naked-eye 3D screens, highlighting the innovative blend of traditional crafts and modern technology, attracting significant attention from attendees [2] - The introduction of a digital identity certification system for Zisha teapots by Jiangsu Yixing Zhuoyi Culture aims to enhance trust in the collection and trading of traditional handicrafts, achieving sales of nearly 2 million yuan during the event [3] - The use of advanced technology in traditional crafts was exemplified by Jiangsu Huayi Group's first domestic intelligent robot production line for non-heritage tie-dyeing, increasing production efficiency by six times [3] Group 3: Market Trends and Consumer Engagement - The sales of traditional handicrafts, such as the "喜上眉梢" hair accessories made from ancient techniques, exceeded expectations, indicating a strong consumer interest in cultural products [4] - The integration of cultural elements into modern aesthetics was evident, with products like the "福桃" earrings combining traditional craftsmanship with contemporary design appealing to younger consumers [4] Group 4: Cultural IP and Entertainment - The event showcased the impact of popular media on cultural tourism, with the success of the drama "北上" leading to increased visitor traffic to its filming locations [6] - Jiangsu's cultural investment group highlighted its achievements in cultural empowerment through various projects, including the successful touring of the original ethnic dance drama "红楼梦" [7] Group 5: Technological Advancements in Cultural Industry - The expo featured innovations in cultural technology, including AI and VR applications, with Jiangsu's leading cultural tech companies presenting projects that redefine the digital cultural landscape [8] - The introduction of a VR project recreating historical sites, such as the Ming Dynasty tombs, demonstrates the potential for immersive experiences in cultural heritage [9] - Jiangsu's HIFIMAN brand showcased its cutting-edge audio technology, breaking international monopolies and establishing a global presence in the audio equipment market [10]

乡村振兴不仅是物质层面的改善，更是文化价值的重估与创新。庭院经济正在探索一条文化引领下的乡 村振兴之路。当一个个庭院焕发新生，不仅串联起产业发展的链条，更见证着传统与现代的完美融合。 推动庭院经济持续发展，在文化保护层面，可建立庭院文化遗产评估标准，设立专项扶持资金，推 行"文化积分制"，重点支持具有传承价值的传统院落。在活化利用层面，应创新"庭院+"模式，开发沉 浸式文化体验项目，积极运用数字技术提升展示效果。在产业融合层面，推动构建"庭院经济联合体"， 促进资源整合，培育特色文化IP，实施"文化名师计划"，引进专业人才。在制度保障层面，将文化空间 纳入乡村规划保护，建立文化收益反哺机制，开展示范庭院评选活动。通过多层次政策协同，使庭院经 济成为传承乡村文脉、增强文化自信、促进产业融合的重要载体，实现文化保护与经济发展良性互动， 让"方寸地"变"聚宝盆"。 （作者系浙江大学马克思主义学院副院长、教授） （文章来源：经济日报） 旅游市场正悄然兴起一股"慢游"新风尚，"反向游""奔县游""小院游"等日益成为游客选择的新型出游方 式。与"打卡式""特种兵式"旅游形成鲜明对比的是，人们开始倾向于追求"庭院悠闲度假" ...

Group 1 - The first humanoid robot fighting competition, "Zhongqing Robot Free Fighting Championship: Mecha King," will be held in Shenzhen in December 2025, marking a significant event in the robotics industry [1][3] - In 2024, Guangdong's industrial robot production is expected to reach 240,000 units, accounting for over 40% of the national total, indicating strong growth in the robotics sector [3] - Shenzhen aims to cultivate 10 robot companies valued over 10 billion yuan by 2027, positioning the competition as a platform for technology validation and talent development [3] Group 2 - The 21st China (Shenzhen) International Cultural Industries Fair attracted over 35,000 attendees from 110 countries, highlighting the global interest in cultural and technological integration [3] - The fair featured a newly established artificial intelligence exhibition area, showcasing the intersection of AI and cultural industries [3] - A forum on "AI Technology Empowering Cultural Development and Innovation" emphasized China's commitment to technological advancement and innovation in cultural sectors [5] Group 3 - AI is rapidly reshaping various industries, with tools and technologies enhancing productivity and creativity for individual cultural creators [7] - The integration of AI in cultural preservation, such as the digital restoration of Dunhuang's Mogao Caves, demonstrates the potential of technology in enhancing cultural experiences [5][7] - Policies announced at the fair aim to promote high-quality development in key cultural sectors, including film, performing arts, and animation, indicating a strategic focus on cultural industry growth [8]

Core Viewpoint - The 21st China (Shenzhen) International Cultural Industries Fair showcased Nanjing's cultural and technological innovations, emphasizing the integration of traditional culture with modern technology through various exhibits and interactive experiences [1][9]. Group 1: Digital Culture and Technology Integration - Nanjing's exhibition featured nearly 30 leading cultural technology enterprises, highlighting advancements in AI interaction, holographic displays, and virtual reality [1]. - The "Golden Age of Nanjing Digital Matrix" created by Nanjing Dasqi Digital Technology Co., Ltd. showcased historical landmarks through a massive holographic screen, merging history with modern technology [2]. - The "Cao Xiansheng" AI dialogue system provided deep analysis and innovative presentations of literary classics, utilizing a structured database to enhance user interaction with "Dream of the Red Chamber" [3]. Group 2: Revitalization of Traditional Crafts - Nanjing's cultural heritage was brought to life through modern interpretations of traditional crafts, such as the cloud brocade technique, which produced contemporary cultural products like bags and scarves [4]. - The Nanjing Cloud Brocade Museum introduced a unique cloud brocade painting, "Jiu Hua Qing Xiao," combining traditional techniques with modern design, enhancing its collectible value [5]. - The gold foil forging technique was showcased with interactive experiences, allowing visitors to engage with the craft and purchase related cultural products [6]. Group 3: Industry Development and Collaboration - Nanjing Xuankai Network Technology Co., Ltd. launched the KinoxAI audiovisual production platform, attracting over 45 companies for potential collaborations [7]. - The Nanjing Cloud Brocade Museum's live streaming event garnered over 380,000 viewers, indicating strong interest in digital cultural products [7]. - The city is focusing on the integration of culture and technology, with projected revenues exceeding 160 billion yuan from its three main cultural industries by 2024 [8].

Group 1 - The cultural industry in China is experiencing steady growth, with new cultural formats becoming a new growth engine, contributing significantly to the overall revenue increase of the industry [2][4] - In the first quarter of 2025, the revenue of cultural and related industries reached nearly 3.4 trillion yuan, with a year-on-year growth of 6.2%, while new cultural formats achieved a revenue of nearly 1.5 trillion yuan, growing by 12.5% [2] - The contribution rate of new cultural formats to the revenue growth of all cultural enterprises was 83.5%, indicating their strong role in driving the development of the cultural industry [2] Group 2 - The Chinese government is enhancing the policy framework to guide the high-quality development of the cultural industry, emphasizing the integration of culture with technology, tourism, and education [4][5] - The "14th Five-Year Plan for Cultural Industry Development" promotes a "cultural+" integration model, providing a policy basis for innovation in the industry [4] - Various measures have been introduced to stimulate tourism consumption and improve the tourism environment, which is expected to further expand the market space for the cultural industry [5][6] Group 3 - The demand for cultural products is increasing due to rising income levels and changing consumer preferences, creating new opportunities for the cultural industry [7][8] - Innovative projects such as immersive tourism experiences are gaining popularity, combining traditional and new formats to enhance consumer engagement [7] - Technologies like artificial intelligence, virtual reality, and blockchain are transforming the cultural industry, improving production efficiency and creating new business models [8]

Group 1 - The 21st Shenzhen Cultural Industries Fair concluded with the Jiangsu exhibition area receiving over 15,000 visitors and achieving on-site transaction amounts exceeding 2.3 million yuan, with intended transaction amounts around 78 million yuan [1] - Jiangsu Zhuoyi Cultural Development Co., Ltd. reported nearly 2 million yuan in sales during the event and established partnerships with various regions, marking the "Yixing model" of digital cultural industry expansion into the Greater Bay Area [1] - The company plans to collaborate with multiple parties to build a copyright element trading service platform, integrating new technologies such as blockchain, AI, and the metaverse to create a global co-creation ecosystem [1] Group 2 - The East China Crystal Exhibition showcased the national intangible cultural heritage of "East China Crystal Carving," generating significant on-site sales and new market opportunities, particularly in private and high-end customization [2] - Jiangsu High-tech Ceramics Co., Ltd. emphasized the exhibition's role in brand promotion, with numerous companies expressing interest in collaborative projects involving ceramic products and non-heritage items [3] - Various companies, including Jiangsu Yuanli Digital Technology Co., Ltd. and Jiangsu Boren Cultural Technology Co., Ltd., engaged in discussions for procurement and project collaborations with major groups and cultural institutions [3]

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair concluded successfully, with Bao'an District achieving significant results, attracting 280,000 visitors and generating nearly 2.5 billion yuan in signed and intended transaction orders, setting a new record for the event [1][3]. Group 1: Event Highlights - Bao'an's exhibition area, themed "Ice + Technology + Culture," became a focal point, featuring a 300-square-meter space divided into four sections: "New Chapter," "New Intelligent Manufacturing," "New Cultural Tourism," and "New Cultural Creation" [1]. - The main venue showcased an "Ice World" visual experience with 151 exhibits covering cutting-edge fields such as e-sports, naked-eye 3D, and digital creativity, including a miniature scene of the Qianhai Ice World [1]. - A total of over 120,000 cultural products were exhibited at the main venue, with more than 4,000 cultural industry investment and financing projects displayed and transacted [3]. Group 2: Business Development Initiatives - Bao'an District transformed the fair into a business promotion event, collaborating with various agencies to facilitate key project signings, including the partnership between Reading Group and Bay Area Book City for the Reading Garden project [2]. - The district also established connections with companies like Pico, Mango Entertainment, and Yiruiqi, promoting cultural and entertainment projects [2]. - Notable projects include the first commercial sci-fi film co-production between China, Saudi Arabia, and Europe titled "S.A.I.F," and a co-production project with Spain named "Parkour Life" [2].

Group 1 - The forum focused on the integration of culture and technology, emphasizing the need for collaboration between academia, enterprises, and research institutions to accelerate this integration [1] - The discussion highlighted the importance of developing a centralized digital infrastructure for cultural resources to enhance efficiency and productivity in the cultural sector [2][3] - There is a pressing need to cultivate interdisciplinary talents who possess both cultural and technological knowledge to bridge the existing gaps in the workforce [3] Group 2 - Companies like Liard are actively embracing AI to empower the cultural tourism industry, aiming for growth in industry output, tax revenue, and job creation [4] - Ximalaya, a leading platform in the Chinese audio sector, is leveraging AI to enhance user experience, with innovations like panoramic sound technology being implemented to solidify its market leadership [4]