Core Viewpoint - The Guangdong exhibition group achieved significant results in promoting cultural industry transactions during the 21st Shenzhen Cultural Expo, showcasing the vibrant vitality and development potential of the cultural industry in the Guangdong-Hong Kong-Macao Greater Bay Area [1][10]. Group 1: Industry Collaboration and Ecosystem - The Guangdong exhibition group leveraged the advantages of collaboration among Guangdong, Hong Kong, and Macao, uniting 115 cultural industry associations to create a "Cultural+" industrial ecosystem, achieving deep collaboration across the entire cultural industry chain [4]. - The exhibition attracted nearly 2,000 domestic professional buyers and 27 industry association delegations for precise matchmaking, establishing a new collaborative ecosystem [4]. Group 2: IP Innovation and Market Potential - The "Cultural Industry Innovation Exhibition" attracted major enterprises, becoming a new high ground for cultural trade, with numerous IP innovations showcased, driving consumption upgrades [5]. - The "AI+IP" approach redefined consumer experiences, with the "Pig Pig Hero" IP matrix expected to generate an annual derivative consumption scale of 500 million yuan [5]. - The "Guangdong-Hong Kong-Macao Greater Bay Area IP Release and Ordering Conference" highlighted the launch of various innovative IP products, including the "Lu Duan" IP, which integrates traditional culture with modern technology and education [6][7]. Group 3: Targeting the Z Generation Economy - Three major unicorn IPs were promoted, expected to drive over 1 billion yuan in derivative consumption within the year, covering a wide consumer demographic from ages 3 to 35 [7]. - The event emphasized innovative and market-potential IP products, facilitating communication and collaboration with potential partners to expand cultural industry business development channels [7]. Group 4: Efficient Networking and Project Signings - The Guangdong exhibition group organized four specialized negotiation meetings to connect quality customer resources and build a "Cultural+" industrial ecosystem [8][9]. - Three major projects were signed during the expo, with estimated cooperation amounts exceeding 500 million yuan, focusing on cultural new consumption and cross-industry collaborations [9].

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair concluded, showcasing Hainan's unique cultural products and providing new opportunities for the cultural industry [3][6] - Hainan's participation emphasized the theme "Cultural Empowerment of Free Trade Port," with 29 cultural enterprises presenting hundreds of local products [3][6] Group 1: Cultural Products and Innovations - Hainan's red clay ceramics attracted attention for their unique textures, leading to potential collaborations with external enterprises [3][4] - The popularity of Hainan's Huanghuali wood products among younger audiences indicates a growing interest in traditional culture, prompting designers to create more youth-oriented products [4][5] Group 2: Market Opportunities and Collaborations - The fair served as a platform for cultural enterprises to connect, with many expressing interest in partnerships to expand the market for red culture products [5][6] - The event highlighted the importance of integrating traditional craftsmanship with modern fashion to elevate Hainan's ethnic clothing on an international scale [5][6] Group 3: Economic and Policy Interest - Attendees showed interest in Hainan's favorable policies for cultural enterprises, indicating a potential influx of investment in the cultural and wellness sectors [6][7] - The fair's success reflects a broader trend of cultural industry growth in Hainan, driven by youthful engagement and cross-regional collaboration [6][7]

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) will be held from May 22 to 26, 2025, with the theme "Innovation Leads the Trend, Creativity Lights Up Life" [1] - The fair has expanded its international presence, with a record number of participating countries, global cooperation institutions, and exhibited product categories, particularly from Belt and Road Initiative countries [1] - A total of 65 participating countries and regions, with over 50 from Belt and Road countries, showcased unique cultural products, including Egyptian papyrus paintings and Swedish luxury jewelry [1] Group 2 - The fair features dedicated zones for cultural export and import trade, leveraging cross-border e-commerce resources to facilitate international cultural trade and promote the export of Chinese cultural products [2] - The event has a vibrant atmosphere for negotiations, with multiple cultural cooperation signing ceremonies, highlighting its role as a significant platform for international cultural exchange [2] - The fair has introduced foreign volunteers from over 10 countries to provide multilingual guidance, enhancing the global experience and cultural exchange during the event [2]

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair showcased Liaoning's cultural industry development and its integration with sports and tourism, emphasizing high-quality growth and new advantages in cultural tourism [1][2] Group 1: Cultural Industry Growth - Liaoning's cultural industry has been expanding, with a significant increase in revenue; in Q1, the revenue of large-scale cultural enterprises grew by 17.9% year-on-year, surpassing the national average of 11.7% [3] - The province's cultural resources are being effectively transformed into industrial and competitive advantages, indicating a robust growth trajectory [3] Group 2: Technological Integration - The integration of modern technology with traditional culture has led to the emergence of cultural IPs that enhance visitor experiences, such as the bionic robot representing historical figures and the digital twin museum [2] - Innovative products showcased at the fair highlight the dynamic fusion of culture and technology, demonstrating the potential for new cultural tourism experiences [2] Group 3: Cultural Heritage and Experience - Liaoning's rich cultural heritage is being actively preserved and promoted, with initiatives like copyright protection for intangible cultural heritage and engaging performances that attract audiences [4] - Unique cultural experiences, such as interactive performances and creative products, have resonated with visitors, enhancing their appreciation for Liaoning's cultural offerings [4][5] Group 4: Creative Products and Market Appeal - The fair featured a diverse range of creative cultural products that appeal to younger consumers, emphasizing the importance of creativity and distinctiveness in cultural merchandise [7] - The integration of local culinary experiences and innovative gift items reflects a strategic approach to attract consumer interest and enhance the cultural tourism experience [7][8] Group 5: Regional Promotion - The exhibition effectively showcased Liaoning's scenic beauty and cultural charm, encouraging both domestic and international visitors to explore investment and tourism opportunities in the region [8] - The promotion of Liaoning's cultural tourism products aims to create a stronger brand presence and attract a wider audience [8]

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) concluded successfully, showcasing significant growth in scale, exhibitor numbers, and international participation, reinforcing its status as "China's premier cultural industry exhibition" [1][2] Group 1: Exhibition Scale and Participation - A total of 6,280 exhibitors participated, an increase of 265 from the previous year, with 3,300 offline and 2,980 online exhibitors [2] - The event featured participation from all 31 provinces, autonomous regions, municipalities, and regions from Hong Kong, Macau, and Taiwan, highlighting a comprehensive representation [2] Group 2: Cultural Consumption and Engagement - The fair attracted over 2.2 million participants, with significant increases in key metrics compared to the last event, indicating a surge in cultural consumption [3] - Various promotional policies were introduced by Guangdong and Shenzhen to enhance the cultural industry's high-quality development, including a "tax refund zone" for international consumers [3] Group 3: Innovation and Technology - The introduction of an AI exhibition area marked a significant innovation, showcasing various AI applications in cultural contexts, such as AI-assisted performances and services [4] - The event featured over 200 new product launches across multiple cultural sectors, demonstrating the industry's innovative vitality [5] Group 4: International Collaboration - The fair expanded its international presence, with participation from 65 countries and regions, including over 50 from Belt and Road Initiative countries, showcasing a diverse array of cultural products [6][7] - Numerous cultural cooperation agreements were signed during the event, emphasizing its role as a vital platform for international cultural exchange [7] Group 5: Media Coverage and Public Reception - The event garnered extensive media attention, with over 3000 journalists from more than 180 media outlets covering the fair, resulting in over 80,000 reports and a total online readership exceeding 5.5 billion [8]

【深圳商报讯】（记者吴蕾苑伟斌）5月24日至25日，第二十一届文博会文化产业招商会暨合作签约仪 式在深圳国际会展中心红树林厅举办。记者获悉，这场为期两天的盛会不仅实现了签约金额的历史性突 破，更以"2+5+N"创新模式构建起文化产业全要素交易生态，实现了数量的倍增扩容、质量和结构的能 级跃升。 文博会文化产业招商会共有河北省、云南省、新疆维吾尔自治区、西藏自治区、深圳市、南京市、大连 市、宁都县、安远县、东源县，以及东方航天港集团文化旅游有限公司、湖北广播电视台、小鸟看看、 大丰数艺科技、河南洛邑文化旅游、深圳广电集团、深圳出版集团、深圳文化产权交易所、云洲数字、 加推科技、我的宇宙、雅文传播等共计24家政府组团、企业现场推介，推介项目数达35个；现场签约项 目达41个，总成交额再创新高。 文博会做优做强"交易"这一关键"硬实力"，积极打造文化产业投融资超级服务平台。作为文博会的重要 配套活动，文博会文化产业招商会已连续成功举办4届。本次招商会大会采用"2+5+N"模式，即2场主旨 招商会暨合作签约仪式、5大核心板块（人工智能、低空经济、文化旅游、文化出海、乡村振兴）、N 场专场推介会，设置了文化产业招商项目 ...

三是要从需求出发拓展AI与文化产业的深度融合，探索开发人工智能在文化产业各个环节的应用场 景，培育新型文化业态和商业模式，打造具有国际竞争力的文化科技产业集群。 他说，在这样的时代大背景下，我们必须保持敏锐的洞察力，精准把握新一代人工智能等信息技术发展 的大趋势，加快形成推进新时代文化繁荣发展的强大新动力，为2035年建成社会主义文化强国筑牢基 础。 他指出，人工智能技术推动传统文化"动起来、传下去、走出去"，推动传统文化的创新创造，催生我国 文化产业发展新场景、新范式、新业态。文化建设同样也能引导人工智能健康有序发展，"以人为本智 能向善"的文化价值观也为人工智能注入"灵魂"。相生相促对通用人工智能健康发展以及新型文化发展 范式重构都具有深远意义。 高文建议，要抢抓人工智能发展的历史机遇，把握中国特色社会主义文化建设的时代脉搏，推动文化与 科技相生相促。 一是要全方位加强政策引导和监管力度，规范人工智能技术在文化领域的应用，保护文化创作者的合法 权益，建立健全人工智能伦理规范。 二是要加快研发具有自主知识产权、安全可控的人工智能技术，突破人工智能在文化理解、情感感知、 创意生成等方面的技术瓶颈，提高人工智能 ...

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair concluded successfully, showcasing over 120,000 cultural products and hosting 120 events for product launches and premieres, indicating a thriving cultural industry [1] - The fair highlighted the integration of culture and technology, with significant commercial value created through innovative products, and a total of 41 projects signed during the cultural industry investment conference, achieving a record transaction volume [1] - The demand for cultural products is driven by the public's strong desire for spiritual culture and a better quality of life, reflecting the potential for growth in the cultural industry [1][2] Industry Developments - The cultural industry is experiencing robust growth, with the National Bureau of Statistics reporting that revenue from large-scale cultural and related enterprises reached 14.15 trillion yuan in 2024, a 6% increase from the previous year, outpacing GDP growth [2] - The introduction of an artificial intelligence exhibition area at the fair showcased robots performing various tasks, indicating a trend towards integrating technology into daily life, which could enhance quality of life and open new market opportunities [2] - The fair serves as a significant platform for promoting cultural products and enhancing domestic demand, contributing to higher quality economic development in China [3]

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair showcased over 120,000 cultural products and featured more than 4,000 cultural industry investment and financing projects, attracting over 2.2 million participants [1] - A total of 6,280 government groups, cultural institutions, and enterprises participated in the fair, an increase of 265 compared to the previous year [1] - The main exhibition area "Cultural Creativity China" expanded from over 1,300 square meters to 3,000 square meters, featuring over 100 institutions, enterprises, and well-known IPs [1] Group 2 - The fair's international presence expanded significantly, with over 50 countries from the "Belt and Road" initiative participating, marking a historical high in the number of exhibiting countries and product categories [1] - The newly established artificial intelligence exhibition area attracted over 60 leading and emerging companies in the AI field, showcasing how AI technology is reshaping the cultural industry [2] - The fair included various thematic exhibition areas covering intangible cultural heritage, cultural products, gaming, and trendy culture, stimulating new cultural consumption [2]

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (CICIF) concluded on May 26, showcasing over 120,000 cultural products and more than 4,000 cultural industry investment and financing projects [1][2] - The fair featured a significant increase in participation, with 6,280 exhibitors, including 3,300 offline and 2,980 online, marking a growth of 41 exhibitors compared to the previous year [1] - The introduction of an artificial intelligence exhibition area highlighted the integration of technology and culture, showcasing various AI applications in cultural contexts [1] Industry Developments - The fair expanded its international presence, with participation from over 65 countries and regions, more than 50 of which are from Belt and Road Initiative countries, setting records in the number of participating countries and product categories [1] - The main exhibition area, "Cultural Creativity China," was upgraded from over 1,300 square meters to 3,000 square meters, attracting over 100 institutions and enterprises with significant cultural products [1] - The event included specialized exhibition areas covering intangible cultural heritage, cultural products, gaming, and trendy culture, aimed at fully unleashing consumption potential in culture, tourism, and sports [2]