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《哪吒之魔童降世》
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园区“一子落”带动经济“全盘活”,成都高新区一年来做了啥
Di Yi Cai Jing· 2025-09-24 11:41
Core Insights - Chengdu High-tech Zone is experiencing significant economic growth, with a GDP of 180.91 billion yuan in the first half of 2025, marking a 6.2% increase and accounting for nearly 15% of the city's total GDP [3] - The electronic information industry is a key pillar, with an added value growth rate of 15.9%, and industrial investment exceeding 90% of the total industrial investment in the area [3] Group 1: Government Initiatives - Chengdu has launched a comprehensive service mechanism for enterprises called "进万企、解难题、优环境、促发展," transitioning from "enterprises seeking government" to "government seeking enterprises" [4] - The mechanism has shown effectiveness in various industrial parks, with the government acting as a partner rather than just a landlord [4][5] - The rapid response from the Chengdu High-tech Zone's Digital Economy Bureau has facilitated quick solutions for companies in need of office space and legal assistance [7] Group 2: Industry Development - The Tianfu Changdao Digital Cultural and Creative Park has become a hub for key enterprises in the film production chain, fostering a collaborative environment with a "10-minute cooperation circle" [1][12] - The park has attracted over 60 companies and approximately 6,000 employees, producing over 20 major intellectual properties (IPs) since its opening [15] - Chengdu High-tech Zone is focusing on high-quality development through the "立园满园" initiative, enhancing industrial attraction and ecosystem [12][16] Group 3: Innovation and Achievements - Chengdu High-tech Zone has seen significant achievements in innovation, including the early launch of BOE's 8.6-generation AMOLED production line, which set a new record for construction efficiency [16] - The successful launch of the first domestically produced 4-channel 12-bit 40GSPS high-precision RF direct sampling ADC chip by Chengdu Huamei Electronics Technology Co., Ltd. marks a significant advancement in the high-end RF direct sampling field [19] - The "梧桐计划" provides a comprehensive service system covering the entire lifecycle of enterprises, facilitating project, talent, platform, and financial services [11]
俄罗斯姑娘:中国总是能给我更多惊喜
人民网-国际频道 原创稿· 2025-09-16 09:21
Group 1 - The 2025 "Belt and Road" Media Cooperation Forum was held on September 16 in Kunming, Yunnan Province, China, with over 200 foreign representatives from 87 countries and international organizations [2] - The event featured cultural experiences, including traditional embroidery and popular Chinese animated films, showcasing the richness of Chinese culture to international attendees [2] - Participants engaged with various forms of Chinese cultural expressions, highlighting the importance of cultural exchange in the context of the Belt and Road Initiative [2]
本土化二次元为何能戳中年轻人的心
Core Insights - The article highlights the transformation of the domestic animation and gaming industry in China, showcasing a shift from predominantly foreign content to a growing presence of local original works, reflecting cultural confidence among the youth [1][4]. Group 1: Market Growth and Trends - The market for Chinese game IP derivatives reached 4.06 billion yuan in 2023, with a compound annual growth rate of 17% from 2019 to 2023, indicating accelerated development in this sector [2]. - The broader pan-anime and related market is projected to reach 597.7 billion yuan by 2024, supported by a user base of 526 million spanning various age groups [2]. Group 2: Cultural and Emotional Connection - Local anime and gaming works provide unique emotional support and cultural belonging for young consumers, as familiar cultural elements are integrated into narratives, creating a shared experience that resonates deeply [2][3]. - Works like "Time Agent" and "Ling Cage" reflect contemporary societal issues and young people's feelings, fostering a strong connection with the audience [3]. Group 3: Social Dynamics and Community Building - The localization of anime consumption has created new social capital and community belonging for young people, with online discussion groups and offline themed events emerging around domestic creations [3]. - Shared cultural experiences, such as watching films like "Nezha: Birth of the Demon Child" with family, enhance intergenerational communication and understanding [3]. Group 4: Future Challenges and Opportunities - The domestic animation industry faces challenges such as avoiding homogenization of themes, balancing commercial success with cultural depth, and breaking down audience segmentation [4]. - As cultural confidence and aesthetic diversity among the younger generation grow, local creations are expected to play an increasingly significant role in the cultural consumption market, serving as a means for self-expression and connection [4].
“陈塘关”里探哪吒
Jing Ji Ri Bao· 2025-09-05 22:14
Core Insights - The success of the "Nezha" animated films is attributed to the collaborative efforts of over 138 animation companies and more than 4,000 individuals, highlighting the thriving digital cultural industry ecosystem in Chengdu [1][2] - The Tianfu Changdao Digital Cultural Park has seen a significant increase in digital cultural enterprises, growing from 10 to 64 in five years, with the "Nezha" phenomenon playing a crucial role in attracting new businesses [3][4] - The park's operational strategy includes lowering rental costs to optimize the business environment, with current rates as low as 70 yuan per square meter [3] Industry Development - The digital cultural industry in Chengdu has reached a scale exceeding 100 billion yuan, with a year-on-year growth of 10.3% in the first quarter of this year [5][6] - The park serves as a hub for top-tier animation talent, fostering a collaborative environment akin to an "animation Olympic Village," where companies work closely together on major projects [2][4] - The local government actively supports the industry by establishing a "Digital Cultural Industry Intellectual Property Protection Base" to safeguard intellectual property rights [9][10] Cultural Impact - The "Nezha" series has become a cultural symbol representing the pursuit of self and independence among contemporary youth, integrating local cultural elements into its narrative [3][8] - Chengdu's digital cultural scene is enriched by various innovative projects, such as the "Floating Plan," which combines traditional culture with modern entertainment experiences [5][6] - The collaboration between local enterprises and national teams has increased, with companies now seeking partnerships rather than the other way around, indicating a shift in the industry's dynamics [8]
为什么韩国能“影视立国”,中国却盛产烂片?
虎嗅APP· 2025-08-19 13:20
Core Viewpoint - The article discusses the differences between the Chinese and Korean film industries, emphasizing how Korea has successfully established a strong cultural identity through its film and television productions, while China struggles with the prevalence of low-quality films [5][6]. Group 1: Chinese Film Characteristics - Chinese quality films often embody a "grassroots spirit" and a narrative of "common struggle," focusing on characters who transcend personal desires for greater ideals [5][8]. - The evolution of Chinese protagonists reflects a shift from socialist realism to a more complex portrayal of characters who embody self-overcoming and collective ideals, contrasting with Western narratives that often feature larger-than-life heroes [10][11]. Group 2: Korean Film Industry Insights - The Korean film industry has established a symbiotic relationship with the government, which actively supports and funds small production companies, creating a robust ecosystem for film production [18]. - The success of Korean dramas has led to a cultural phenomenon where learning the Korean language has become popular in Europe, showcasing the strategic value of the film industry in national branding [17][18]. Group 3: Cultural and Economic Implications - The article highlights the need for a "negotiated decoding" relationship between creators and audiences, which is currently lacking in the Chinese film industry, leading to a general skepticism towards new releases [19]. - The discussion includes the role of capital in the film industry, noting that while capital can drive production, it also complicates the relationship between artistic integrity and commercial success [24][23]. Group 4: Future Directions - There is a call for a cultural reconstruction that emphasizes shared values and community, suggesting that the film industry should focus on creating narratives that resonate with the everyday experiences of the audience [27]. - The potential for new forms of storytelling and audience engagement through digital platforms and user-generated content is recognized as a transformative force in the industry [22][27].
从哪吒2到浪浪山,为何国产动画电影总能出爆款?
Xin Jing Bao· 2025-08-19 12:05
Core Insights - The animated film "Wang Wang Mountain Little Monster" has surpassed 1 billion in box office revenue within 17 days of its release, becoming a summer blockbuster in 2025 and setting a record for Chinese 2D animated films [2] - The film's success has led to a surge in sales of related merchandise, particularly plush toys, indicating a strong market potential for domestic animated films [2] Group 1: Cultural Innovation - The film is based on the popular animated short "Chinese Tales," which reinterprets classic Chinese mythology, allowing audiences to connect with familiar characters without extensive backstory [3] - This approach of modernizing traditional IPs has proven effective in engaging viewers, as seen in the character development of the little pig monster who embodies themes of self-discovery and resilience [3] Group 2: Emotional Resonance - The film resonates emotionally with audiences by reflecting real-life struggles and aspirations, allowing viewers to see themselves in the characters [5] - Unlike live-action films, animated movies can abstract and amplify emotions, providing a unique lens through which to explore complex social issues [5] Group 3: Focus on Content Quality - Animation films are less constrained by actor-related factors, allowing for a concentrated investment in content quality, which can enhance the overall cinematic experience [6] - The production team for "Wang Wang Mountain Little Monster" comprised 600 members, meticulously crafting over 1800 scenes, showcasing a commitment to high-quality content [6] Group 4: Market Opportunities - The audience's potential fatigue with live-action films presents an opportunity for animated films to thrive, as they offer fresh narratives and artistic styles [7] - The success of animated films hinges on their ability to creatively transform traditional culture, focus on content quality, and express deep emotional narratives, which can lead to both critical acclaim and commercial success [7]
为什么韩国能“影视立国”,中国却盛产烂片?
Hu Xiu· 2025-08-18 10:40
Core Viewpoint - The discussion highlights the distinction between Chinese and Western narratives in film and television, emphasizing the emergence of "larger-than-life" characters in Chinese media that embody collective struggle and grassroots qualities, contrasting with the individualistic heroes often found in Western narratives [1][4][5]. Group 1: Chinese Film and Television Characteristics - Chinese quality films have consistently produced works that combine artistic and ideological depth, such as "Soldier Assault" and "Mountain Sea Love," which reflect a unique Chinese narrative style characterized by grassroots themes and collective struggle [2][3]. - The portrayal of "larger-than-life" characters in Chinese media often involves self-overcoming individuals who prioritize grand ideals over personal desires, making them resonate deeply with audiences amid a sea of individualism [5][6]. Group 2: Cultural and Strategic Insights - The interview discusses the strategic value of film and television in shaping national identity and cultural narratives, drawing parallels with the success of Korean dramas in promoting cultural elements and language abroad [13][14]. - The need for a "negotiated decoding" relationship between creators and audiences is emphasized, suggesting that a collaborative approach could enhance the quality and reception of Chinese media [16][21]. Group 3: Market Dynamics and Capital Influence - The role of capital in the film industry is complex, as it can both support and hinder the production of quality content, with a call for a more nuanced understanding of capital's influence on cultural production [20][21]. - The emergence of non-professional directors and creators in the film industry reflects a shift towards a more democratized and diverse creative landscape, challenging traditional notions of professionalism [18][19]. Group 4: Traditional Culture and Modern Narratives - The integration of traditional cultural elements in contemporary media is critiqued, with concerns that many productions merely use these elements for commercial purposes rather than genuine cultural revival [22][24]. - The importance of rebuilding a cultural community that fosters shared values and responsibilities is highlighted, suggesting that a collective approach could enhance the impact of traditional narratives in modern storytelling [25].
时报观察丨国产动画用文化自信打动人心
Zheng Quan Shi Bao· 2025-08-15 00:19
Core Insights - The success of "Wang Wang Mountain Little Monsters" is not an isolated incident, as it has achieved over 700 million yuan in box office revenue, setting a record for domestic 2D animated films in China [1] - Recent years have seen a surge in high-quality domestic animated films that resonate with audiences, showcasing deep cultural confidence and addressing contemporary themes [1][2] Group 1: Industry Trends - The rise of domestic animated films is characterized by their roots in traditional Chinese culture, utilizing myths, historical anecdotes, and folk stories for modern reinterpretation [2] - These films evoke strong cultural identity and emotional resonance among viewers, allowing them to reflect on their own lives through the characters' journeys [2] Group 2: Creative Approach - The creative teams behind these films are moving away from the anxiety of global market acceptance of Chinese elements, focusing instead on authentic storytelling that reflects Chinese narratives [2] - The commitment to hand-drawn animation techniques, as seen in "Wang Wang Mountain Little Monsters," signifies a shift towards a more mature and high-quality development phase in the domestic animation industry [2]
时报观察丨国产动画用文化自信打动人心
证券时报· 2025-08-15 00:09
Core Viewpoint - The success of "Wang Wang Mountain Little Monsters" is part of a broader trend in the Chinese animation industry, showcasing a growing cultural confidence and the ability to resonate with contemporary audiences through traditional narratives [1][3]. Group 1: Box Office Success - "Wang Wang Mountain Little Monsters" has achieved a remarkable box office performance, surpassing 700 million yuan, setting a new record for domestic 2D animated films in China [3]. - The film's success is not an isolated incident, as it follows a series of successful animated films that have revitalized the genre in China [3]. Group 2: Cultural Significance - Many recent successful animated films draw from China's rich cultural heritage, modernizing myths, historical tales, and folklore to create relatable narratives for today's audience [4]. - The characters in these films often reflect the struggles and aspirations of contemporary youth, allowing viewers to find solace and inspiration through their stories [4]. Group 3: Industry Evolution - The animation industry is experiencing a shift towards a more mature and high-quality development phase, moving away from concerns about global acceptance of Chinese cultural elements [4]. - The creative teams are increasingly focused on authentic storytelling, using Chinese narrative styles to convey local stories, which marks a significant change in the industry's approach [4].
时报观察 国产动画用文化自信打动人心
Zheng Quan Shi Bao· 2025-08-14 18:37
Group 1 - The core viewpoint of the articles highlights the success of the animated film "浪浪山小妖怪," which has surpassed 700 million yuan in box office revenue, setting a record for domestic 2D animated films in China [1] - The recent surge in popularity of domestic animated films is attributed to their deep cultural confidence and ability to resonate with audiences, as seen in films like "大圣归来," "哪吒之魔童降世," and "雄狮少年" [1][2] - The themes of these films often draw from traditional Chinese culture, reinterpreting myths and stories to connect with contemporary audiences, reflecting their struggles and aspirations [2] Group 2 - The animation industry in China is experiencing a cultural confidence awakening, leading to a shift in creative approaches, focusing on authentic storytelling rather than conforming to global market trends [2] - The success of "浪浪山小妖怪" signifies a maturation of the domestic animation industry, moving towards high-quality development and a commitment to telling Chinese stories with a unique narrative style [2]