"天赐青竹，地涌甘泉，前人授艺，纸载千年！"近日，在富阳湖源乡新二村元书纸古法造纸基地， 杭州市级非遗代表性传承人李文德率头戴竹笠、身披蓑衣的纸农，行"立竹·敬天""触地·敬土""横陈·敬 道"三重古礼。 "必须在竹枝已生成但尚未放叶时采伐，此时竹穰纤维细腻、胶质饱满。"李文德解释道，小满至夏 至期间斫青，是历代纸农破解的气候密码。早则轻虚，晚则粗硬，唯有把握斫青黄金期，方能成就"光 滑不蠹、洁白莹润"的纸中上品。 "开山"仪式结束后进行的"大竹元杯"造纸工序挑战赛，让50名参与者亲身体验匠作的艰辛。挑战赛 的第一个项目是"扁担挑料"，每名选手用毛竹扁担肩挑两捆竹料，负重约25公斤，疾行千米；决胜局则 是"独轮车运竹料"，选手载重约100公斤，推车一公里。 今年56岁的新二村村民李国中，30多年前曾是抄纸师傅。他凭借独轮车运竹料12分01秒的佳绩夺得 冠军。新二村书记李吉瑶也报名参赛，获得第三名。 "小满给予我们的启示，在于传承与创新的精妙平衡。新二村元书纸古法造纸基地巧妙地将传统技 艺与现代文旅相融合，迸发出'满而不止'的创新活力。"李吉瑶表示，新二村要依托富阳元书纸文化展 示馆、十佳宋韵杭式生活体验基地等 ...

Group 1 - The core viewpoint of the article emphasizes the integration of traditional culture with modern economic development, showcasing cultural confidence through innovative practices [1] - An international cultural and artistic exchange platform was launched to promote the deep integration of cultural heritage with education and art, aiming to make cultural relics more accessible and relevant to everyday life [1][12] - The event's theme "Breaking Boundaries? Coexistence" aligns with the International Museum Day's focus on the future of museums in a rapidly changing society, highlighting the urgent need for innovation and cross-disciplinary collaboration in the cultural sector [5] Group 2 - Participants at the event discussed the importance of breaking down barriers between different art forms, regions, and media to enhance the creative transformation of Chinese culture and improve its international discourse power [5] - Various representatives from museums, cultural institutions, and artists shared insights on how to revitalize cultural relics and make culture more vibrant in the lives of the public [5][9] - The platform aims to foster cross-national, cross-regional, and cross-city collaboration in cultural education, with successful examples of cultural dramas, music, and fashion already established [11][12]

Core Points - The 2025 Hainan Province "Cultural Center Service Promotion Week" has been launched, running from May 19 to May 25, with the theme "Let Cultural Centers Become Lifelong Aesthetic Education Schools" [2] - During the promotion week, 23 cultural centers across the province will host over a hundred activities, including public lectures, high-end art performances, cultural exhibitions, art training, cultural markets, traditional handicraft experiences, and AI digital experiences [2][3] - The initiative aims to showcase both the inheritance of traditional Hainan culture and the innovation and development of modern cultural arts, focusing on public engagement and cultural benefits for citizens and tourists [3] Activities Overview - The provincial cultural center has initiated public classroom projects in calligraphy, printmaking, traditional Chinese painting, coconut carving, and Li ethnic paper-cutting, along with the "Haiwen Forum" public lecture [2] - Family-oriented handicraft and cultural experience activities, multiple performance events, thematic public lectures, and exhibitions will also take place during the promotion week [2] - The launch of the AI cultural assistant "Xiaowen" aims to provide convenient cultural information and interactive experiences for citizens and tourists [2]

Group 1: Core Insights - Wealth gold is a unique asset that combines investment value, cultural significance, and artistic craftsmanship, making it an attractive option for investors [1][8] - As a form of gold, wealth gold retains the properties of being a safe-haven asset, particularly during economic downturns, providing stability against inflation and geopolitical risks [1][3] - The cultural significance of wealth gold in Chinese tradition symbolizes wealth, auspiciousness, and nobility, often featuring intricate designs and inscriptions that reflect deep cultural meanings [1][6] Group 2: Craftsmanship and Production - The production of wealth gold involves advanced techniques, including precision casting and intricate engraving, ensuring high-quality and aesthetically pleasing products [3][5] - Modern technologies, such as 3D printing, enhance the design possibilities of wealth gold, allowing for more complex and appealing shapes that cater to diverse consumer preferences [3][5] Group 3: Investment Value - Wealth gold serves as a hedge against inflation due to its scarcity and stability, with historical evidence showing its price appreciation during financial crises, such as the 2008 subprime mortgage crisis [5][6] - The value of wealth gold is influenced by various factors, including international gold market trends and geopolitical tensions, which can lead to increased demand and price surges [5][7] - Wealth gold offers good liquidity, allowing investors to easily buy and sell in regulated markets, making it a more accessible investment compared to less liquid assets [5][7] Group 4: Cultural Heritage and Innovation - Wealth gold preserves traditional cultural elements while also embracing modern design trends, appealing to younger generations through innovative aesthetics [6][7] - The market for wealth gold is expanding, driven by rising living standards and investment awareness, with increasing demand for both personal investment and cultural gifts [7][8] Group 5: Market Outlook - The wealth gold market is experiencing robust growth, but it faces challenges such as price volatility and the presence of counterfeit products, necessitating stronger regulatory oversight [7][8] - Future prospects for the wealth gold market are promising, with advancements in technology and cultural appreciation likely to enhance product offerings and investment opportunities [7][8]

这并非邱志杰首次对这一问题发表看法。早在今年3月，他在《天津美院为什么要开设书法通识课？》 一文中就曾提到这一现象。他指出，近年来在各种机场广告以及城市店铺张贴中，经常看到这种结构扁 平、捺脚很大、毛刺很多的字体。在他看来，这种字体结构非常丑陋，按照中国书法的标准来看，简直 每一笔都是败笔。他认为，这种字体错误理解了软毫的风格和力度，以为用力折腾毛笔就是力量感。邱 志杰遗憾地表示，这种字体似乎已经安装在很多没有书法修养的平面设计师的电脑字库里。 邱志杰的言论迅速引发了书法界、设计圈及文化评论领域的热议。文字作为图像记忆的一种衍生方式， 人们为了简明地表达事情、物品、人物等情景画面，而演变出简明的记载方式。在海报、广告牌、片头 片尾等公共场合出现的文字，是品牌形象的重要构成元素，而字体则是文字信息的外在表达方式。不同 的字体不仅能影响排版，更会极大反映品牌的性格。如果说图形和色彩是品牌的皮肤和血肉，那字体则 是品牌的内在骨骼。 然而，当前广告设计中普遍存在的"武士道书法"现象，显然与这些传统字体的审美标准背道而驰。邱志 杰的批评不仅指向了字体设计的审美问题，更触及了文化传承与创新的深层次矛盾。他认为，这种字体 ...

Core Perspective - The novel "Yue Shi Ji" by online writer San Sheng San Xiao is the only online literature work recognized as a "Good Book of China" for 2024, intertwining a culinary journey with cultural roots through the story of a father-son duo in the Cantonese cuisine industry [2] Group 1: Culinary Writing - The culinary writing in "Yue Shi Ji" can be divided into two aspects: "the form of food" which focuses on the selection of ingredients, cooking techniques, and the detailed description of dishes, and "the essence of food" which transcends physical enjoyment to explore cultural and spiritual dimensions [3][4] - The novel emphasizes the importance of both the physical and spiritual aspects of food, showcasing how traditional Cantonese cuisine values experience and artistry, contrasting with modern fast-food culture that prioritizes appearance and efficiency [4] Group 2: Cultural and Philosophical Themes - The narrative explores the conflict between traditional culinary culture, which emphasizes depth and meaning, and modern fast-food culture, highlighting the philosophical dichotomy of slow classical time versus fast modern time [4] - The protagonist, Mai Xi Ming, represents a new generation of Cantonese chefs who seek to harmonize the form and essence of food, reflecting a blend of tradition and innovation in Chinese culinary culture [4]

Group 1 - The event "Youth Create the Future, Strive to Write a Chapter" was held in Changsha, focusing on youth entrepreneurship and growth [1] - Young entrepreneurs are leveraging technological innovation to transform traditional industries in Changsha [1][2] - The "Seven Ones" entrepreneurship policy in Hunan has significantly supported startups, enabling rapid development and funding opportunities [1] Group 2 - Changsha Shining Intelligence Biotechnology Co., founded by Liu Yuanyuan, has successfully secured 1 million yuan in seed funding and is expanding its products to over 40 breeding farms nationwide [1] - Hunan Zhuyang New Energy Co., led by Zhou Zaiyang, has developed a high-efficiency bamboo film for the photovoltaic industry, showcasing innovation in renewable energy [2] - The company has received recognition for its technology, winning the "Challenge Cup" gold award [2] Group 3 - Hunan Tianjiang Agricultural Technology Development Co., managed by Yu Chao, is implementing a "rice + aquaculture" model across 1,280 acres, reducing labor costs by 60% and pesticide use by 65% [3] - The company has established a comprehensive agricultural innovation platform, enhancing the rice-fish integrated farming industry [3] Group 4 - Youth entrepreneurs are revitalizing traditional culture in Changsha, merging modern creativity with historical roots [4] - The East Mao Street Teahouse, co-founded by Zhang Tiehan, has become a cultural hub, selling 3,000 cups of tea daily and fostering community storytelling [4] - Liu Jiahao, a fourth-generation inheritor of the "Mud Man Liu" brand, is integrating AI and 3D printing into traditional pottery, significantly reducing design cycles [5] Group 5 - The "Mud Man Liu" brand is actively engaging with local entrepreneurs and universities to cultivate young inheritors of traditional crafts, having trained over 200 individuals [5] - The supportive policies in Changsha are fostering a vibrant environment for innovation and entrepreneurship among the youth [5]

陈雪怡 近日，在海南五指山，马路两旁行道树枝头挂满的黎锦图案条幅随风摇曳似舞动、气球挂件笑容可 掬表欢迎，让不少市民游客忍不住驻足拍照，在社交平台上配图发文称"太用心了!'三月三'气氛超浓 烈!" 今年的海南黎族苗族传统节日"三月三"活动，主会场设在五指山，还将在全省16个市县(单位)分别 举办分会场活动。不只是五指山的活动气氛浓烈，屯昌分会场于3月27日至28日在南坤镇合水新村举办 少数民族传统手工艺品展示、男女混合拔河比赛等，并设长桌宴款待各方宾客;3月28日，万宁分会场在 南桥镇桥南外村举行，打造了一场集文化展示、产业推广、资源推介、全民参与于一体的民族文化盛 宴……"三月三"主会场开幕式还没开启，活动氛围感已经在全省各地提前拉满。 节日年年都过，今年有何不同?不止于"加浓版"的活动氛围，还有"创新版"的活动安排。如"奇遇五 指山·花开三月三"户外沉浸式全城剧本秀等创新沉浸式演出，能让市民游客深度体验民族文化。通过创 新方式方法，充分发挥"三月三"活动作为黎族苗族文化展示的重要载体作用，既保留了文化原真性，又 赋予其现代生命力。 此外，今年的"三月三"，游客不仅可参与千人齐跳竹竿舞、共同舞、舂米舞等，还 ...