Core Points - The document outlines the management measures for specific personnel holding shares in China Film Industry Group Co., Ltd, emphasizing compliance with relevant laws and regulations [1][2][3] Group 1: General Provisions - The purpose of the measures is to strengthen the management of shareholding and changes for specific personnel in the company [1] - Specific personnel include directors, senior management, and other individuals who can access insider information [1] Group 2: Restrictions on Trading - Specific personnel must be aware of legal regulations and fulfill notification and reporting obligations before trading company stocks [2] - Trading restrictions apply from the moment insider information is known until it is publicly disclosed [2][3] - Directors and senior management are prohibited from trading company stocks during specific periods, such as 15 days before annual and semi-annual report announcements [2][3] Group 3: Transfer Limitations - Directors and senior management cannot transfer shares within one year of the company's stock listing or within six months after leaving the company [3][4] - Short-term trading is prohibited, defined as buying and selling shares within six months [4] Group 4: Reporting and Disclosure - The board of directors is responsible for establishing and supervising the management system for shareholding changes [7] - Specific personnel must report their shareholding information within two trading days of any changes [7][8] - Any planned share reductions must be reported 15 trading days in advance, detailing the number of shares and reasons for the reduction [8] Group 5: Legal Responsibilities - Specific personnel who violate these measures may be liable for damages caused to the company and must compensate for reasonable expenses incurred [11] - Violations that result in losses to shareholders or investors may lead to administrative, civil, or criminal liabilities [11]

中国电影产业集团股份有限公司 重大信息内部报告制度 （2025 年 6 月，经公司第三届董事会第二十次会议审议通过） 第一章 总 则 第一条 为加强中国电影产业集团股份有限公司（简称"公司" 的重大信息内部报告工作，确保公司规范履行信息披露义务，根据《中 华人民共和国证券法》《上海证券交易所股票上市规则》 （简称"《上 市规则》"） 《上海证券交易所上市公司自律监管指引》等法律法规、 规范性文件以及《中国电影产业集团股份有限公司章程》 （简称" 《公 司章程》" ）《中国电影产业集团股份有限公司信息披露管理制度》 称"《信披制度》 "）的规定，结合公司实际情况，制订本制度。 第二条 本制度适用于公司及纳入公司合并报表范围的全资、控 股子公司（简称"子公司"） 第三条 本制度所称"重大信息内部报告"是指，当出现、发生 或者即将发生可能对公司股票及其衍生品种的交易价格产生较大影 响的情形或者事件时，负有报告义务的责任人应当及时履行内部报告 程序。 第四条 本制度所称"及时"是指自获悉该事项或筹划事项形成 意向或方案的 2 日内。 第五条 本制度所称"报告义务人"包括： （一）公司董事和高级管理人员； （二）公司各 ...

Core Viewpoint - The document outlines the management system for the deferral and exemption of information disclosure by China Film Industry Group Co., Ltd, ensuring compliance with relevant regulations and protecting sensitive information [1][2][3]. Group 1: General Principles - The company aims to standardize the deferral and exemption of information disclosure to comply with laws and regulations [1]. - Information disclosure must be truthful, accurate, complete, timely, and fair, avoiding misuse of deferral or exemption to mislead investors [1][2]. Group 2: Applicable Situations for Deferral and Exemption - Information can be deferred or exempted if it involves state secrets or could violate confidentiality regulations [1][2]. - Business secrets can be deferred or exempted if disclosure could lead to unfair competition or harm the interests of the company or others [2][3]. Group 3: Approval and Registration Procedures - The board of directors oversees the deferral and exemption process, with the board secretary responsible for coordination [3][4]. - Specific internal approval procedures must be followed for deferring or exempting information disclosure [4][5]. Group 4: Subsequent Management of Deferred and Exempted Information - The company must report deferred or exempted information to regulatory bodies within ten days after the announcement of periodic reports [5][6]. - If the reasons for deferral or exemption are eliminated, or if information leaks occur, the company must disclose the information promptly [6]. Group 5: Accountability - Violations of the established procedures may lead to accountability measures against responsible personnel [6][7].

Group 1 - The core viewpoint of the articles highlights the strong performance of the Chinese film market in the first half of 2025, with a total box office revenue of 29.226 billion yuan, marking a year-on-year growth of 22.89% and achieving the third highest box office in history for the first half of the year [1][2] - The film "Nezha: The Devil's Child" has significantly driven the box office, accounting for 52.8% of the total revenue, and has grossed over 15.4 billion yuan domestically, contributing to a strong start for the annual film market [1][2] - The market is facing challenges with a notable "oligopoly phenomenon," as only three films in the top ten have grossed over 1 billion yuan, and there has been a lack of major releases since the Spring Festival [2] Group 2 - As the film market transitions into the second half of the year, the summer box office has reached over 1.9 billion yuan, with expectations for upcoming films to boost attendance and revenue [3] - Several anticipated films are scheduled for release in July and August, including "Jurassic World: Rebirth" and various animated features, which are expected to enhance the market's performance [3]

Core Viewpoint - The event "Civilization Mutual Learning · Light and Shadow Together" featuring the film "Kangxi and Louis XIV" was held in Shanghai, highlighting the importance of cultural exchange between China and France, coinciding with the 60th anniversary of diplomatic relations between the two countries [1][7]. Group 1: Event Overview - The event attracted nearly a hundred attendees, including members of the French-speaking alumni association, representatives from brother associations, and students from Fudan University and Shanghai International Studies University [1]. - The film screening was part of the "China Film Consumption Year" initiative launched by the National Film Administration and China Central Television to boost social consumption through film [3]. Group 2: Cultural Exchange and Wine Tasting - The event combined film viewing with a French red wine tasting, representing a new attempt to implement the "Film + Consumption" strategy [3]. - Attendees engaged in discussions about the film while enjoying wine, aiming to enhance wine sales and brand influence through the event [3]. Group 3: Significance of the Film - The film presents a unique artistic perspective on the interactions between Kangxi and Louis XIV, showcasing the historical exchanges between Chinese and French civilizations [7][10]. - Audience members found the film both informative and entertaining, providing deeper insights into the long-standing history of Sino-French relations [10].

Group 1 - The article highlights significant events in the global market during the first half of 2025, including the release of "Nezha 2," which achieved record box office success, marking a breakthrough for Chinese animation [1][9] - The China Securities Regulatory Commission announced measures to boost market confidence, aiming for a 10% annual increase in public fund holdings of A-shares over the next three years, potentially adding several hundred billion yuan to the market [2] - The launch of the DeepSeek application led to a surge in daily active users, reaching 15 million within 18 days, significantly impacting the market and boosting related stocks [6] Group 2 - The People's Bank of China announced a 0.5 percentage point reduction in the reserve requirement ratio and a 0.1 percentage point cut in policy interest rates, providing approximately 1 trillion yuan in long-term liquidity to the market [21] - The Ministry of Finance injected 500 billion yuan into four major banks, resulting in a strong rebound in bank stocks [12] - The concept of mergers and acquisitions gained popularity following regulatory changes that relaxed restrictions, leading to a surge in related stock prices [23] Group 3 - The price of gold surged past 1,000 yuan per gram, leading to increased discussions about gold investment on social media [16][17] - The "Suhou Super League" sparked widespread interest, with related sports stocks experiencing significant gains as the event generated economic activity [29] - The auction of a unique Labubu toy for 1.08 million yuan highlighted the growing IP economy, driving up the stock price of Pop Mart [31][32]

Group 1 - The Shanghai International Film Festival has created a new consumption ecosystem by linking over 40 cinemas and 200 public screening venues with the city's core business districts, allowing movie tickets to serve as a "pass" for urban consumption [1] - Movie ticket stubs provide discounts at various brands, parking benefits, and enhance the overall viewing experience through activities like ticket stub exchanges, lotteries, and themed merchandise [1] - Merchants are innovating to meet audience demands, with e-commerce platforms offering food vouchers and special meal packages during the film festival [1][2] Group 2 - The "ticket stub economy" fosters connections between culture, commerce, and tourism, creating new experiential opportunities for moviegoers [2] - The "Dream Factory" exhibition celebrating 120 years of Chinese cinema offers half-price entry for festival ticket holders, enhancing the cultural experience [2] - The inaugural Shanghai Film Fans Festival introduced the "MovieWalk" city check-in system and a ticket stub collection reward mechanism, providing an immersive cultural experience [4] Group 3 - The upgraded "Movie Life Handbook" serves as a comprehensive viewing guide, featuring a citywide cinema map, practical ticket stub economy tips, and food guides, making it easier for audiences to explore the city [4]

Core Viewpoint - The "Follow the Movie to the Market" event in Guangdong aims to stimulate cultural market consumption during the summer by integrating film screenings with tourism, food, and local culture, aligning with the "China Film Consumption Year" initiative [1][2][3]. Group 1: Event Overview - The event is organized by the Guangdong Provincial Party Committee's Publicity Department and the Guangdong Film Bureau, featuring a "movie screening + cultural tourism, food, and sports" market model [1][2]. - It includes 15 themed booths showcasing official merchandise from the 15th National Games and the Special Olympics, as well as local culinary specialties and tourism routes [2][3]. Group 2: Film and Cultural Integration - The event launched 56 tourism routes and an electronic guide map, connecting popular filming locations in Guangdong, enhancing the synergy between film and tourism [3]. - A mini-program for "Guangdong Film Shooting" was introduced, providing a comprehensive scene library for film crews and facilitating audience engagement with filming locations [3]. Group 3: Upcoming Film Releases - Three upcoming films, "Hero of Sanyuanli," "Lychee of Chang'an," and "Adventure," were highlighted, with their stories reflecting local culture and history [4][5]. - "Hero of Sanyuanli" is set against the backdrop of the First Opium War, while "Lychee of Chang'an" incorporates elements of Guangdong's rural landscape and culture, and "Adventure" features a light-hearted narrative appealing to family audiences [4][5]. Group 4: Cultural Market Impact - The event aims to enrich the summer cultural product supply with various upcoming Guangdong films, enhancing the overall cultural consumption experience [5]. - A public screening of "Riding the Wind 2" concluded the event, allowing attendees to experience the integration of film with tourism, food, and sports [5].

Core Viewpoint - The article commemorates the life and contributions of Cai Lan, a multifaceted figure in film, cuisine, and literature, who passed away at the age of 83, leaving a significant cultural legacy [1][5]. Film Industry Contributions - Cai Lan's career in the film industry spanned the golden era of Hong Kong cinema, where he worked with Shaw Brothers and later joined Golden Harvest, producing iconic films like "The Fast Food Truck" and "Dragon Brothers Tiger Brothers," which achieved both commercial success and artistic acclaim [1]. - His efforts helped elevate Hong Kong cinema to an international level, establishing a prominent position for Chinese-language films in the global film landscape [1]. Culinary Influence - Known as the "God of Food," Cai Lan began writing food columns and hosting culinary programs in the 1980s, showcasing his ability to find beauty and philosophy in both gourmet and street food [2]. - He authored numerous culinary literature works and created food-related television programs, sharing his culinary insights and experiences with a broad audience [2]. - Cai Lan also ventured into the food business with establishments like "Cai Lan Dim Sum" and "Cai Lan Pho," integrating his culinary philosophy into commercial practice and promoting food culture [2]. Personal Philosophy and Engagement - Cai Lan maintained a youthful spirit in his later years, actively engaging with fans through social media and live broadcasts, sharing his daily life and culinary favorites [2]. - His life philosophy emphasized continuous learning, experiencing, and enjoying good food, which he believed contributed to a fulfilling life [3][4].

Group 1 - The article discusses the life and legacy of Cai Lan, a prominent figure in Hong Kong's film and culinary scenes, who passed away on June 25, 2025 [1] - Cai Lan was known for his contributions to the Hong Kong film industry as a producer during its golden age, with notable films including "City Hunter" and "Fuk Sing" [10][12] - He transitioned from film to writing, becoming a well-known food critic and columnist, influencing many with his humorous and philosophical insights on life [14][16] Group 2 - Cai Lan's lifestyle and philosophy emphasized enjoyment and living without constraints, which resonated with many, making him a beloved figure among younger generations [9][19] - His culinary ventures began with the establishment of "Bao Bao Tea" in 1992, which capitalized on the Japanese market, leading to a successful career in the food industry [14] - The article highlights his unique approach to life, where he prioritized experiences over material concerns, advocating for a carefree and enjoyable existence [21][22]