明代画家仇英的《江南春》图卷。让人意外的是，今年该画作竟亮相于北京一场艺术拍卖会，估价高达 8800万元。在庞莱臣曾孙女庞叔令的举报与国家文物部门的干预下，拍卖公司对该拍品作出撤拍处理。 此外，报道指出，除《江南春》图卷外，另有4件当年捐赠的藏品目前下落不明。 12月17日晚，南京博物院就此发布"情况说明"，回应称：2024年11月以来，该院两次收到法院关于庞叔 令"赠与合同纠纷"的起诉材料，随即开展调查核实。1959年1月，该院正式接收庞增和（庞叔令父亲） 捐赠的137幅庞家收藏画作。报道中提及的5幅争议画作，1961年经由张珩、韩慎先、谢稚柳组成的专家 组鉴定为"伪"；1964年经由王敦化、徐沄秋、许莘农组成的专家组再次鉴定为"假"。20世纪90年代，该 院依照《博物馆藏品管理办法》对该5幅画作进行了处置。 南京博物院表示，下一步将积极配合案件审理，深入核查这5幅画作的去向，如果发现当年处置过程中 存在违法违规行为，将配合有关部门依法依规严肃处理。同时，进一步加强对捐赠物品和馆藏文物的规 范管理。关于拍卖市场出现的《江南春》图卷是否为受赠画作，尚待进一步查证。 明 仇英 《江南春卷》（局部）。图据智通财经 ...

今年国庆中秋假期，全省博物馆人气爆棚，共接待观众476万人次，比去年同期增长11%；开展线上线 下文化惠民活动2.17万场次，参与观众达255万人次。 假期出行，选择博物馆作为目的地，近距离观赏文物、体验VR看展，沉浸式感受历史魅力；周末闲 暇，到别具一格的特色书店逛一逛，喝茶读书，细细品味都市慢时光……如今，人们度假出行的文化含 量越来越高，在放松休闲之余深度感悟文化之美。 在现代科技的加持下，不仅文物"活"了起来，传统的阅读也不断创新蝶变，带来更多新体验。 近日，在第十二届中原文化产业博览交易会现场，中州古籍出版社以AR绘本《西游记：中国神怪图 鉴》为蓝本打造的"XR沉浸式体验"活动，凭借其创新的呈现形式与深厚的文化内核，吸引了众多读者 驻足参与。 这是河南出版业探索"出版+科技"的新路径、拓展阅读体验的具体实践。在数字化时代，阅读早已不 是"案头翻书"，而是头戴VR眼镜，沉浸式感受书中的场景，或者"一屏万卷"，尽享指端阅读。近年 来，河南着力推进"数字阅读建设""阅读文旅融合"两大工程，让阅读突破纸墨边界，在科技与创意的碰 撞中点燃新火花，为文化强省注入数智动能。 "十四五"以来，河南加快推动出版深度融 ...

在云端，不落幕的展厅上线，180件（套）珍贵文物、西周城垣、夯土遗迹等均被"装进"数字全景展， 观众轻触指尖即可解锁北京建城密码，细解青铜器上的纹饰铭文。 "博物馆展陈工作者要积极运用新技术、新手段、新表达，让文化成果惠及更多观众。"首博展览部研究 馆员黄小钰说，该馆利用数字化技术，实现文物资源的永久保存和永续利用，通过虚拟展厅、高清影 像、3D建模等方式，打破时空限制，让观众随时随地"云游"博物馆；探索运用人工智能等沉浸式体验 技术，复原历史场景，让观众与历史"对话"，"我们将策划推出更多互动性强、参与度高的跨界展览和 社教活动，让静态的文物成为激发公众好奇心和想象力的生动教材。" 党的二十届四中全会提出："激发全民族文化创新创造活力，繁荣发展社会主义文化"。激发创新创造活 力，关键在于让收藏在博物馆里的文物、陈列在广阔大地上的遗产、书写在古籍里的文字都"活"起来。 11月28日，首都博物馆"太保墉燕——房山琉璃河遗址专题展"的最后一天，很多观众自发到展厅"打 卡"，透过多媒体互动展柜，与伯矩鬲等明星文物"对话"，赴一场跨越3000余年的文明之约。 观众张先生家住房山区，这场展览让他第一次体会到文博"出圈" ...

"博物馆展陈工作者要积极运用新技术、新手段、新表达，让文化成果惠及更多观众。"首博展览部研究 馆员黄小钰说，该馆利用数字化技术，实现文物资源的永久保存和永续利用，通过虚拟展厅、高清影 像、3D建模等方式，打破时空限制，让观众随时随地"云游"博物馆；探索运用人工智能等沉浸式体验 技术，复原历史场景，让观众与历史"对话"，"我们将策划推出更多互动性强、参与度高的跨界展览和 社教活动，让静态的文物成为激发公众好奇心和想象力的生动教材。" 本报记者 李祺瑶 在首都 博物馆，观众参观"太保墉燕——房山琉璃河遗址专题展"。本报记者 武亦彬摄 11月28日，首都博物馆"太保墉燕——房山琉璃河遗址专题展"的最后一天，很多观众自发到展厅"打 卡"，透过多媒体互动展柜，与伯矩鬲等明星文物"对话"，赴一场跨越3000余年的文明之约。 "以前只知道这里是遗址区，看过展览才真切感受到，我们就生活在北京'城之源'，太自豪了！"观众张 先生家住房山区，这场展览让他第一次体会到文博"出圈"的魅力——走出展厅，以琉璃河遗址文物为原 型的文创、甜品等，令人目不暇接。 在云端，不落幕的展厅上线，180件（套）珍贵文物、西周城垣、夯土遗迹等均被"装 ...

Core Insights - The exhibition "Shang Yi Bai Gong - Chinese Manufacturing 3,000 Years Ago" at Tianjin Museum has attracted over 400,000 visitors since its opening on August 23 [2][4][6] Exhibition Overview - The exhibition is divided into five sections: "Overview of Craftsmen," "Building Shang Yi," "Tools and Crafts," "Rituals and Music," and "Transportation" [2][4][6] - It showcases over 180 artifacts from the Shang Dynasty, sourced from four cultural institutions: the Chinese Academy of Social Sciences Archaeological Research Institute, Anyang Museum, Anyang Municipal Institute of Cultural Relics and Archaeology, and Tianjin Museum [2][4][6] - The exhibition highlights the rich archaeological findings from the Yin Ruins [2][4][6]

Group 1 - The concept of "good life" transcends material wealth, emphasizing a harmonious balance between material and spiritual, individual and societal, creation and enjoyment [2][3] - The rise of "new consumption" reflects a shift from product-centric to experience-centric purchasing, where consumers seek emotional value and unique experiences [5][6] - The trend of "personalized consumption" is becoming prevalent, with consumers increasingly favoring tailored products and services that resonate with their individual lifestyles [5][7] Group 2 - The integration of AI technology in various industries, such as tourism and fashion, is seen as a genuine upgrade that addresses industry pain points and enhances efficiency [9][10] - The tourism sector continues to prioritize core elements of travel, with AI serving to better meet personalized consumer demands rather than replacing the fundamental travel experience [10] - The beauty industry is experiencing a complex relationship with AI, where it serves as a tool for data processing but requires careful interpretation to avoid marketing missteps [9] Group 3 - The "pet economy" is rapidly growing, with an increasing number of tourism and hospitality venues accommodating pet owners, indicating a significant market opportunity [6] - The "de-gendering" trend in the beauty sector shows that male consumers are increasingly purchasing a wider range of skincare products, reflecting a shift in consumer attitudes [6] - The future of consumption in China is expected to evolve towards lifestyle brands that embody cultural values, moving away from mere product replication [7]

Core Points - The "Metadata Standard for Tracking Cultural Relics and Artworks Based on Distributed Ledger Technology" was officially released at the 2025 Beijing International Cultural Relics Expo [1] - This standard is the world's first international standard for the traceability of cultural relics and artworks, led by China [1] - The establishment of this standard provides a unified common language for digital cultural exchanges among countries, promoting the digital transformation of the global cultural heritage industry [1] - It will also serve as a dialogue bridge for various applications of cultural relics and artworks in digital scenarios, including the internet and virtual reality [1]

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [1][2] - The cultural industry is projected to achieve an operating income of 19.14 trillion yuan in 2024, representing a 37.7% increase compared to 2020 [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creation, with the National Arts Fund supporting 3,568 projects in creation, performance, exhibition, and talent development [2] Group 2 - The need to break through outdated concepts and institutional barriers is highlighted as essential for achieving high-quality development, with simplified processes aiding the integration of micro-short dramas into the cultural and internet sectors [3] - The focus on problem-oriented approaches aims to clear obstacles and enhance the development of new productive forces, thereby expanding the space for economic and social growth [3] - Continuous reform and innovation in institutional mechanisms are crucial for enhancing the dynamism and vitality of economic and social development, contributing to the success of Chinese-style modernization [3]

Group 1 - The core viewpoint emphasizes the significant progress in the cultural heritage sector, driven by comprehensive reforms and innovations in management and utilization of cultural relics [1][2] - The "14th Five-Year Plan" period has seen a vibrant creation of cultural and artistic works, with the cultural industry projected to achieve an operating income of 19.14 trillion yuan in 2024, marking a 37.7% increase from 2020 [2] - The Palace Museum has made breakthroughs in cultural relic protection, digital cultural construction, and innovative cultural dissemination, enhancing public cultural confidence and integrating traditional culture into modern life [1] Group 2 - The need for systemic, holistic, and coordinated reforms is highlighted to enhance development momentum and social vitality, ensuring smooth flow of production factors [2][3] - The simplification of processes and the breaking down of industry barriers have facilitated the integration of micro-short dramas into the cultural and internet sectors [3] - Continuous innovation in institutional frameworks is essential for fostering new productive forces and achieving high-quality economic and social development [3]

Group 1 - The core viewpoint emphasizes the necessity of institutional and mechanism innovation to eliminate bottlenecks that hinder high-quality development, ensuring smooth flow of various production factors [1][2][3] - The cultural industry in China is projected to achieve a revenue of 19.14 trillion yuan in 2024, reflecting a 37.7% increase compared to 2020, driven by reforms and innovations in the sector [2] - The "14th Five-Year Plan" period has seen a flourishing of cultural and artistic creations, with the National Arts Fund supporting 3,568 projects, indicating a robust support system for the arts [2] Group 2 - The need to break down outdated concepts and institutional barriers is highlighted as essential for achieving high-quality development, with specific reforms like "classification and layered review" simplifying processes and fostering innovation [3] - The integration of technology and cultural sectors is being facilitated by lowering entry barriers in key areas such as telecommunications, internet, education, culture, and healthcare, promoting orderly development [3] - The ongoing reforms aim to enhance the dynamism and vitality of economic and social development, positioning China for sustainable modernization [3]