动画电影
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 皮克斯高管:不会像前老板乔布斯那样在凌晨3点给员工打电话
 财富FORTUNE· 2025-06-16 12:33
 Core Viewpoint - The article discusses the leadership styles of prominent figures like Steve Jobs, Elon Musk, and Jeff Bezos, highlighting their demanding work cultures and expectations for employee availability.   Group 1: Leadership Styles - Steve Jobs was known for his intense work ethic, often contacting employees at all hours, including 3 AM, demonstrating a lack of respect for personal time but a strong respect for their work [1][2][6] - Jobs empowered creative personnel by allowing them autonomy over their projects, stating he would not interfere with their creative processes [2][3] - Elon Musk is noted for sending emails as late as 2:30 AM, expecting employees to keep pace with his high-intensity work culture [6][7]   Group 2: Company Cultures - Pixar, co-founded by Jobs, became a major player in the film industry, producing beloved films like "Toy Story" and "Finding Nemo," which contributed to its success [3][4] - The competitive environment led Disney to acquire Pixar for $7.4 billion in 2006, indicating the studio's significant market value [4] - Amazon, under Jeff Bezos, is characterized by a demanding work culture where employees are expected to respond to communications at all hours, reflecting a focus on "harmony" between work and life rather than balance [7]
 从《时间之子》开始,中国动画电影走上“云端”
 Mei Ri Jing Ji Xin Wen· 2025-06-13 10:10
 Core Viewpoint - The article discusses the challenges and advancements in the Chinese animation industry, particularly focusing on the transition to cloud-based production methods, exemplified by the film "The Time of Son" which is the first fully cloud-produced animated film in China [1][2][4].   Group 1: Animation Production Challenges - The production of "Ne Zha" involved over a hundred production companies and thousands of artists, leading to complex management and unstable production cycles due to traditional subcontracting methods [1]. - The animation industry in China has historically faced issues such as workflow fragmentation and management complexity, which cloud-based solutions aim to address [1][3].   Group 2: Cloud-Based Production Advantages - "The Time of Son" utilized the "Maoyan Cloud Production Platform," achieving over 70% of production tasks and 100% of rendering and data storage in the cloud, significantly reducing production time [2]. - The film's production process allowed for parallel task execution, extending the time available for refining visual effects from five to over twelve months [2].   Group 3: Industry Transformation - The shift to cloud production represents a move from heavy asset reliance to a lighter service subscription model, which is particularly beneficial for small production teams [4]. - Chinese cloud service providers like Tencent Cloud are gaining advantages in local film production due to their deep service capabilities and rapid implementation compared to foreign giants like AWS and Google Cloud [4].   Group 4: Future Potential and Expansion - The capabilities demonstrated by the "Maoyan Cloud Production Platform" could be replicated across more animation and film projects, potentially leading to standardized production services in the industry [6]. - Other cloud providers are also enhancing various aspects of the content industry, such as script creation and dubbing efficiency, indicating a broader trend towards intelligent production solutions [5].
 抛弃大铁笼“锁电脑”,《时间之子》国产动画电影的“全云制作”实践
 Tai Mei Ti A P P· 2025-06-12 02:49
 Core Viewpoint - The article discusses the innovative approach of "fully cloud-based production" in the animation film industry, exemplified by the original animated film "The Time Traveler," which achieved over 100 million in box office revenue during the Dragon Boat Festival despite lacking a major IP or renowned director. This method addresses significant challenges in traditional animation production, such as environmental fragmentation, inefficient data transmission, and computational bottlenecks [2][3][4].   Group 1: Challenges in Traditional Animation Production - Traditional animation production faces three main challenges: environmental fragmentation, inefficient data transmission, and computational bottlenecks. The current mainstream model involves multiple teams working across various locations, leading to significant discrepancies in local environments [3][4]. - Data transmission issues are prevalent, with large files often being compressed or delayed, which can impact project timelines. For instance, a 50GB model file can be reduced to 10GB for email transmission, risking errors upon decompression [4]. - The computational demands for rendering are substantial, with complex scenes potentially requiring days of rendering time on local machines. The film "The Time Traveler" consists of 2,336 shots and 97,234 production tasks, highlighting the need for efficient computational resources [4].   Group 2: Advantages of Fully Cloud-Based Production - Fully cloud-based production resolves these issues by providing a unified environment where all teams use standardized software and tools, significantly reducing setup time. For example, a supplier was able to start working on the cloud the same day as the kickoff meeting, submitting their first shot just three days later [5]. - The centralized computational power allows for rapid processing of tasks that previously took hours on local machines. For instance, complex effects that once required hours of local rendering can now be processed in just half an hour on the cloud [5][6]. - The iterative capabilities of cloud production enable real-time data sharing, allowing teams to work concurrently rather than sequentially, thus enhancing the creative process and allowing for more extensive revisions [6].   Group 3: Future Implications and Industry Impact - The success of "The Time Traveler" demonstrates the replicability of cloud production, with plans to promote this model in future projects, particularly those requiring extensive collaboration among multiple teams [7]. - The cloud production model is expected to become a foundational infrastructure for the animation industry, reducing costs and increasing efficiency for smaller teams that previously had to invest heavily in equipment and software [7][8]. - The Chinese animation market is projected to reach 742.54 billion by 2024, accounting for 28% of the global market, with the potential for further growth to 3,595.42 billion by 2030. The widespread adoption of cloud production could help Chinese animation align technologically with international standards [8].
 城市24小时 | 机器人版“武林大会”,为何落地这座万亿城市?
 Mei Ri Jing Ji Xin Wen· 2025-04-24 16:00
 Group 1: Event Overview - The first Embodied Intelligent Robot Sports Games will be held in Wuxi from April 24 to 26, featuring various events including competitions, exhibitions, and thematic conferences [1] - Over 100 relevant companies have registered for the event, which will showcase the capabilities of robots in areas such as intelligent performance, motion planning, and design [1]   Group 2: Local Government Initiatives - Wuxi aims to become a benchmark city for "Artificial Intelligence+" as part of its new policy initiatives, with a series of events planned to promote AI innovation [3] - The city has set a target to accelerate the development of its AI industry, with a focus on becoming a modern industrial pillar [4]   Group 3: Industry Statistics - By the end of 2024, Wuxi is expected to have 356 AI-related enterprises, generating a revenue of 207.55 billion yuan, reflecting a year-on-year growth of 12.6% [4] - Wuxi has a strong foundation in the automotive parts industry, which is seen as complementary to the embodied intelligent robot sector [5]   Group 4: Future Development Plans - The "Implementation Plan for the Development of the Embodied Intelligent Robot Industry in Wuxi (2025-2027)" aims for the industry scale to exceed 30 billion yuan within three years, with the number of enterprises increasing to 200 [5]
 抢镜大王特朗普,本周 3 期「Knock Knock 世界」都有他的身影
 声动活泼· 2025-04-19 06:51
 Group 1 - The podcast "Knock Knock World" has released its 10th episode, focusing on various global topics including Greenland's extreme weather and mining opportunities [1] - Greenland, despite its vast land area, has a very small population of only 57,000, relying on sleds and boats for transportation [1] - The melting ice in Greenland is making mining easier, raising questions about the potential wealth it could bring to the local population [1] - Studio Ghibli, known for its hand-drawn animation, continues to produce unique films that stand out in a digital age, with "The Tale of the Princess Kaguya" featuring 500,000 hand-drawn frames [1] - The character design and storytelling in Studio Ghibli films often reflect deeper themes, such as the contrast between beauty and destruction [2]   Group 2 - Tariffs act as a "ticket" for foreign goods entering the U.S. market, impacting the pricing and profitability of imported products [3] - Tariffs can sometimes foster friendly relations between countries, as seen in the reduction of tariffs on cherries between China and Chile [3] - Historical trade wars, such as the "Chicken War" between the U.S. and Europe, illustrate the long-standing nature of tariff disputes [3]
 陆家嘴财经早餐2025年4月6日星期日
 Wind万得· 2025-04-05 23:04
 Key Points on Trade and Economic Policies - The Chinese government strongly opposes the U.S. imposition of tariffs, viewing it as a violation of World Trade Organization rules and a threat to global economic stability [3] - Six Chinese trade associations have issued statements against the U.S. tariffs, supporting the government's countermeasures [3] - Following the announcement of the "disastrous" tariff policy, U.S. Treasury Secretary Bessent may be planning to resign due to his opposition to aggressive tariff increases [3]   Key Points on Commodity Markets - The commodity market is experiencing significant downturns due to the U.S. government's tariff policies, with oil prices dropping over 8% and gold prices also declining [5] - The unexpected tariff policies have led to increased trade costs for non-U.S. countries, resulting in weakened global economic expectations and reduced commodity demand [5]   Key Points on Macroeconomic Indicators - China's commodity price index for March was reported at 113.4 points, showing a month-on-month increase of 0.7% and a year-on-year increase of 1.3%, indicating a positive start to the year [7] - In the first quarter, China's offline consumption index grew by 14.2% year-on-year, with small commodity market activity increasing by 16.3% [8]   Key Points on Domestic Stock Market - Gold-related ETFs have seen a surge in investment, with total assets exceeding 110.468 billion yuan and an average net asset growth rate of around 20% this year [10] - Several lithium companies reported significant losses for 2024, with Tianqi Lithium losing 7.905 billion yuan and Ganfeng Lithium losing 2.074 billion yuan, indicating ongoing challenges in the lithium market [10] - Over half of the listed securities firms have reported a reduction in IT personnel, with some major firms cutting over 200 positions, while others are increasing hiring [11]   Key Points on Financial Sector Developments - Several small public fund companies have increased their registered capital, reflecting shareholder confidence in the long-term value of the industry [14]   Key Points on Real Estate Market - In the first quarter, over 70% of the top 100 real estate companies saw a decline in market value, although there are signs of stabilization in the housing market [16]   Key Points on Industry Developments - The State Grid Corporation reported a 27.7% year-on-year increase in investment by the end of March, marking a historical high for the first quarter [18] - The AI open-source community Hugging Face has ranked Alibaba's Qwen2.5-Omni model at the top, indicating advancements in AI technology [18] - The brain-computer interface technology is making significant progress in the medical field, with clinical validation of the "North Brain No. 1" system underway [18]   Key Points on International Trade and Tariffs - The U.S. government has officially implemented a 10% baseline tariff on most imported goods [22] - The new tariffs, particularly a 25% tariff on imported cars, have raised concerns in Germany, which heavily relies on exports to the U.S. [22] - The new tariff policies are expected to increase costs for various industries in the U.S., ultimately affecting consumers [22]   Key Points on International Stock Market Reactions - Nintendo has postponed the pre-order of its Switch 2 in the U.S. due to the potential impact of the new tariffs [26] - Jaguar Land Rover has suspended exports to the U.S. in response to the new tariff measures [26]   Key Points on Commodity Prices - Global trade tensions have led to a sell-off in gold, with prices adjusting downwards despite a year-to-date increase of over 15% [28] - The price of palm oil exports from Malaysia has decreased by 6.44% in early April [30]
 @所有人:首提“投资于人”,如何影响我们的未来?
 21世纪经济报道· 2025-03-09 08:24
 Core Viewpoint - The article emphasizes the significance of China's domestic demand market, highlighting its potential to reshape global economic narratives, particularly through cultural and technological advancements in industries like animation and gaming [1][5][27].   Group 1: Domestic Demand and Economic Growth - The success of the animated film "Nezha" demonstrates the power of China's domestic market, which has over 1.4 billion people and growing purchasing power, capable of supporting cultural industries [1][4]. - The government's focus on "fully expanding domestic demand" in its work report indicates a strong commitment to boosting consumption and economic activity [1][3]. - The concept of "investing in people" reflects a shift in policy from merely stimulating consumption to creating demand, emphasizing the value of human capital in driving economic growth [2][3][22].   Group 2: Cultural and Technological Integration - The rise of Chinese cultural products, such as "Nezha" and "Black Myth: Wukong," showcases the intersection of traditional culture and advanced technology, enhancing China's cultural soft power [5][7]. - The increase in domestic tourism and cultural events during the Spring Festival indicates a robust recovery in consumer spending, driven by cultural identity and experiences [6][7].   Group 3: Consumer Behavior and Market Trends - The shift towards service consumption and the implementation of "trade-in" policies are crucial for stimulating the market and enhancing consumer confidence [10][11][12]. - The "trade-in" policy has led to significant consumption in sectors like automobiles and home appliances, contributing over 1.3 trillion yuan to the economy [12][13].   Group 4: Investment in Human Capital - The government's strategy to "invest in people" includes enhancing social services, education, and healthcare, which are essential for improving the quality of life and economic productivity [22][25]. - The aging population presents both challenges and opportunities, with a projected increase in the consumption potential of the elderly demographic from 4 trillion yuan to 10.6 trillion yuan by 2050 [23][24].   Group 5: Future Economic Outlook - The integration of "investment in people" into economic policy signifies a transformative approach to economic growth, focusing on human capital as a key driver [21][22]. - The anticipated effects of the "two new" and "two heavy" policies are expected to enhance investment efficiency and stimulate economic activity across various sectors [20][21].
 AI的胡编乱造,正在淹没中文互联网
 投资界· 2025-03-07 07:15
以下文章来源于阑夕 ,作者→ "极繁主义"。 来源 | 阑夕 (ID:techread) 虽然DeepSeek-R1确实好用,但它在爆火之后,成了人手一个的AI工具,也对中文互联网的信息环境造成了严重的污染情况,这是 一个固然难以避免但也理应得到重视的问题。 阑夕 . 寻找科技与商业的光芒。 最近一个星期以来,就我看到的刷屏文章,至少有三例都是DeepSeek-R1生成出来的、充满了事实错误的内容,却因其以假乱真的 迷惑性,让很多朋友信以为真,情绪激动的分享传播。 第一例,是知乎的这条高赞回答: 十 关注 [1] 戏已委托维权骑士。但他们拒绝了 ... Ω 30人听过 我表弟在杭州某游戏公司当原画师,他们加班到十 点就能上脉脉骂公司上热搜。但去年跳槽去追光动 画*,跟着团队为赶《白蛇2》连续三个月凌晨两点下 班,朋友圈却天天晒工作照配文"痛并快乐着"。我 问他是不是被洗脑了,他给我算了两笔账: 在游戏公司加班改图,甲方爸爸能让你把哪吒的混 天绫*从红色改成荧光粉;在动画电影团队,自己画 的眼神戏能直接决定千万观众的泪点。这种创作话 语权的差距,比敖丙*和虾兵蟹将的咖位差还大。 再说钱的事儿。互联网大厂年终奖发 ...
 没人真正押中哪吒
 远川投资评论· 2025-02-26 07:34
 Core Viewpoint - The article discusses the significant impact of the animated film "Nezha: Birth of the Demon Child" on the Chinese film industry, highlighting its record-breaking box office performance and the strategic positioning of Light Chaser Animation and its chairman Wang Changtian in the animation sector [1][4][5].   Group 1: Industry Context - The Chinese film industry faced challenges due to the pandemic and competition from short video platforms, leading to a decline in movie consumption [3]. - The average box office for animated films from 2020 to 2022 was only 36.47 billion RMB, indicating a downturn in the animation sector despite the success of "Nezha: Birth of the Demon Child" [3].   Group 2: Box Office Success - "Nezha: Birth of the Demon Child" achieved a cumulative box office of over 12 billion RMB within 20 days, surpassing "Inside Out 2" and becoming the highest-grossing animated film globally [4]. - The film's success was unexpected, with initial predictions positioning it as a dark horse rather than a frontrunner [4].   Group 3: Strategic Positioning - Light Chaser Animation, founded by Wang Changtian, has played a crucial role in the evolution of Chinese animated films, moving away from the "childish" label and focusing on high-quality content [7]. - The company has adopted an "investment + incubation" model, investing in promising animation studios to foster creativity without survival pressure [9].   Group 4: IP and Revenue Potential - The article emphasizes the importance of IP in the animation industry, noting that animated films can generate significant derivative income, with estimates suggesting that for every dollar earned at the box office, animated films can yield 10 dollars in related merchandise [8]. - Disney's success with "Frozen" is cited as a benchmark, demonstrating the potential for sustained revenue from successful IP [8].   Group 5: Challenges and Market Perception - Despite the successes, the article notes that the animation industry is still heavily reliant on hit films, and the unpredictability of creating blockbusters poses a risk [9][20]. - The market's perception of Light Chaser Animation fluctuates based on the success of individual films, leading to volatility in institutional investment [22][24].    Group 6: Future Outlook - The article concludes with a reflection on the challenges of replicating past successes, particularly in the context of the anticipated release of "Nezha 2: The Demon Child Rises" and the potential for continued growth in the animation sector [20][24].