Group 1 - The core viewpoint emphasizes the cultural and historical significance of Anqing, highlighting its rich heritage and the ongoing efforts to integrate culture with modern development [1][2][3] - Anqing is focusing on industrial upgrades, aiming to become a manufacturing city along the Yangtze River Economic Belt, with a strategic emphasis on the automotive and chemical industries, targeting new sectors like new energy vehicles and commercial aerospace [2] - The city is enhancing its livability and business environment, fostering a culture of innovation and attracting talent, which contributes to its identity as a "people-friendly city" [2] Group 2 - Anqing is actively preserving and revitalizing its historical cultural sites, creating vibrant cultural districts that blend traditional architecture with modern consumer experiences [2] - The integration of culture and tourism is evident, as local entrepreneurs showcase handmade products and traditional performances, enhancing the city's appeal to visitors [2] - The scenic views along the Yangtze River and the historical significance of Anqing are positioned as key elements in promoting the city's future potential [2]

Group 1 - The event "2025 China Grand Canal Cultural Belt Beijing-Hangzhou Dialogue" aims to promote the protection, inheritance, and utilization of the Grand Canal culture, gathering various stakeholders from politics, industry, academia, and research [1] - The dialogue will feature a "1+1+5" model, with one main venue in Tongzhou District and a special sub-venue in Xicheng District, along with five expansion districts, showcasing the cultural charm of the Grand Canal through various activities [2] - Accompanying activities include dragon boat races, a play titled "Going North," a night music concert, and a light show, with additional cultural markets and food festivals planned in various districts [2][3] Group 2 - The high-end dialogue will focus on two main themes: the empowerment of cultural heritage through technology and the sustainable development of canal cities, discussing the application of digital technology in cultural preservation [2] - The event will also highlight the culinary culture of Hangzhou, featuring renowned chefs and traditional dishes, along with interactive experiences for visitors [3]

Core Viewpoint - The integration of traditional culture and modern expression is vital for the preservation and transmission of cultural heritage in ancient cities like Langzhong, enhancing local tourism and cultural identity [1][2]. Group 1: Cultural Heritage Preservation - Cultural heritage protection and transmission are gaining new vitality as local histories and cultures are being activated to boost cultural tourism consumption [1][2]. - The management of Langzhong Ancient City emphasizes the importance of legal protection and community engagement to sustain both the physical and cultural aspects of the city [2][3]. - A cultural think tank has been established to provide expert guidance on historical heritage protection, ancient building restoration, and intangible cultural heritage transmission [2][3]. Group 2: Cultural Context and Development - The value of cultural heritage protection is enhanced when viewed within a broader cultural context, avoiding homogenization and fragmentation in cultural tourism development [3]. - Collaboration among government and academic institutions is essential for researching and organizing local historical culture, with a flexible mechanism for translating these findings into practical applications [3][4]. Group 3: Digital and Technological Integration - Digitalization and smart technologies offer new opportunities for the active utilization of cultural heritage, changing the scale and precision of heritage management [5][6]. - The establishment of a National Cultural Heritage Technology Innovation Center aims to optimize resources for heritage protection and enhance capabilities in research and technology [6].

中国本土不仅有葡萄，而且有着悠久的利用史 提起葡萄，人们一般认为这是从西方传入中国的一种水果。目前我们所食用或酿酒用的葡萄，也的确是 外来的欧亚种葡萄。 其实，中国本土不仅有葡萄，而且有着悠久的利用史。葡萄属植物有60余种，我国存在约38种，是世界 三处野生葡萄集中分布的中心之一。古人如何利用本土葡萄，是否对其进行过人工栽培？它们在外形、 口感上与欧亚种葡萄有什么区别，是否在欧亚种葡萄传入后就被完全取代？植物考古实验室负责人钟华 带领团队尝试对这些问题进行解答。 作为本土主要的核果类植物，葡萄属遗存在我国不同区域的考古遗址中均有发现，出现时间从距今万年 左右的农业起源时期，一直延续至汉代以后的各历史时期。我国出现欧亚种葡萄最早的证据，是发现于 新疆吐鲁番洋海墓地的葡萄藤，距今2000多年。古代文献记载也表明，欧亚种葡萄在西汉时期已经被带 入内地。 5月27日，中国社会科学院科技考古与文化遗产保护重点实验室发布了7项重大成果，其中，有不少"改 变认知"的新发现—— 东周时期内蒙古中南部地区的人群互动，为中华文明"多元一体"格局的形成机制以及各民族长期交往交 流交融提供实证； 中国早期泡碱玻璃的源头与传播，以科技 ...

新华社深圳5月27日电从万荣稷王庙的岁月留痕，到阆中古城的古今对话、龙门石窟的数字活化……200 余名专家学者27日齐聚2025文化强国建设高峰论坛加强文化遗产保护传承论坛，就老城保护、文物建筑 修缮、法律保障与数字技术赋能文化遗产保护等方面展开深度讨论，探讨如何"让文物活起来，让文脉 传下去"。 在山西省西南隅黄河岸边、稷王山麓附近，坐落着一座单檐庑殿顶的古建筑——山西万荣稷王庙，这座 全国重点文物保护单位殿顶筒板瓦覆盖，脊刹、吻兽完好无损，原本被判断为金代建筑，但2011年在测 绘过程中，专家意外发现了藏于大殿前檐的"天圣元年"（1023年）题记，确认了其为北宋建筑。 中国文化遗产研究院院长凌明认为，正是因为该建筑在文物建筑维修中以最小干预的原则，尽可能多地 保留历史构件，保护构件表面不因施工而受到摩擦、碰撞和破坏，且在构件表面涂抹防护材料，才得以 发现很不明显的纪年题记。 稷王庙的案例是文物保护工作秉承最小干预原则的典型案例。这种科学保护理念与新文物法中"保护第 一、加强管理、挖掘价值、有效利用、让文物活起来"的工作要求不谋而合。 本届文化遗产保护传承论坛以"老城保护与复兴"为主题，现场还设置了文化遗产 ...

作为主席国，中国将主持大会、引领议题设置，在《公约》框架下发出文物流失国的声音，推动双多边合作，积极参与文化遗产国际治理。"中国 此次当选将有利于构建流失文物追索返还领域的国际新秩序。"霍政欣表示。 近年来，中国在文物追索领域不断取得突破。今年3月1日生效的新文物保护法，首次在法律中明确了对流失境外中国文物的追索权和有关程序， 声明对于因被盗、非法出境等流失境外的文物，保留收回的权利，且该权利不受时效限制。 在国际规则制定方面，中国也积极作为。2014年主导通过的《关于保护和返还非法出境的被盗掘文化财产的敦煌宣言》是中国首次在文物返还领 域主导制定国际性规则；2024年，中国联合18个文物原属国联合发布《青岛建议书》，提出解决历史上流失文物追索返还这一国际性难题的原创 性中国方案，成为文物原属国对西方博物馆关于历史上流失文物返还新政策的首次集体公开回应。 【环球时报报道 记者 李行】联合国教科文组织1970年《关于禁止和防止非法进出口文化财产和非法转让其所有权的方法的公约》（简称《公 约》）第八届缔约国大会近日在巴黎召开，中国首次当选为《公约》缔约国大会主席国。 "此次成功当选，彰显了中国在文物保护和追索等相 ...

Group 1 - The 21st Shenzhen Cultural Expo features various intangible cultural heritage performances, attracting a large audience and promoting local arts [1][2] - The Shaanxi Pavilion showcases traditional arts such as Shaanxi storytelling and Xunyi colored paper-cutting, emphasizing the importance of innovation in cultural heritage [1][2] - Children actively participate in hands-on experiences with traditional crafts, enhancing their understanding of regional history and culture [2][3][4] Group 2 - The event highlights the significance of preserving and innovating intangible cultural heritage, as expressed by the representatives of various art forms [2][3] - Local artists, such as Gao Zhengfeng and Wu Qiaoling, share their knowledge and skills with the younger generation, fostering a connection between past and present [1][2] - The initiative aims to educate children about diverse cultural practices across China, promoting appreciation for traditional arts [4]

Core Viewpoint - The article emphasizes the necessity of focusing on key areas and critical links to accelerate the comprehensive upgrading of the agricultural industry system, which is essential for building an agricultural powerhouse in China. The "Accelerating the Construction of Agricultural Power Plan (2024-2035)" highlights the importance of deeply developing rural cultural industries and protecting agricultural cultural heritage, ethnic villages, and traditional architecture to create a distinctive industrial chain [1]. Group 1: Importance of Cultural Industry Development - The development of rural cultural industries is crucial for upgrading the agricultural industry system and enhancing rural revitalization by integrating innovative elements and increasing talent participation [2]. - Cultural confidence is essential for truly addressing human issues in rural revitalization, and the unique regional and local cultures must be injected into the agricultural industry to form distinctive rural industries [2]. Group 2: Value of Agricultural Cultural Heritage - Rural areas reflect human development processes and possess significant social, cultural, and historical attributes, providing valuable information for contemporary research [3]. - Agricultural cultural heritage illustrates the relationship between rural production and civilization, while ethnic villages and traditional architecture reflect cultural aspects of rural life and social organization [3]. Group 3: Balancing Protection and Development - Protecting scarce and non-renewable resources in traditional villages is essential, and active participation from local communities is necessary for sustainable development [4]. - The revitalization of cultural ecology in rural areas should focus on the integration of material heritage with living, productive, and folk activities, emphasizing the importance of human involvement [4].

央视网消息（新闻联播）：山西是中华文明发祥地之一，众多古建矗立在三晋大地表里山河。位于山西太原的晋祠是我国现存规模最大、 跨越时代最久远、保存最为完整的唐宋祠庙式古典园林，对于研究古代建筑、雕塑碑刻等具有重要的历史和艺术价值。今天（5月25日）的 《文化中国行》，我们一同走进晋祠，感受绵延千年的中华文化之美。 圣母殿前檐八根廊柱上姿态各异的龙是我国现存最早的木雕盘龙。殿内保存着43尊宋代彩绘泥塑，写实且传神，其中33尊侍女像最为精 美，它们如真人大小，有的奉文印翰墨，有的负责洒扫梳妆、奏乐歌舞，各司其职，对研究宋代宫廷生活、衣冠服饰和彩塑艺术的发展具 有重要价值。 此外，晋祠唐碑亭内的"镇馆之宝"记录了唐王朝初创时期的壮志豪情。 西周柏树、唐代碑刻、宋代殿堂、明代牌坊，一处处古树古建，承载了延续千年的三晋历史文脉，留下了丰厚的文化宝藏。 晋祠博物馆持续开展文物建筑的预防性保护和数字化保护工作，保存文物悠久的历史信息，在这里还能领略非物质文化遗产的风采，从明 清以来延续至今的晋祠庙会每年农历七月举办，2008年被列入国家级非物质文化遗产。依托历史文化优势，晋祠博物馆经常性举办系列文 化活动，让人们在沉浸式体验中 ...

每经记者｜张静 实习生 杨乐 西安 每经编辑｜贺娟娟 在西安市长安区兴隆街办北张村，68岁的马松胜守着一帘一纸，把52年的光阴浸在楮皮与溪水的絮语里。 他常说自己是"笨人"，初中毕业便跟着父亲学造纸，从17岁到68岁，双手在石灰水里泡出老茧，在纸墙上贴出裂痕，却把一门西汉传来的手艺，熬成了国 家级非物质文化遗产。 家艺耀奥运 1971年，马松胜的父亲用"家有万贯，不抵薄艺在身"劝他学艺时，或许想不到这门"薄艺"会让儿子在37年后走进北京奥运会。 2008年，他在陕西"祥云小屋"展示古法造纸，却因客流太大常被限制操作，前门进后门出的观展动线里，人们难有驻足的耐心。只有一些记者和领导来访 时，他才能捞起纸帘，让雪白的纸浆在帘上匀开。那一个月，大家的目光都落在他的纸帘上。 楮纸循时节 马松胜的造纸坊里，时间按工序流转。春天砍楮树扒皮，夏天在河水里泡瓤，秋天踏碓捣浆，冬天在土墙上贴纸。这门传承两千年的手艺，每一步都跟着 节气走。蒸皮要等伏天的烈日，化瓤得用活水的溪流，连贴纸的墙面都分"夏五冬二"——夏天一天能贴五墙，冬天两天晒一墙。 最考人的是抄纸。纸帘在木槽里"人借水势，水借人力"，手腕轻抖三分，纸浆便匀成薄如蝉翼 ...