Group 1 - The article highlights the cultural significance of intangible heritage crafts showcased during the Shanghai Cooperation Organization summit in Tianjin, emphasizing the blend of traditional and modern elements [1][3]. - Yangliuqing woodblock New Year paintings and Zheng's lacquerware techniques are featured as key intangible cultural heritage items, with interactive experiences for visitors [1][3]. - The Yangliuqing woodblock New Year painting, particularly the "Tianjin Hometown" piece, has gained popularity among international guests, reflecting the cultural exchange facilitated by the summit [1][3]. Group 2 - The article discusses the hands-on experience of making lacquer fans, which is part of the Zheng's lacquerware technique, known for its interactive nature and cultural symbolism [3]. - The article mentions the collaboration between Tianjin Maritime Vocational College and Uzbekistan's Tashkent State Transport University, promoting vocational education in traditional crafts under the SCO framework [5]. - A visitor from Azerbaijan expresses appreciation for the vibrant colors and the opportunity to engage with Chinese historical culture through these heritage crafts [5].

Core Points - The upcoming Shanghai Cooperation Organization summit in Tianjin will host over 20 foreign leaders and 10 international organization heads, creating a vibrant atmosphere in the city [1] - Traditional Chinese arts, such as Mud Figure Zhang and Yangliuqing Woodblock New Year Paintings, will be showcased during the summit, highlighting Tianjin's cultural heritage [9][14] Group 1: Mud Figure Zhang - The art of Mud Figure Zhang is a national intangible cultural heritage and serves as a cultural emblem for Tianjin [1] - Artisan Xia Qing will demonstrate the creation of lifelike mud figures, aiming to engage foreign media and visitors [3] - The challenge lies in making the art understandable and enjoyable for international guests, allowing them to experience and take home a piece of this unique "Chinese memory" [6] Group 2: Yangliuqing Woodblock New Year Paintings - Wang Yan, a key artist in the Yangliuqing Woodblock New Year Painting studio, will present classic works while incorporating innovative designs [10] - The exhibition will feature interactive elements, enhancing visitor engagement and showcasing traditional Chinese aesthetics [12] - The use of color processing and creative techniques aims to make the art accessible and enjoyable for participants [13] Group 3: Other Cultural Heritage - In addition to Mud Figure Zhang and Yangliuqing paintings, other intangible cultural heritages such as Zheng's lacquerware and wooden joint techniques will also be featured during the summit [14] - Tianjin is poised to warmly welcome guests from around the world, showcasing the brilliance of Chinese culture [14]

Core Viewpoint - The "Intangible Cultural Heritage (ICH) Aid Xinjiang Theme Exhibition" held in Hotan, Xinjiang, showcases the integration of traditional culture with modern technology, highlighting the potential of ICH in promoting cultural tourism and local economies [1][3][4]. Group 1: Event Overview - The exhibition features 435 representative ICH projects and 383 inheritors from Xinjiang and 25 other provinces, providing a platform for diverse activities including exhibitions, hands-on experiences, and performances [1][3]. - The event is part of a broader initiative to enhance cultural exchange and support local communities through the promotion of ICH [3][4]. Group 2: Technological Integration - Digital art installations like "Weaving Dreams" and "Paper-like Screen Wall" utilize technology to create immersive experiences, allowing audiences to interact with ICH in innovative ways [1][8]. - Companies are leveraging modern technology such as VR and AI to preserve and promote ICH, making it more accessible to contemporary audiences [10][11]. Group 3: Economic Impact - The transformation of villages like Ayagdund into cultural hubs demonstrates the economic potential of ICH, with significant improvements in local living conditions and tourism [3][4]. - The "Non-Heritage Summer Shopping Month" launched during the exhibition aims to promote ICH products that meet consumer needs and enhance local economies [11][12]. Group 4: Case Studies - The success of the walnut wood handicraft brand "Hehe Wood" illustrates how ICH can be commercialized effectively, achieving monthly sales of 200,000 to 400,000 yuan [14][15]. - The black tea production technique has evolved to improve efficiency and product quality, showcasing the balance between tradition and modern production methods [7][15].

Core Insights - The article highlights the rich traditional cultural activities organized in various intangible cultural heritage venues across China during the summer, aimed at immersing children in the charm of intangible cultural heritage [1][2]. Group 1: Activities and Participation - Numerous venues have launched programs such as "Meet Intangible Heritage" and summer intangible heritage classes, featuring traditional projects like Guqin and Kunqu through explanations, performances, and interactive experiences [2]. - The China Intangible Cultural Heritage Museum has hosted nearly 500 performances and experiential activities during the summer, with an average daily attendance exceeding 13,000 visitors [2]. - The Hunan Provincial Intangible Cultural Heritage Protection Center's "I Come to Learn Skills" program includes over ten traditional Hunan intangible heritage crafts, with 45 fully booked experiential activities [2]. - In the ceramic experience activity in Changsha, children learned from heritage inheritors about this ancient craft [2]. - The Zhejiang Provincial Intangible Cultural Heritage Museum has conducted 90 exhibitions, performances, and experiential activities during the summer, with an average daily attendance of over 5,500 visitors [2]. Group 2: Educational Impact - Experts guided children in experiencing various traditional musical instruments, emphasizing the unique charm of Chinese music [2]. - Children engaged in hands-on learning of the indigo-dyed fabric technique, creating unique art pieces through different tying methods [2].

Group 1 - The fourth China (Macau) International High-Quality Consumption Expo and Hengqin World Bay Area Forum will be held from September 3 to 7, featuring a special "Everlasting New" intangible cultural heritage exhibition area [1] - The exhibition will showcase intangible cultural heritage from various regions, integrating ancient techniques with contemporary trends, thus promoting cultural consumption [1][2] - The event aims to explore innovative paths for the integration of cultural and economic values, transforming traditional intangible cultural heritage into new consumption trends [1][2] Group 2 - The "Everlasting New" exhibition area will adopt a dual approach of "exhibition + experience," allowing visitors to engage with the heritage through hands-on activities, enhancing public recognition and driving consumption [2] - The vitality of intangible cultural heritage lies in continuous innovation and adaptation, with the expo facilitating the transition from display to participation and from protection to activation [2] - China has over 100,000 intangible cultural heritage projects and nearly 140,000 related enterprises, highlighting the potential for these cultural treasures to become new growth points in consumption [2] Group 3 - Macau's unique geographical and policy advantages position it as a key node in the Belt and Road Initiative, allowing the expo to integrate and promote intangible heritage resources within the global consumer market [3] - The event seeks to establish a sustainable development path that drives heritage transmission through consumption and stimulates innovation through market engagement [3]

Group 1 - The core viewpoint of the articles highlights the rich traditional cultural activities organized by various intangible cultural heritage (ICH) venues across the country during the summer, aimed at immersing children in the charm of ICH [1][3]. - The China Intangible Cultural Heritage Museum hosted nearly 500 performances and experiential activities during the summer, attracting an average of over 13,000 visitors daily [3]. - In Hunan Province, the "I Come to Learn Skills" experiential activity featured over ten traditional ICH techniques, with 45 sessions fully booked, allowing children to learn from heritage inheritors [5]. - The Zhejiang Province ICH Museum conducted 90 experiential activities during the summer, with an average of over 5,500 visitors daily, where children learned unique dyeing techniques [7].

Core Viewpoint - The article highlights the efforts made in Tibet's Ali region to transition from static protection to dynamic innovation in the preservation and development of intangible cultural heritage, showcasing the significance of traditional culture in contemporary society [2][6]. Group 1: Cultural Heritage Initiatives - The Tibet Autonomous Region has made significant progress in the protection and innovation of cultural heritage over the past 60 years, leveraging its cultural resource advantages [2]. - From 2012 to 2024, a total of 473 million yuan has been allocated by the central and regional governments for the protection of intangible cultural heritage projects, documentation of national-level inheritors, and the construction of facilities for protection and utilization [2]. Group 2: Intangible Cultural Heritage Projects - There are currently 2,760 representative projects of intangible cultural heritage at various levels in Tibet, with 1,668 recognized inheritors [2]. - The "Guoerzi Dance," which has a history of over 1,300 years, was included in the national intangible cultural heritage list in 2011 [6]. - The "Xuan Dance," a traditional folk dance in Tibet, was recognized as a national intangible cultural heritage in 2008, incorporating elements of Tibetan opera, dance, and folk art [8]. Group 3: Traditional Costumes and Performances - The "Pulan Costume," known for its intricate design resembling a peacock, weighs over 20 kilograms and is adorned with gold, silver, amber, coral, and turquoise [2]. - The "Garl Traditional Costume," made from lambskin and wool, is characterized by its simple square shape and is both warm and decorative [10][12]. - The "Senguo Costume," referred to as the "Rainbow Costume," is made from five colors of fabric and is celebrated for its vibrant appearance [18].

Group 1 - The event "Xinjiang is a Good Place" showcases the innovative integration of intangible cultural heritage (ICH) and digital technology, highlighting the importance of preserving cultural traditions while making them accessible to modern audiences [1][3] - Digital fireworks and interactive installations, such as the "Mud Gugu" digital art device, create immersive experiences that connect traditional art forms with contemporary technology, appealing particularly to younger generations [1][2] - The "Mud Gugu" art form, recognized as a national intangible cultural heritage since 2006, is presented through a digital experience that allows audiences to interact and engage with cultural narratives, symbolizing the continuity of cultural memory [2][3] Group 2 - The Central Academy of Fine Arts emphasizes that the essence of digital works is to bridge the gap between ICH and daily life, encouraging greater public engagement with diverse cultural heritages [3] - The exploration of technology as a contemporary language for ICH aims to enhance its appeal without altering its cultural core, thus revitalizing traditional practices in the context of modern society [3]

Core Viewpoint - Gansu Pingliang paper-cutting has been recognized as a key cultural export project by the Ministry of Commerce and other departments, marking a significant opportunity for sustainable cultural trade development [1] Group 1: Cultural Promotion and Communication - The first step in promoting intangible cultural heritage (ICH) abroad is to break communication barriers, necessitating the establishment of a team of cultural promoters with both depth and international perspective [2] - A special fund should be set up to support skilled ICH inheritors in showcasing their work internationally through demonstrations and teaching [2] - The creation of a professional overseas promotion team is essential for brand image building and international media relations, transforming complex cultural symbols into relatable narratives for audiences [2] Group 2: Industrialization and Product Development - The sustainable development of ICH requires a shift from individual craftsmanship to an industrial mindset, creating a modern ICH industry chain [3] - Innovations in design and the establishment of international design workshops are crucial for integrating ICH with foreign cultures, leading to the development of high-value products [3] - Standardization and scalability in production are necessary, alongside the introduction of smart devices to enhance efficiency while maintaining core craftsmanship [3] Group 3: Expanding Cultural Ecosystem - The success of the film "Huangfu Mi Acupuncture" at an international film festival highlights the potential for cultural products to reach broader audiences [4] - Continuous international outreach requires the establishment of self-sustaining market channels and the development of cultural IP to enhance global cultural exchange [4] - Collaborations with international brands can integrate ICH elements into global product lines, facilitating wider market penetration [4]

Core Viewpoint - The newly passed "Regulations on the Protection, Inheritance, and Development of the Ansai Waist Drum" aims to provide a comprehensive legal framework for the preservation and promotion of this traditional art form, emphasizing both protection and innovation [1][2]. Group 1: Legal Framework - The regulations consist of 21 articles covering protection scope, government responsibilities, inheritance and development, and support measures, establishing a systematic legal basis for the Ansai Waist Drum [2]. - The regulations emphasize "living inheritance" rather than mere preservation, encouraging innovation while safeguarding traditional techniques and instruments [2]. Group 2: Cultural Significance - The Ansai Waist Drum has a history dating back over 2000 years to the Qin and Han dynasties, originally serving military purposes before evolving into a vital cultural expression for celebrations and rituals [1]. - Recognized as a national intangible cultural heritage in 2006, the Ansai Waist Drum has undergone significant evolution, developing a unique artistic style over time [1]. Group 3: Implementation and Community Engagement - The regulations aim to integrate the Ansai Waist Drum into contemporary life by promoting its presence in schools and communities, fostering talent development, and encouraging the passing down of skills from masters to apprentices [2]. - The goal is to ensure that the art form is actively practiced and appreciated, with plans for performances and regular training sessions to be legally protected [2].