此外，本次社科普及周线上活动同样精彩。活动在光明网、人文之光网、京社科新媒体矩阵上开设了网 络服务专题，设置"社科专家"每日谈、"探寻北京"五日行、精品展播、西城专题、"书香京城 社科荐 书"六大线上专题板块，内容涵盖学习贯彻习近平文化思想、AI赋能社科发展、非遗传承、京津冀协同 发展等主题，以生动活泼的活动形式，呈现多元丰富的社科知识内容。 新京报讯（记者张璐）9月12日，"2025·北京社会科学普及周"启动仪式在北京大观园举行。伴随着人形 机器人表演及首场讲座，本届社科普及周正式启幕。 主会场将与多个社科普及基地和社会组织设立的分会场联动，共同为市民群众搭建起一个学习社科知 识、参与社科活动的多元活动场地。 "2025·北京社会科学普及周"于9月12日至16日在京举办，在北京大观园设置主会场，多个社科普及基地 设置分会场。作为北京市首个全国科普月的重要活动，本届社科普及周创新融合了科学技术普及和社会 科学普及。 在为期五天的活动中，主会场将举办"北京市哲学社会科学优秀成果奖历届特等奖成果集粹展览""首都 高校专家委员社科普及角""外国领导人登长城"等六大主题展览；联手北京保险学会、北京市学习科学 学会、北 ...

Core Perspective - The article highlights the efforts of Yang Yuni, a young cultural heritage educator, in preserving and modernizing the Hani ethnic culture through dance and music, emphasizing the importance of integrating traditional culture into daily life [1][2][3] Group 1: Cultural Heritage and Education - Yang Yuni founded a cultural arts center in 2015 while still in college, focusing on teaching traditional Hani dance, multi-part folk songs, and instrumental music [2] - The center has become a hub for cultural transmission, with numerous awards displayed on its walls, showcasing the achievements of over 3,000 students trained by Yang Yuni [3] Group 2: Integration of Tradition and Modernity - Yang Yuni's teaching approach blends traditional Hani dance with contemporary elements, such as street dance and electronic music, making the cultural practices more relatable to younger generations [2] - The Yunnan ethnic street dance troupe, which Yang Yuni is part of, serves as a "cultural laboratory," merging traditional dances from various ethnic groups with modern choreography, gaining popularity in performances like the 2024 Yunnan Spring Festival [2] Group 3: Community Impact - The return of Yang Yuni and her students to their hometown has been positively received by the local elders, who express relief and hope for the continuation of their cultural practices [2] - The article illustrates the dynamic nature of Hani culture, as it evolves while remaining rooted in its traditions, symbolized by the flowing water in the terraced fields [3]

Core Viewpoint - The article highlights the efforts of Yang Yuni, a young cultural educator, in preserving and modernizing the Hani ethnic culture through dance and music, emphasizing the importance of integrating traditional culture into contemporary life [1][2][3]. Group 1: Cultural Preservation and Education - Yang Yuni founded a cultural arts center in 2015, focusing on teaching traditional Hani dances, multi-part folk songs, and instrumental music [2]. - Over the past 10 years, Yang has trained more than 3,000 students, helping children from remote areas reach broader stages [3]. Group 2: Integration of Tradition and Modernity - Yang's teaching approach blends traditional Hani dance with modern elements, such as street dance and electronic music, making cultural practices more relatable to younger generations [2]. - The Yunnan ethnic street dance troupe, which Yang is part of, serves as a "cultural laboratory," combining various ethnic dance styles into contemporary performances [2]. Group 3: Community Impact - The return of Yang and her students to their hometown is met with appreciation from local elders, who express their hopes for the preservation of their cultural heritage [2]. - The performances by Yang's group at events like the 2024 Yunnan Spring Festival showcase the successful fusion of ethnic and modern dance, receiving positive audience feedback [2].

Group 1 - The core viewpoint highlights the strong resilience and potential of the consumption market in the East China region, driven by unique resource endowments, innovative development models, and vibrant consumer activity [1][2] - East China boasts rich tourism resources, with four main attractions for consumers: beautiful natural scenery, abundant specialty foods, convenient transportation, and deep cultural heritage [1] - The top three cities attracting consumers in East China are Hangzhou, Shanghai, and Xiamen, while popular small city destinations include Jingdezhen, Weihai, and Huangshan [1] Group 2 - Specialty products and unique foods from East China are widely favored by consumers nationwide, with significant growth in search volumes for intangible cultural heritage products like Shoushan stone carvings and Wuhu iron paintings, all showing over 100% year-on-year growth [1] - The second quarter of the year saw strong consumer vitality in East China, with Jiangsu, Shanghai, Shandong, and Zhejiang ranking among the top ten in national purchasing power [2] - The cities of Shanghai, Suzhou, Hangzhou, Nanjing, and Hefei recorded the highest consumption amounts, while cities like Wuhu and Xuancheng showed particularly significant year-on-year growth in consumption [2]

Core Viewpoint - The article highlights the collaboration between the Yangzhou Craft Art Group and the Yangzhou branch of the Construction Bank to support the development and preservation of intangible cultural heritage (ICH) through financial assistance and market promotion efforts [1][2] Group 1: Financial Support - The Construction Bank's Yangzhou branch provided a total of 100 million yuan (approximately 14.1 million USD) in working capital loans to the Yangzhou Craft Art Group to address funding shortages and support the development of ICH [1] - The loan will be utilized for research and innovation in ICH techniques, talent training, market promotion, and upgrading production equipment [1] Group 2: Talent Development - The initiative includes increased investment in talent cultivation by collaborating with universities and vocational schools to offer training courses in ICH techniques, aiming to attract more young individuals to engage in the preservation of ICH [1] Group 3: Market Promotion - The bank is leveraging its financial resources and channel advantages to help the Yangzhou Craft Art Group expand sales channels and enhance brand awareness [2] - Participation in various ICH exhibitions and sales events is intended to raise public awareness and appreciation of Yangzhou's ICH, fostering cultural identity and pride [2]

Core Viewpoint - The first dance micro-drama "Dancing Dunhuang" has been launched, creatively integrating Dunhuang murals and dance to revitalize the long-silent Dunhuang culture and provide new avenues for intangible cultural heritage transmission [1] Group 1: Cultural Significance - "Dancing Dunhuang" is the first cross-disciplinary work combining dance and micro-drama, aiming for high-quality production and authenticity in cultural expression through collaboration with the Dunhuang Research Institute [1][3] - The creative team aims to present Dunhuang culture in a more vivid form, addressing the cultural significance of Dunhuang murals and their historical context [3][6] Group 2: Creative Process - The project was inspired by previous works that utilized micro-drama formats to tell cultural stories, leading to the idea of combining dance with Dunhuang elements [3] - The core creative element revolves around "Rebound Pipa," linking ancient dance with Dunhuang murals, allowing for a dialogue between ancient and modern dancers [3][4] Group 3: Artistic Collaboration - The dance director, Shi Min, provided professional guidance during the script development, ensuring the artistic integrity of the dance and narrative logic [4] - The cast includes a young actress from the China National Opera and Dance Drama Theater, who has a solid foundation in classical dance, enhancing the performance's authenticity [4] Group 4: Audience Engagement - The dual narrative of ancient and modern characters facilitates the natural transmission of intangible cultural heritage knowledge, allowing audiences to connect with the story on a personal level [5][6] - The growth of characters reflects the essence of cultural transmission, emphasizing that heritage is not merely a slogan but a lived experience [7] Group 5: Future Prospects - The team plans to explore more micro-drama formats for other intangible cultural heritage projects, aiming to engage younger audiences with China's cultural roots [7] - "Dancing Dunhuang" will be broadcast on multiple platforms, including CCTV, to further promote cultural awareness and heritage revitalization [7]

活动自6月1日启动以来，吸引了来自浙江乃至上海、山东、河南等地的300余名小选手积极参与。 经过多轮选拔，最终66位优秀选手入围总展演。 8月25日—26日，第二届"非遗杭儿风·品典故"杭州民间传说故事讲述活动总展演分别在富阳区文化 馆和临平区图书馆举行。 本次活动由杭州市文化广电旅游局指导，杭州市文化馆（杭州市非物质文化遗产保护中心）与杭州 图书馆联合主办，旨在进一步推动民间文学类非遗项目的传承与发展，增强青少年对杭州地域文化的了 解。 《许仙救白蛇》《梁山伯与祝英台》《飞来峰的故事》《济公抢亲》……总展演现场，选手们按年 龄段分为四组轮番登台，将一个个脍炙人口的杭州民间传说娓娓道来，赢得台下阵阵掌声。 经过两天的激烈角逐，幼儿组、小学低段组、小学高段组、初高中组分别评选出"非遗故事大 王"和"非遗故事能手"。同时，展演还评出"最佳舞台之星""最具潜质之星""最溜方言之星"等多个特色奖 项。 ...

Core Viewpoint - The summer camp "Nezha's Summer Fun: Calligraphy and Children's Journey" successfully integrated traditional culture with ecological education, providing an immersive experience for youth through the cultural icon Nezha [1] Group 1: Event Overview - The summer camp featured a theme of "Intangible Cultural Heritage and Model Worker Spirit," focusing on paper-cutting art and mythological stories to create a traditional cultural experience for participants [1] - Participants learned to create paper-cutting art inspired by the myth "Nezha Conquers the Sea," guided by master craftsman Fang Jianguo, emphasizing the importance of focus and craftsmanship [1] Group 2: Educational Activities - A cultural lecture titled "The Thousand-Year Journey of a Brush" was conducted, revealing the evolution of brush design through video learning [1] - Children engaged in hands-on activities by making "mini brushes," allowing them to experience the artisan spirit through the process of assembling the brush [1] Group 3: Community Engagement - Participants formed the "Nezha Water Protection Team" to learn about Hangzhou's "Water Management Spirit" by visiting a river exhibition hall [1]

Core Viewpoint - The article highlights the collaboration between traditional food production and financial support, showcasing how a local bank's innovative financial solutions can help preserve cultural heritage while enabling business growth [1][2]. Group 1: Company Overview - Zhu's Firewood Mooncake workshop, known for its traditional craftsmanship, has transitioned to large-scale production while maintaining its heritage, and has been recognized as a provincial-level intangible cultural heritage workshop in Hunan [1]. - The workshop faces challenges in expanding production and marketing due to funding shortages, particularly in light of the opportunities presented by the upcoming tourism development conference [1]. Group 2: Financial Support - Hunan Huaihua Rural Commercial Bank responded to the workshop's needs by providing an 800,000 yuan revolving loan, aimed at supporting raw material procurement, packaging design, and brand promotion [1]. - The loan has alleviated immediate financial pressures, allowing the workshop to accept larger orders and prepare for significant events, thereby boosting confidence in their ability to maintain traditional flavors while expanding their market reach [2].

Core Points - The event "Zhenwu Temple·Children's Fun Tour" was held in Quanzhou, organized by the CPPCC Quanzhou Fengze District Committee, focusing on cultural heritage and educational support [1] - The event featured a charity sale where traditional craftsmanship, specifically paper flower folding, was used to raise funds for students in need [3][5] - A total of 12,000 yuan was raised during the three-day event, which will be donated to local underprivileged students through the Quanzhou Fengze District Women's Federation [5] Group 1 - The charity sale combined cultural heritage with public welfare, showcasing the ancient skill of paper flower folding as a means to support education [3][5] - Volunteers from Ping An Insurance played a significant role in the event, not only assisting in the sale but also contributing their own funds to enhance the support for students [5][7] - The event highlighted the importance of cultural transmission and community support, transforming traditional crafts into a source of hope and assistance for students [5][7] Group 2 - The initiative aims to continue leveraging cultural heritage for educational support, ensuring that the spirit of giving and cultural roots remain vibrant in future academic seasons [7]