四行仓库，当年由盐业、金城、中南、大陆四家银行联合出资兴建，迄今已有近百年历史，是目前上海 保存较完好的抗战旧址，如今的四行仓库已变身抗战纪念馆 百空间光二仓库，前身是始建于1933年的交通银行仓库，更新改造后新增了生活方式品牌、艺文空间、 国际化餐饮，成为苏州河畔新晋的打卡顶流 全球影像之家Fotografiska的亚洲首馆，由始建于1931年的历史建筑四行仓库光三分库改造而成 静安苏河皓司原为建于1931年的中国实业银行货栈。沿河外墙上的黄色充气艺术装置，从窗口挤出，仿 佛货物"爆仓" 南苏州路上的中国纺织建设公司第五仓库，建于1902年，通过修缮更新，焕发出独特的建筑之美 本报记者 刘歆 摄影报道 静静流淌的苏州河，是上海的城市脉络，承载着百年工业记忆。苏州河畔的百年老仓库，如今褪去满身 沧桑，正成为潮流时尚与文化创意交融的城市新地标，让历史肌理与当代活力完美交融。 裸露的砖墙、混凝土梁柱、老防火铁门，搭配重新切割的采光面……近日，全新改造亮相的百空间光二 仓库，将老建筑的历史质感与现代设计巧妙衔接。这里不再是堆积货物的场所，而是成为潮流品牌发布 会、先锋艺术展览的首选之地。 不远处的Fotografi ...

每经记者｜余洋 每经编辑｜唐元 1896年，中国第一场电影在上海徐园上演。此后百年间，这里用《一江春水向东流》的史诗感、《爱情神话》的烟火气，把整座城市变成了巨型片场。 上海街头抬头可见的梧桐树影、转角遇见的咖啡馆以及那些留在书里的名字——鲁迅的冷峻，张爱玲的苍凉，王安忆的细腻……文学与影像，似乎总爱在这 里扎根。 但上海不甘于只做"优雅的旧梦"。当别的城市还在炫耀百年古迹时，其早已蜕变为文化创意的"创造者"与"定义者"。 2017年，被业界视为顶层设计最为系统全面的上海"文创50条"出台，提出到2035年"全面建成具有国际影响力的文化创意产业中心"的总体目标。 正如该文件的起草人之一曾原所指出的，"新动能在文化创意产业中发生，新经济格局在文化创意产业中布局"。上海，正在有意识地书写文化创意产业的未 来。 眼下，游戏与电竞成为这座城市的新名片，米哈游、叠纸等公司从这里走向世界，上海以占全国17.8%的线下电竞赛事，贡献了近一半的行业收入，更开始 牵头制定全球电竞赛事标准。 从大银幕到小屏幕，上海始终站在每一次文化浪潮的浪头。 上海交大文创学院实践型副教授、视觉中国数据资产业务总经理王钧在接受天府文创云记者采访 ...

90后广西工艺美术大师陈海生端坐陶轮前拉坯。 制作完成的坭兴陶茶壶。 均为冯源 摄 冬日的钦州红日街，草木葱茏。翠竹疏影间，叁生工作室的玻璃门内，暖黄灯光漫溢，陶轮转动的"嗡嗡"声轻逸婉转，拉坯的影子随转盘缓缓摇曳，恰 似钦江古龙窑600年来不熄的窑火，在时光里静静流淌。 90后广西工艺美术大师陈海生端坐陶轮前，一捧紫红陶土在掌心泛着釉光般的水润光泽。指腹碾过，沉寂的陶土仿佛被唤醒——手掌微收，泥柱如春芽 破土般隆起；拇指侧压，弧线又如流水过石般灵动。"这是坭兴陶古法六艺里的'辘'，也就是拉坯，讲究力与泥的相融相生。"陈海生的声音混着陶轮轻响， 温柔又坚定，"陶土有温润又倔强的脾性，唯有怀着匠心顺着它的脉络走，才能与之相知相融。" 博古架上，爆款"几何石瓢壶"造型简约、棱线分明、边角挺括，像横平竖直的楷书，透着沉稳气度。"修这壶，就得跟自己的惯性较劲。"陈海生拿起银 亮的修坯刀，指节因微微发力泛出淡白。匠人手掌天生带弧，拉曲线是本能，几何壶却偏要逆着来。他绷直手腕，收住力道，放慢动作，刀刃吻过泥料 的"沙沙"声里，细碎陶粉簌簌落下，像冬日细雪般轻盈。 取自钦江两岸的陶土，经淘洗、沉淀、揉捏等多道工序精炼，目数 ...

来源：人民日报 午后，上海苏州河静安段波光粼粼，河畔的卡游园区内，00后产品策划师李欣隆正与团队讨论新系列潮 玩卡牌的设计稿。窗外，百年工业遗存建筑与摩天大楼交相辉映，这片承载着工业文明记忆的土地，近 年来因为时尚元素和文化创意产业的交汇碰撞，焕发出新的光彩。 作为中国近代工业的发源地之一，中国最早一批纺织厂、面粉厂、丝绸厂建于苏州河北岸，福新面粉一 厂旧址、四行仓库抗战纪念馆、中国银行办事所及堆栈旧址等历史建筑诉说着百年沧桑。如何让老建 筑、工业遗存"活"起来？静安区通过修缮保护与功能重塑，将其转化为文创空间的重要载体。 "我们保留建筑原有结构，融入现代设计语言，让历史可触摸、可感知。"静安区委宣传部部长萧烨璎介 绍，苏河湾区域已打造上海总商会旧址、天后宫、四行仓库等文创地标，形成"建筑可阅读、街区可漫 步"的文化生态，吸引大批年轻创业者扎根。"十四五"以来，苏河湾功能区累计实现税收350亿元，并连 续3年实现两位数增长。 在苏河湾，文创产业正从单一业态向文化与科技、文化与消费融合发展。去年入驻的卡游公司最初以扑 克牌印刷为主业，面对数字化浪潮冲击，转向动漫卡牌赛道。公司高级副总裁王轩说："我们将传统印 刷 ...

午后，上海苏州河静安段波光粼粼，河畔的卡游园区内，00后产品策划师李欣隆正与团队讨论新系列潮 玩卡牌的设计稿。窗外，百年工业遗存建筑与摩天大楼交相辉映，这片承载着工业文明记忆的土地，近 年来因为时尚元素和文化创意产业的交汇碰撞，焕发出新的光彩。 《 人民日报 》（ 2025年12月22日 10 版） 作为中国近代工业的发源地之一，中国最早一批纺织厂、面粉厂、丝绸厂建于苏州河北岸，福新面粉一 厂旧址、四行仓库抗战纪念馆、中国银行办事所及堆栈旧址等历史建筑诉说着百年沧桑。如何让老建 筑、工业遗存"活"起来？静安区通过修缮保护与功能重塑，将其转化为文创空间的重要载体。 潮流创意的迸发，离不开良好的产业生态。静安区通过政策引导、平台搭建、活动策划，为创业者提供 全方位支持。静安区对开展科技创新与研发设计的文创企业与机构，以文创IP赋能传统产业转型升级的 项目，均给予资金支持；鼓励培育原创IP，对完成商标注册或版权登记的企业，最高支持100万元；启 动"静安苏河湾文创设计计划"，面向全球征集创意灵感，并推出多个线上线下文化活动，促进企业跨界 合作。 站在苏河湾中心42楼的党群服务中心远眺，苏州河蜿蜒入江，浦东天际线尽收 ...

Core Insights - Hangzhou has a rich cultural history and has evolved from a single-core culture centered around West Lake to a multi-dimensional cultural landscape, establishing itself as a national cultural and creative industry center [1][2][5] - The city has 1,828 large-scale cultural enterprises, generating a total revenue of 1,083 billion yuan, with digital cultural enterprises accounting for over 80% of this revenue [1][11] - The "Waves: Trillion City 2030" research group conducted extensive studies on Hangzhou's cultural industry, aiming to clarify the relationships between government, universities, and enterprises, and to provide recommendations for future development [1][2] Cultural Industry Development - Hangzhou's cultural industry was officially recognized as a pillar industry in 2007, with a focus on creating a "big cultural industry" that encompasses various sectors including technology services, education, and entertainment [2][3] - The city has a diverse cultural resource base, including various cultural heritages such as the West Lake culture, Liangzhu culture, and Grand Canal culture, which contribute to its cultural richness [2][3][5] - The administrative adjustments from 1996 to 2017 have significantly expanded Hangzhou's cultural space, allowing for a more integrated and diverse cultural industry landscape [5][6] Government and Policy Support - The Hangzhou government has adopted a "city management" philosophy, viewing the city as a platform for cultural exchange and life experiences, which has positively influenced the urban environment [7][8] - The city has implemented stable industrial policies, including financial support and talent incentives, to foster the growth of the cultural industry [10][11] - Hangzhou's government has also focused on creating a favorable business environment, attracting talent and enterprises through various initiatives [8][9] Role of Universities - Zhejiang University and China Academy of Art play a crucial role in nurturing Hangzhou's cultural landscape through research, talent cultivation, and participation in urban development [12][13] - These institutions have been involved in various cultural projects and initiatives, contributing to the city's cultural infrastructure and industry ecosystem [12][13] Corporate Innovation and Collaboration - Companies in Hangzhou, such as Zhejiang Cultural Technology, have embraced innovation and collaboration, leveraging partnerships with major tech firms like Alibaba and NetEase to enhance their digital cultural offerings [14][15] - The integration of cultural and technological resources has led to the establishment of a robust digital cultural industry in Hangzhou, positioning it as a national leader in this sector [4][11] Future Directions - Experts suggest further exploration of Hangzhou's cultural resources and the integration of technology to enhance cultural offerings, such as the development of cultural parks and historical sites [20][21] - The emphasis on digital culture and new media is seen as a key driver for future growth, with recommendations to combine online and offline experiences to meet evolving consumer demands [19][20][22]

Core Viewpoint - Wang Guobin, the general manager and founder of Quan Guo Fund Management Co., Ltd., has passed away, and the chairman, Ren Li, will take over his responsibilities [1][4]. Group 1: Company Overview - Quan Guo Fund was established in 2022, and as of November 3, 2025, it has a fund management scale of 23.787 billion yuan, with six funds under management and five fund managers [5]. - Wang Guobin held a 35% stake in Quan Guo Fund and was also a representative of the Shanghai Municipal People's Congress [1][4]. Group 2: Wang Guobin's Background - Wang Guobin previously worked at Dongfang Securities, where he served as the general manager of the securities investment business headquarters and vice president [3]. - In 2005, he founded Dongfang Hong Asset Management, which became the first broker-based asset management company in China to obtain a public fund license in 2010 [4]. Group 3: Industry Insights - Wang Guobin highlighted that China has become one of the fastest-growing economies in terms of innovation over the past decade, driven by the maturation of the post-80s and post-90s generations [4][5]. - He emphasized the advantages of China's large population and engineering talent, with nearly 20 million graduates annually, predominantly engineers, which supports potential innovation [5].

Core Insights - The report titled "2026-2032 China Shanghai Cultural and Creative Industry Market Deep Research and Investment Risk Assessment" aims to provide insights into the development trends and future prospects of Shanghai's cultural and creative industry [1][23] - The cultural and creative industry is defined as a sector that integrates creativity, culture, technology, and market orientation, forming a new type of industrial chain [1][6] - Shanghai's cultural and creative industry is projected to grow significantly, with its added value expected to increase from 4,667.6 billion yuan in 2018 to approximately 7,091.4 billion yuan by 2024, maintaining a GDP share of around 13% [12][14] Industry Overview - The cultural and creative industry in Shanghai includes various sectors such as media and arts, industrial design, architectural design, fashion creativity, internet services, software and IT services, advertising, leisure and entertainment, and cultural equipment manufacturing [6][7] - The industry is characterized by a strong reliance on innovation and existing industry foundations, with a robust growth momentum driven by new productive forces [12][14] Market Performance - The total output of Shanghai's cultural and creative industry is expected to rise from 17,736 billion yuan in 2018 to 24,670 billion yuan by 2024, indicating a strong upward trend [14][15] - The number of large and medium-sized cultural and creative industry parks in Shanghai exceeds 100, with nearly 10,000 enterprises generating an annual output value surpassing 100 billion yuan [17][18] Policy Environment - The Chinese government has implemented various supportive policies to promote the development of the cultural and creative industry, including initiatives to enhance internet content creation and cultural trade [8][10] - Shanghai's financial institutions are actively investing in the cultural and creative industry, exploring innovative investment models [43] Future Outlook - The report provides a comprehensive analysis of the competitive landscape, key enterprises, and investment risks within the cultural and creative industry in Shanghai, helping stakeholders make informed decisions [23][24] - The industry is expected to continue evolving, with a focus on enhancing competitiveness and fostering innovation [12][14]

Core Insights - The rapid development of short videos is significantly impacting the book industry, prompting companies like Motie Group to embrace change and innovate their business models [1][2] - Motie Group aims to leverage short video platforms for book sales and content production, highlighting the importance of capital in cultural industry development [1][5] Group 1: Business Transformation - Motie Group has evolved from a small company to a leading player in the private book industry, supported by investments since 2017 [1][2] - The company has established a comprehensive content product offering and a full copyright industry chain, adapting to the influence of short videos [2][3] - Since 2020, Motie Group has increased its investment in online sales, achieving over 28 million users across platforms like Douyin, Xiaohongshu, Bilibili, and Kuaishou [2][3] Group 2: Sales and Marketing Strategy - Approximately 30% of Motie Group's book sales revenue now comes from online channels, including Taobao, Douyin, Xiaohongshu, and Kuaishou [2][3] - The company has shifted its marketing strategy to focus on online sales, creating tailored marketing plans for different book types and platforms [2][3] - Youth literature and ACG (Anime, Comic, and Games) genres have shown strong sales performance, aligning well with the target audience of short video platforms [3][4] Group 3: Content Production and Collaboration - Motie Group focuses on original content, with about 80% of its published works being original creations from China [3][4] - The company collaborates with top content creators on platforms like Douyin and Bilibili to develop corresponding book products, enhancing online sales [4][5] Group 4: Strategic Importance of the Greater Bay Area - The Greater Bay Area is identified as a crucial development area for Motie Group, benefiting from a large consumer base and creative talent [5][6] - The company aims to connect content consumers with creators, leveraging the region's rich cultural resources and talent pool [5][6] - The 2025 Greater Bay Area Cultural Investment Conference is anticipated to further strengthen connections between cultural projects and capital [6]

Core Insights - Apple's CEO Tim Cook's recent visit to China emphasizes the company's ongoing engagement with the digital cultural and creative industry, particularly through the lens of "play" as a strategic theme for enhancing consumer interaction and brand loyalty [1][2][10] Group 1: Engagement with Digital Culture - Cook's itinerary included visits to various digital creative enterprises, showcasing Apple's interest in the gaming and cultural sectors, which are crucial for maintaining consumer purchasing power [1][2] - The visit to the LABUBU exhibition highlights Apple's strategy to connect with successful Chinese IPs, which resonate with its target audience and enhance the value of its devices among creative users [9][12] Group 2: Strategic Importance of Gaming - The collaboration with top game developers like miHoYo, known for the globally successful game "Genshin Impact," illustrates the symbiotic relationship between high-quality content and Apple's hardware capabilities [5][10] - Cook's participation in gaming events, such as watching a "Honor of Kings" tournament, reflects Apple's commitment to understanding and enhancing the user experience on its devices through gaming [5][10] Group 3: Cultural Connection and Brand Loyalty - Apple's focus on cultural engagement, including interactions with musicians and artists, aims to deepen emotional connections and cultural recognition in the Chinese market [12][13] - The emphasis on "play" serves as a communication tool that transcends commercial interests, fostering trust and collaboration with local stakeholders and enhancing Apple's brand persona [12][13]