9月30日，省十四届人大常委会第十七次会议表决通过了《江苏省公共图书馆条例》。随后召开的 条例新闻发布会，专门安排在南京图书馆举行。 提升服务水平，需要健全的公共图书馆服务体系作为支撑。此次立法明确了政府主导责任，规定县 级以上地方政府在本行政区域内至少设立一个公共图书馆，乡镇（街道）可以根据实际设馆，还鼓励公 民、法人和其他组织自筹资金设馆。 和其他省份同领域立法相比，我省条例围绕提升公共服务供给水平，强调服务便捷性、智能型、先 进性。省人大教科文卫委委员邵进介绍，法规在多个章节突出促进公共图书馆的数智化发展：总则中明 确鼓励和支持现代信息技术在公共图书馆建设、管理和服务中的运用；在设立章节中要求各馆根据实际 布局建设数字化、网络化、智能化基础设施，增强图书馆提供数字资源和线上线下融合服务的能力；在 运行和服务章节中明确提出建设数字化资源服务平台，增加专题数据库、电子图书、有声读物等数字资 源的品种和数量，并配备相应阅读设施设备，鼓励开发数字阅读服务工具，建设互动式、服务式、场景 式数字阅读空间。 "公共图书馆是民生服务的重要窗口，公共图书馆服务水平的高低，直接关系到人民群众的切身感 受。因此，我们将新闻发 ...

Investment Rating - The report maintains a "Recommended" investment rating for the industry [1]. Core Insights - Spotify's total revenue for Q2 2025 reached €4.2 billion, reflecting a 10% year-over-year growth, with a gross margin of 31.5%, up 227 basis points [4][6]. - The number of paid subscribers increased by 8 million, totaling 276 million, a 12% year-over-year increase, while monthly active users (MAU) grew by 18 million to 696 million, marking an 11% year-over-year increase [4][6]. - Spotify's growth in paid users and MAU significantly exceeded the company's guidance of 3 million and 7 million, respectively, highlighting its competitive advantage in the global audio streaming market [4][6]. Summary by Sections Financial Performance - Spotify's Q2 2025 revenue was €4.2 billion, a 10% increase year-over-year, with paid user revenue growing by 16% and advertising revenue increasing by 5% [4][6]. - The company added 8 million net subscribers, surpassing its guidance, and achieved a gross margin of 31.5%, an increase of 227 basis points year-over-year [4][6]. Content Expansion - Spotify has made significant strides in audiobooks and video content, with approximately 7 million podcasts, 430,000 video podcasts, and 35 million audiobooks available on the platform [6]. - Video consumption on Spotify has surged, growing at a rate 20 times faster than pure audio consumption, with over 350 million users engaging with video podcasts, a 65% year-over-year increase [6]. Pricing Strategy - Spotify employs a "portfolio approach" to pricing, focusing on long-term user retention rather than short-term revenue growth, with recent price adjustments in select European markets showing no adverse customer churn [7][8]. - The company aims to optimize its value proposition in Europe and Latin America while enhancing user perception of value and price competitiveness [8]. Future Outlook - The report suggests that Spotify's user growth and content moat are promising, with AI-driven personalized experiences and a global content ecosystem expected to drive its evolution from a "music streaming platform" to a "global audio super app" [8].

Group 1 - The forum "Intelligently Seizing the Future: Technology Reshaping the New Ecology of World Publishing" gathered over 300 domestic and international publishing professionals to discuss the application of AI technology, future trends in the publishing industry, and changes in talent demand within the new publishing ecosystem [1][2] - The President of the China Publishing Association, Wu Shulin, emphasized that technological innovation brings both opportunities and challenges to the publishing industry, highlighting the need for proactive transformation and the importance of content quality, talent training, and international collaboration [1][2] - The Deputy Minister of the Guangdong Provincial Publicity Department, Ni Qian, stated that the era of solitary efforts in publishing has ended, and collaboration with technology companies is essential to explore the applications and ethical boundaries of AIGC in content production [2][3] Group 2 - The Secretary-General of the International Publishers Association, José Borghino, noted that AI technology presents new opportunities, and publishers are increasingly adopting AI for various functions such as marketing, design, translation, proofreading, editing, and distribution [2] - Springer Nature Group's Global Book Business President, Tong Enping, pointed out that delegating repetitive tasks to AI allows researchers to focus more on creativity and critical thinking, while also stressing the need for global collaboration to establish international AI standards in publishing [2][3] - The Chief Expert of CITIC Publishing Group, Qiao Weibing, indicated that the traditional publishing industry faces multiple challenges, and AI's involvement could lead to efficiency improvements and the emergence of new development paths, redefining the value of "books" from mere content carriers to comprehensive knowledge services or experiential products [3]

Core Viewpoint - The rapid development of social media platforms has led to governance challenges regarding personal information security, platform responsibility, consumer rights, and intellectual property protection [1][2][3] Group 1: Case Statistics and Trends - The number of cases related to social media platforms has been increasing annually, with 458 cases in September-December 2018, 8011 cases in 2019, and 10424 cases in 2020, representing a year-on-year increase of 30.12% [1] - Copyright disputes constitute the highest proportion of social media platform disputes, accounting for 87.71% [1] Group 2: Intellectual Property Protection in New Business Models - New business models in areas such as online gaming, video, digital music, and online education are presenting new challenges for intellectual property protection [2] - A case involving a website operator and an app operator highlighted the issue of unauthorized sharing of premium content, leading to a ruling that the app operator must compensate the website operator 2 million yuan for economic losses [2] Group 3: Legislative Changes and Challenges - The revised Copyright Law effective from June 1 expands the protection scope of audiovisual works, emphasizing rights protection in emerging fields [3] - The application of new technologies like AI, big data, and cloud computing is significantly impacting traditional infringement recognition rules [3] Group 4: Mixed Business Operations and Legal Responsibilities - The traditional "safe harbor" principle is facing challenges due to the evolution of social media platforms into multi-service providers, leading to complex legal responsibilities [4][5] - Platforms are increasingly required to ensure compliance with legal obligations related to content regulation and data security as they diversify their services [4] Group 5: Consumer Rights and Data Protection - Issues with platform format clauses have been identified, where platforms often exempt themselves from liability while increasing consumer responsibility [6] - The court emphasized that platforms must not harm users' rights while exploring new business models, particularly in cases involving subscription services [6] Group 6: Future Directions - The Beijing Internet Court plans to strengthen the protection of fair market competition and address issues like online fraud and identity theft [7] - There is a focus on clarifying the rights attributes, protection scope, and accountability mechanisms for new types of intellectual property in the digital economy [7]

Core Viewpoint - The audio industry in China is experiencing significant growth driven by technological advancements, particularly in AI and multimodal models, enhancing content creation and user experience. The market size is projected to reach 28.7 billion yuan in 2024, reflecting a year-on-year growth of 14.80% [2][9]. Industry Overview - Audio refers to sound signals perceptible to the human ear, typically ranging from 20 Hz to 20,000 Hz. It can be classified into analog and digital audio based on the signal format [2]. Industry Development History - The Chinese audio industry has evolved through four main stages: - **Incubation Period (1996-2005)**: Initiated with Guangdong Pearl River Economic Broadcasting's real-time online broadcasting in 1996 and the introduction of podcasts by Apple in 2005 [4][5]. - **Exploration Period (2006-2015)**: Marked by the launch of early Chinese audiobook websites and regulatory frameworks, including the establishment of Douban FM and the founding of Ximalaya [4][5]. - **Expansion Period (2016-2019)**: Characterized by the introduction of live streaming features by major platforms like Ximalaya and Lizhi, intensifying competition [4][5]. - **Maturity Period (2020-Present)**: Notable events include Lizhi's IPO in the U.S. in 2020 and advancements in AI applications in audio systems, indicating a shift towards comprehensive AI integration in the industry [4][5]. Industry Value Chain - The audio industry value chain consists of: - **Upstream**: Content creation (music, audiobooks, podcasts), raw materials (metals, plastics), and components (resistors, capacitors, microphones) [6]. - **Midstream**: Audio platforms that facilitate content distribution [6]. - **Downstream**: Various listening channels including smartphones, smart speakers, and wearable devices, along with the end-users [6]. Related Companies - Key listed companies in the audio sector include Tencent Music (01698), NetEase Cloud Music (09899), and Edifier (002351), among others [2].