中新网东莞8月9日电 第十五届中国国际影视动漫版权保护和贸易博览会正在东莞举行。8日举行的中国 潮玩之都·动漫潮玩产业招商推介会发布《东莞市加快潮玩和动漫产业发展若干措施》提出，计划拿出 1.2亿元的产业扶持资金，以超常规力度，从产业生态、市场开拓、内容创作、集群发展、要素保障等 五大方向支持潮玩和动漫产业高质量发展。 截至2024年，东莞涉及潮玩生产的规上限上企业共计112家，工业总产值超238亿元，同比增长19%。 东莞潮玩产业集聚显著，拥有超过4000家玩具生产企业，近1500家上下游配套企业，是全国最大的玩具 出口基地，也是全国唯一的"中国潮玩之都"。全球动漫衍生品1/4在东莞生产，中国近85%的潮玩产自东 莞。 在当日的推介会上，来自13个国家地区的80余个影视动漫领域重要嘉宾、漫博会展商齐聚，推介会系统 介绍了东莞重点动漫潮玩产业政策与项目。东莞潮玩重镇石排镇推介了"潮玩小镇"规划，解读该镇的产 业空间、服务平台和专项政策等优势；茶山镇重点开展AI玩具产业招商，推介了茶山"AI+毛绒玩具"特 色产业园、"AI+IP"新质产业综合体等项目。 据悉，东莞下来将持续推动动漫潮玩产业发展，加大对动漫潮玩产 ...

Group 1 - The event "China潮玩之都·动漫潮玩产业招商推介会" was held on August 8, gathering over 80 key guests and exhibitors from the film and animation industry across 13 countries and regions to discuss industry development [1] - Dongguan's Industrial and Information Technology Bureau introduced the newly released measures to accelerate the development of the潮玩 and animation industry, planning to allocate 120 million yuan in industrial support funds [3] - The support will focus on five major areas: industrial ecology, market expansion, content creation, cluster development, and element guarantee to promote high-quality development of the潮玩 and animation industry [3] Group 2 - The "潮玩小镇" planning was promoted by Shipa Town, highlighting its industrial space, service platform, and special policy advantages [3] - Chashan is focusing on AI toy industry investment promotion, introducing projects like the "AI + Plush Toy" industrial park and "AI + IP" new quality industrial complex [3] - Dongguan will continue to enhance support for the潮玩 and animation industry, optimize the business environment, and strengthen project landing service guarantees to attract high-quality projects [3]

年初以来，在全球电影票房排行榜持续攀升的动画巨制《哪吒之魔童闹海》和引发广泛讨论的人工 智能DeepSeek，被认为是"长期主义者"的胜利。相关团队在不确定性中坚守价值、在不断积累中孕育突 破的精神，同样应当是金融支持民营企业发展的圭臬。 "金融"和"民营企业"是今年全国两会期间的两大热词，作为深耕地方的农村金融机构，苏州农商银 行一直将支持民营企业作为使命，坚持"长期主义"和"价值共生"理念，为中小企业打造"管家式"服务， 连续4年获评苏州市生产性服务业领军企业，获评江苏省现代服务业领军企业。 始于微末的共同成长 才能成就广大 在越来越"内卷"的当下，很多银行管理者很容易陷入急功近利的误区，盲目追求"立竿见影"的成 绩，最终只得到"昙花一现"的热闹。前几年，金融机构的任职期限要求导致了部分管理者存在"短时困 境"，觉得在一家分支机构待不了多久，任职期间一定要"出成绩"，丧失了长期深耕经营的耐心。每到 任一家机构，先"夯基础"，挤掉前任的业务"泡沫"。然后追求"大干快上"，把各类业务指标做得尽量漂 亮，方便向上级单位"邀功请赏"。最后"拖一拖"，对于一些具有潜在风险的业务，采用拖延战术，把包 袱和责任统统留给 ...

Core Viewpoint - Xiangyuan Cultural Tourism announced a total external guarantee amount of approximately RMB 746 million, accounting for 26.5% of the company's latest audited net assets [2] Revenue Composition - For the year 2024, the revenue composition of Xiangyuan Cultural Tourism is as follows: - Tourism scenic area business accounts for 63.03% - Smart cultural tourism project hardware and software integration construction, digital operation, and technical services account for 12.43% - Tea sales account for 8.36% - Animation and its derivative businesses account for 7.07% - Hotel services account for 6.6% [2]

Group 1 - The company Xiangyuan Cultural Tourism (SH 600576) announced on August 5 that its ninth board meeting was held to discuss providing guarantees for its wholly-owned (controlling) subsidiaries [2] - For the year 2024, the revenue composition of Xiangyuan Cultural Tourism is as follows: tourism scenic area business accounts for 63.03%, smart cultural tourism project hardware and software integration and digital operation and technical services account for 12.43%, tea sales account for 8.36%, animation and its derivative businesses account for 7.07%, and hotel services account for 6.6% [2]

8月4日，2025"范长江行动——香港传媒学子浙江行"活动在浙江杭州启动。此次浙江行活动，来自 香港大学、香港中文大学、香港都会大学、香港浸会大学、香港树仁大学等15名香港学子将深入"杭州 六小龙"的强脑科技、灵伴科技等行业头部企业，了解浙江AI技术和数字经济日新月异的发展现状；寻 访宁波鞍山村等乡村振兴案例，感受"绿水青山就是金山银山"理念在浙江的生动实践；走进中国历代绘 画大系典藏馆、中南卡通等文化工程和文化企业，感受浙江从五千年良渚"文明曙光"的唤醒，到千年文 脉的传续。 "愿此次范长江行动，既能记录下浙江如火如荼的发展图景，也能为'一国两制'行稳致远注入青春 视角。同时也希望通过此次范长江行动，为浙港两地青年交流搭建起一座新的桥梁，进一步拓展两地交 流合作新空间。"采访团团长、香港大公文汇传媒集团副董事长、总编辑张国义在致辞中表示。 "'范长江行动'自2014年开展以来，为香港传媒学子提供了宝贵的实践机会，让我们走出课堂，深 入祖国大地，用笔触记录时代的发展。"来自香港大学的戴文敏在发言中表示，浙江不仅是历史文化深 厚的江南水乡，更是中国创新发展的前沿。"从'绿水青山就是金山银山'的生态实践，到数字经 ...

2025年7月4日至8月10日，上海举办首个国际动漫月。其间，多个动漫展会召开，累计吸引了数十万海内外观众。热门漫展一票难 求、消费者排队购买周边产品、场地周边酒店餐饮预定火爆……如今，漫展已不仅是动漫迷们的狂欢，还成为了城市流量的新密 码。 每年暑期来上海参加动漫展会，已经成为很多动漫爱好者的固定行程。2025年，首个上海国际动漫月举行期间，三大动漫展联动， 累计吸引了数十万海内外观众前来逛展、消费。数据显示，仅某场漫展举办当周，场地周边部分酒店预订量就同比增加475%。同 时，各大商圈也抓住流量，动漫元素的快闪店、特色市集等消费场景不断出现。 本届漫展展览面积超过13.5万平方米，汇集来自美国、加拿大、德国、日本等37个国家和地区的800家企业参展。据了解，有很多观 众从外地，甚至是海外专程来打卡。 图 INNE CCTV 视网 CTN 2 com 贝 4 E TITLE mit Cares au inner of the production 安视网 CCTN CTIV 16 UU7 4 度假 旅 裝 塔 以 12 四 商 肩 標 招 E CCTV 2 CETN Com E en CCTV/ 2 CCT ...

长江北岸，位于江岸区的汉口历史风貌区内，清水红砖与玻幕大厦错落相伴。街边，朵朵太阳伞点缀街区；院内，间间小剧场、工作 室不断推陈出新。 3.35平方公里，从江汉路到黄浦大街，从京汉大道到沿江大道，177处文物、153处优秀历史建筑、62处特色里份在传承中迸发新动 能。 她在社交平台上分享："历史与现代交融的老汉口，随时都有不期而遇的惊喜。" 从文化遗产的修旧如旧，到业态的文商旅流变，再到创新的要素聚拢，江岸演绎着新的进化： 坚持"留改拆建控"并举，统筹文化遗产的保护传承、城市更新、产业导入和文商旅融合发展等，在保护中发展、传承中利用，以文化 赋能经济、以经济"活化"文化。 75米长小巷塑出新场景 城市更新从宏观进入"毛细血管"；咸安坊、延庆里、黎黄陂路等不断焕新登场；漫步族穿行21条街巷 延庆里，汉口胜利街和三阳路交界处，主巷全长75米，溜达一圈只需约10分钟。 钱晨在"City Walk（城市漫步）"的路上，偶然发现这片小小的历史建筑群。拱券门窗透着老汉口韵味，米白石砖路还留存着修缮的痕 迹。 她逗留了近一个小时，仿佛发现了新的宝藏—— 家居店里，手握木质的家居摆件，爱不释手；"A4X艺术中心"里，跟随艺术 ...

Core Insights - Chengdu's animation industry has transformed from a "workshop" model to a thriving sector, highlighted by the success of "Nezha: The Devil's Child" [1] - The industry's growth is characterized by three key elements: cluster development, cultural integration, and technological innovation [1][4] Group 1: Cluster Development - The cluster development in Chengdu's animation industry promotes "value symbiosis," where companies in close proximity enhance collaboration and efficiency, exemplified by the production of "Nezha 2" [1] - Government policies have fostered a complete industrial chain, enabling collective breakthroughs rather than isolated efforts [1] Group 2: Cultural Empowerment - Chengdu's rich cultural heritage, including sites like Wuhou Shrine and Sanxingdui, provides inspiration for creative works, allowing local animators to infuse their projects with regional characteristics [2] - "Nezha 2" features elements of Sichuan culture, such as the character's dialect and cultural symbols, showcasing the successful integration of local history and customs into animation [2] Group 3: Technological Innovation - The animation industry in Chengdu is leveraging technological advancements, particularly in AI, to enhance production efficiency and quality [3] - For instance, Moxing Tianhe Chengdu has successfully applied for 25 software copyrights and established an AI team to improve visual effects, completing complex scenes in "Nezha 2" within 11 months [3][4]

Core Insights - The film "The King's Avatar: For the Glory" has achieved a high rating of 8.7 on Douban, making it the highest-rated theatrical release of 2025 so far, indicating its strong reception among audiences [1] - The IP "The King's Avatar" has successfully maintained a clear positioning, focusing on niche markets while still generating significant revenue through merchandise and collaborations [3][25] - The audience demographics for "The King's Avatar" have evolved, with a notable increase in younger viewers, particularly those born after 2000, indicating a successful retention and expansion of its fanbase [11][14] Audience Engagement - The film's release has led to a surge in user-generated content and discussions on social media, particularly among the core fanbase, showcasing the strong community engagement surrounding the IP [8][39] - The primary audience remains female, with a gender ratio of 34:66, and the film has seen a more balanced distribution of viewers across different city tiers compared to its predecessor [17][22] Merchandise and Collaborations - The film has launched 15 collaborative merchandise lines, with a significant focus on toys and collectibles, which have proven to be the best-selling categories [25][26] - The most successful products are low-priced items, such as blind boxes and plush toys, which cater to the high-frequency purchasing behavior of the core audience [31][32] Market Positioning - Despite its success, "The King's Avatar" has not achieved a broad mainstream appeal akin to other popular IPs, remaining primarily within the niche of its dedicated fanbase [36][39] - The unique storytelling and aesthetic of "The King's Avatar" may limit its accessibility to a wider audience, as it requires a deeper understanding of its themes and characters [37][40]