Group 1 - The 2025 Beijing Cultural Forum held six parallel forums focusing on various themes related to cultural innovation and technology integration [2][4][6][8][9] - Themes included "Digital Empowerment of Cultural Heritage," "Technology Stimulating Cultural Originality," "Integration of Audiovisual Industries," "Enhancing Public Cultural Quality with New Technologies," "Innovative Development of Network Culture," and "Respecting Civilizational Diversity" [2][9] Group 2 - The forums aimed to explore the intersection of culture and technology, highlighting the importance of digital tools in preserving and promoting cultural heritage [2][9] - Discussions emphasized the role of technology in enhancing creativity and fostering collaboration across different cultural sectors [2][9] - The event served as a platform for exchanging ideas and experiences among cultural practitioners and technologists [2][6]

Group 1: Forum Overview - The 2025 Beijing Cultural Forum focused on the deep integration of the audiovisual industry and new technologies, gathering over 500 industry leaders and experts from 17 countries to explore innovative development paths [1] - The forum included a project launch for the TV series "Liujin," showcasing the innovative spirit of Chinese people in Zhongguancun [1] Group 2: Success Stories in the Audiovisual Industry - The Chinese audiovisual industry has seen remarkable successes with the 3A game "Black Myth: Wukong," which sold over 30 million copies and generated over 10 billion yuan in sales, significantly boosting tourism and related industries [3][4] - The animated film "Nezha: Birth of the Demon Child" attracted 300 million viewers in 2025, becoming a new benchmark for Chinese animated films and ranking first in global animated film box office [3] Group 3: Impact of Technology on Content Creation - The rise of AIGC technology is driving transformative changes in audiovisual content, with platforms like Xiaohongshu reshaping content creation ecosystems [6] - AI is enabling new narrative styles and enhancing user experiences in short films, while also addressing production challenges [7] Group 4: Cultural Exchange and Collaboration - Representatives from various countries expressed a desire for enhanced cultural exchange and cooperation in the audiovisual sector, emphasizing the role of media in promoting cultural dialogue [8][10] - The Arab States Broadcasting Union is committed to strengthening partnerships with Chinese entities in the audiovisual field, supporting initiatives that showcase young filmmakers [8] Group 5: Perspectives on AI and Creativity - Experts highlighted the dual role of AI as a tool in the creative process, emphasizing the importance of human artists in finding meaning in their work [7][11] - The integration of AI in cultural production is seen as a means to empower communication and creativity, allowing for a new era of cross-cultural creators [10][11]

Core Viewpoint - The 2025 Beijing Cultural Forum highlighted the transformative role of artificial intelligence and digital technology in enhancing public cultural services, reshaping various aspects of cultural life from libraries to museums [3][5][10] Group 1: Technological Innovation in Cultural Institutions - Libraries are evolving from traditional book repositories to smart learning spaces, utilizing generative AI to create interactive reading experiences [4][5] - The National Library of Singapore's AI model "Smart Chat Book" allows users to engage in interactive dialogues with book content, enhancing personalized reading experiences [4] - Cultural institutions are encouraged to redefine their roles from content providers to experience designers, leveraging technology to enhance user engagement [5][6] Group 2: Digital Culture Development - The development of digital culture must prioritize human development and social benefits, ensuring that advancements in digital technology are accessible to all societal groups [6] - The integration of technology in cultural heritage preservation and innovative cultural experiences is reshaping public interaction with culture [6][8] Group 3: Practical Applications and Collaborations - The forum emphasized the need for effective collaboration between technology and cultural sectors to create a comprehensive ecosystem that supports creative and technological synergies [8][9] - Significant agreements were signed to enhance regional cultural collaboration, including a digital strategic cooperation agreement among four municipalities and a digital service cooperation agreement between the Capital Library and Xiong'an New Area [9] - The launch of the Smart Service Platform for Ancient Books aims to provide open access to over 12,000 types and 120,000 volumes of digitized ancient texts, supporting academic research and public learning [9][10] Group 4: Future Outlook - The forum marked a shift from visionary concepts to large-scale implementation of technology in public culture, promising more personalized, intelligent, and immersive cultural services for the public [10]

转自：北京日报客户端 9月23日晚，2025北京文化论坛重要成果发布专场活动举行。活动现场，"全国文化中心建设2024年度十 件大事"正式揭晓。 为深入学习实践习近平文化思想，生动展现全国文化中心建设成果，助力社会主义文化强国建设，北京 市推进全国文化中心建设领导小组办公室、北京市委宣传部联合新华网开展了"全国文化中心建设2024 年度十件大事"评选。 评选开展以来，共面向中央宣传文化单位、北京市有关单位和广大网民征集案例80个。其中，22个案例 入围网络投票，吸引社会各界广泛关注和参与，投票总计3600多万次。结合网络投票，经线下评议，综 合考量案例代表性和重要性，最终评选出"全国文化中心建设2024年度十件大事"，涵盖了理论研究、遗 产保护、文化旅游、文学创作、文博文创、文化科技等多个领域。 2024年7月27日，第46届世界遗产大会决定，将"北京中轴线——中国理想都城秩序的杰作"列入《世界 遗产名录》。中轴线申遗成功，是习近平文化思想的生动实践，为世界文化遗产保护提供了中国案例、 贡献了中国智慧。北京市立足这一崭新起点，全面加强文化遗产整体性、系统性保护传承，出台北京中 轴线世界文化遗产保护条例，编制完 ...

Core Insights - The forum "Breaking Boundaries: Technology Inspiring Cultural Originality" held in Beijing focused on the intersection of technology and culture, with over 150 participants from 18 countries discussing new trends and phenomena in cultural development [1][2] Group 1: Cultural Originality and Technology - The discussions emphasized the importance of leveraging technology to enhance cultural originality, with a call for artists to engage actively in the technology and culture wave to create high-quality works that reflect cultural originality [2][5] - Experts highlighted that technology promotes cultural originality through scientific thinking, technical tools, and innovation mechanisms, suggesting that contemporary cultural originality should not sever ties with tradition but rather provide new perspectives [5][9] Group 2: Human-Machine Collaboration - The concept of human-machine collaboration in creative processes was a significant topic, with views that originality is shifting from being solely a human achievement to a collaborative relationship between humans and AI [5][7] - The forum participants expressed that AI should not be seen as the end of art but as a means to open new creative dimensions, allowing for the co-creation of new aesthetic languages and narratives [7][9] Group 3: New Humanistic Thought - Scholars proposed that new humanistic thought must adapt to technological advancements, emphasizing the need to respect collective interests while affirming individual value and dignity [13][15] - The digital and intelligent era is reshaping cultural identities and altering the global cultural landscape, creating new spaces for creativity through digital innovation [15]

今天（9月23日），2025北京文化论坛在北京开幕。本届论坛以"传承·创新·互鉴"为永久主题，以"文化 和科技融合发展"为年度主题，设置包括主论坛、平行论坛、专业沙龙以及多项精彩配套活动。今天， 共有800名中外嘉宾参加了2025北京文化论坛主论坛活动，联合国教科文组织世界遗产中心主任拉扎赫· 伊伦都·阿索莫、法国著名导演、编剧让-雅克·阿诺等分别围绕《数字技术促进全球文化遗产保护》《跨 越不同文化的电影创作》展开主旨演讲。（央视新闻） ...

Core Insights - The 2025 Beijing Cultural Forum highlights the deep integration of culture and technology, showcasing successful cross-disciplinary practices such as AI restoration of Dunhuang murals and VR recreations of historical sites [3][4] - The forum emphasizes that while technology enhances cultural preservation and dialogue, it also poses risks of oversimplification and loss of cultural subjectivity [4][6] - The theme of the forum, "Cultural and Technological Integration Development," reflects a keen awareness of global development trends and philosophical considerations underlying technological advancements [6] Summary by Sections - **Cultural and Technological Integration**: The forum serves as a platform to explore how digital technologies like mobile internet and AI are reshaping cultural production, dissemination, and reception [4][6] - **Risks of Technology**: The article warns that the asymmetry in technological development could deepen cultural and communication divides, as dominant cultures may encode their values into technological infrastructures [6] - **Forum Structure and Topics**: The forum includes a main session, six parallel forums, and over twenty professional salons, focusing on topics such as digital empowerment of cultural heritage and the new dynamics of human cooperation [8] - **Beijing as a Case Study**: The city exemplifies the integration of technology and culture, with initiatives ranging from the digital revival of the Forbidden City to the creative transformation of traditional neighborhoods [8] - **Dialogue on Cultural Diversity**: The forum promotes discussions on mutual respect and understanding among diverse civilizations, which is particularly valuable in the context of current global challenges [10]

Group 1 - The core theme of the forum is "Virtual and Real Boundaries: Breaking the Circle of Audiovisual Industry Integration" [2] - Professor Chen Xuguang highlighted the significant impact of "Shadow and Game Integration" on cultural production, using "Black Myth: Wukong" and "Nezha: The Devil's Child" as examples [2][3] - "Black Myth: Wukong" has notably boosted the tourism industry in Shanxi, while "Nezha: The Devil's Child" achieved over 300 million in merchandise sales [2][3] Group 2 - Media integration, game-film fusion, and cross-media narrative are crucial in the success of these works [3] - The integration of film and games is a key focus for national economic development, with AI reshaping storytelling in both mediums [3] - The trend of "Shadow and Game Integration" represents a new cultural production force, aligning with the imaginative consumption needs of youth [3]

Core Insights - The speech by the Vice President and Editor-in-Chief of Xiaohongshu, Xu Lei, emphasized the theme of "new popular art integration in the AI era" and highlighted the cultural resonance behind the surge of overseas users on the platform [2][3] Group 1: AI and Cultural Integration - AI is creating an unprecedented "integration network" that uses technology to dream and culture to break boundaries [2][3] - The translation capabilities of AI extend to accurately translating idiomatic expressions and cultural nuances, facilitating better understanding across languages [2] - The true mission of technology is to convey emotions, with the ability to understand needs being more valuable than mere coding skills in the AI era [2] Group 2: New Artistic Forms - AI is blurring the boundaries between traditional art forms such as literature, music, painting, film, and gaming, leading to the emergence of new artistic expressions that cannot be easily categorized [3] - The vision of "using technology to create dreams and culture to break boundaries" is realized when AI translates not just characters but emotions, fostering resonance and reducing barriers [3]

新京报讯（记者刘玮）作为2025北京文化论坛的重要组成部分，以"虚实无界：视听产业融合破圈"为主题的平行 论坛于9月23日下午在北京国际饭店会议中心举行。北京师范大学文学院教授、编剧梁振华进行了关于"泛流量时 代影视创作的审美边界"的主题演讲。在他看来，审美创造和流量像是"貌离神合"的一对兄弟：一个输出创新原动 力，一个提供时代扩散力，而很多被称为"爆款"的作品，其实是审美和流量的结合体，它们表面上顺应了流量逻 辑，可究其实质，是凭借自身新异、独特的艺术魅力完成了突围。"作为创作者，我们的本职是咀嚼生活、深掘人 性、凝视时代。我们无法逆转河流，但可以选择做一朵什么样的浪花。" 编辑 黄嘉龄 梁振华表示，"流量"是时下的一门显学，落到创作和创作者本身，其实就是一个核心问题——在信奉流量、推崇 流量，甚至唯流量论的语境下，究竟适合用什么标准来创作和评价一部影视作品。在互联网时代的审美趣味变 革，让观众习惯了"爽感"和"轻逸"，希望在最短的时间里得到最强的刺激，又希望随时可以进来、随时可以退 出；他们渴望"迅捷"和"烈度"，希望故事像海浪拍岸一样直接而猛烈。"空心"的时代感，让观众希望在戏仿和童 年回忆中找到情感共 ...