Core Viewpoint - The article emphasizes the structural transformation of the Chinese economy, focusing on the transition from production-oriented to wealth-oriented growth, and the importance of leveraging technological innovation to drive future growth opportunities leading up to 2026 [1][4]. Group 1: Economic Transformation and Opportunities - The year 2025 is identified as a pivotal point for global restructuring, where China's strength will be reassessed across multiple dimensions including technology, trade, governance, and security [4]. - China has three major advantages for economic growth: the potential for GDP per capita to reach levels of developed countries, the new technology revolution focusing on digital and green technologies, and the benefits of a super-large market economy [6]. - The focus for 2026 will be on short-term demand expansion and risk control, while also promoting an innovation-driven growth model that emphasizes modern industrial systems and technological self-reliance [7]. Group 2: Industry Insights and Innovations - The automotive industry is at a crossroads, with a shift from a "favorable wind" era to a new phase characterized by technological competition and globalization [19]. - The Chinese manufacturing sector is expanding globally, with companies adapting to new trade rules and focusing on localizing supply chains [10]. - The rise of new industries such as robotics, artificial intelligence, and innovative pharmaceuticals is seen as a foundation for future economic growth, reflecting a systematic reassessment of growth paradigms [13]. Group 3: Financial and Market Dynamics - The capital market in China requires a significant ideological shift to better support long-term technological innovations and address mismatches in investment strategies [13]. - The banking sector is diversifying its global presence, moving from traditional markets to emerging markets along the Belt and Road Initiative, focusing on infrastructure and resource development [11]. - The trend of "investing in people" is highlighted as essential for stimulating consumer markets, moving away from a focus solely on physical investments [7].

2025年10月，国务院正式批复同意杭州综合保税区扩区，新增区块落户临空经济示范区，补齐了萧山国 际机场周边缺乏综保配套的短板，更是推进杭州高水平对外开放、撬动外向型经济提质增效的关键抓 手，为杭州经济社会发展注入新动力。 而这一开放举措，恰与"十四五"期间杭州外贸的转型成效相得益彰。五年来，杭州外贸实现从"规模扩 张"到"质量提升"的深刻转型，技术突围与市场多元的"双轮驱动"成为穿越周期的关键密码。当地外贸 企业主动摒弃"价格内卷"以创新筑竞争力，规避"单一风险"以多元市场拓空间。在"十四五"收官之际， 杭州外贸交出韧性凸显、质效双升的成绩单：1—11月全市货物进出口总额达8237亿元，其中出口5878 亿元，同比增长8.8%，增速高出全国、全省平均水平。 高新技术出口增超39% 杭州外贸以"技术突围"破内卷 面对逆全球化思潮蔓延、国际市场竞争加剧的复杂环境，五年间，杭州外贸企业以技术创新为核心驱动 力，走出了一条"杭州智造"赋能高质量出海的转型之路。从新能源汽车到智能装备，从数字文创到生物 医药，各行业企业立足自身特色深耕技术研发，推动出口产品附加值持续提升，让"技术优势"替代"价 格优势"成为杭州外贸的 ...

来源：环球网 12月23日，由浙江省网络视听协会、浙江省网络作家协会、嘉兴市文学艺术界联合会指导，咪咕数字传 媒有限公司、嘉兴市网络作家协会主办，桐乡市文学艺术界联合会协办的2025咪咕阅读创作者大会在嘉 兴圆满落幕。大会以"悦见每一束光"为主题，汇聚超百位网文作家、短剧编剧、影视制作团队以及IP行 业资深伙伴。 会上，中国移动咪咕数媒党委书记、董事长于航致辞讲话，回顾了过去一年咪咕在网文、短剧、AI剧 创作领域的丰硕成果。 荣誉加冕致敬创作者，全领域标杆引领行业风向 面向剧本创作者，签约政策升级，提供最高20%的永久分账比例与最高20万元签约保底金，叠加额外阶 梯激励。在服务端，"创作－改编－运营"全链条管家式服务正式落地， 涵盖"咪咕创作开放夜"在线创 作答疑，奖项申报、稿酬发放的全透明升级通道，改编开发专人对接，推出行业首个为创作者打造的纪 录片栏目《笔墨江湖》，助力作家打造个人品牌，为不同创作阶段的作者保驾护航。 在产业合作端，政策进一步深化"与好制作共赢"的理念：面向短剧制作方推出"繁星·沐光-星耀计划"， 通过分润比例提升、更长分账周期、高分剧本优先匹配等措施，重点扶持体育垂类短剧，并开放超头精 ...

网文、网剧、网游作为文化出海"新三样"，已成为讲述中国故事的全球化窗口。12月19日，第四届上海 国际网络文学周举办了网文出海生态论坛。从"文化出海'新三样'：数字浪潮下的中国叙事破 局"到"IP+文旅出海：当中国故事遇见世界风景"，两场沙龙上，来自产业与学界的八位嘉宾展开对话， 共同勾勒出中国数字文化出海新图景：一条从"内容走出去"到"场景扎下根"的线上线下"双轨"路径正在 形成。 "新三样"引领文化出海新气象 论坛探讨了文化出海"新三样"如何作为一种系统性力量，重塑全球对中国故事的认知。 晋江文学城副总裁胡慧娟分享了女性叙事的全球审美异同。她指出，早期"女性向"网文多聚焦于言情， 女性角色常处于相对弱势依附的地位。近年来，平台与产业链上凸显女性个人能力、个人成长的"事业 向"、"大女主"、"无CP"等题材的作品越来越多。在出海过程中，不同市场对题材偏好有微妙差异：东 亚、东南亚偏重于传统言情，而阿拉伯语市场则对"专情霸总"设定有强烈情感共鸣。 IP文旅融合出海成新趋势 文化出海从"单向传播"到"双向共创" 祖龙娱乐战略合作负责人黄昭以《以闪亮之名》游戏为例，分享了IP内容助力游戏出海的经验。《以闪 亮之名 ...

Core Viewpoint - The trend of database writing in online literature is leading to a shift in aesthetic habits from a focus on wholeness to a pursuit of fragmentation, raising concerns about the weakening of narrative integrity [1][3][4] Group 1: Database Writing and Its Characteristics - Database writing in online literature mimics computer database logic, extracting and combining widely accepted literary or cultural elements to generate new texts [1] - The concept of "character setting" in online literature follows database principles, allowing for the assembly of characters from independent modules without affecting one another, contrasting with traditional character development [2] Group 2: Impact on Narrative and Aesthetic Sensibilities - Scholars express concern that database writing, exemplified by "character settings," may weaken narrative coherence and lead to a preference for fragmented information over holistic storytelling [3][4] - Long-term exposure to database media may diminish sensitivity to overall narrative and causal relationships, making fragmented information a primary source of meaning and enjoyment for readers [4][5] Group 3: Challenges and Opportunities in Online Literature - The reliance on modular elements may simplify and standardize the expression of life experiences, prioritizing immediate gratification over deeper narrative engagement [5] - The proliferation of tags and genres in online literature reflects user dissatisfaction with simplified experiences, leading to a dynamic evolution of content that maintains reader interest [7][8] Group 4: Evolution of Reader Engagement and Content Creation - Online literature platforms are adapting algorithms to better align with reader behavior, allowing for a more nuanced recommendation system that goes beyond mere data aggregation [8] - Despite the trend towards fragmentation, the pursuit of narrative integrity remains significant in Chinese online literature, as evidenced by the ongoing demand for meaningful storytelling [9][10]

Core Insights - A new wave of popular literature and arts is emerging in contemporary China, driven by digitalization and the internet, allowing everyone to create, publish, and be seen [1][2][3] Group 1: Cultural Development - The ideal of popularization of literature and arts and the dream of a strong socialist cultural nation are becoming a reality in China [1][2] - The number of internet users in China is projected to reach 1.123 billion by June 2025, with an internet penetration rate of 79.7%, maintaining the top position globally [1] - Digital technology is bridging the urban-rural digital divide, facilitating the popularization of literature and arts [1] Group 2: New Literary Era - The new era of popular literature signifies a historic leap in cultural rights for the Chinese people, with over 1.4 billion individuals having access to channels for artistic expression [2] - Internet technology and new media are transforming literary forms, injecting vitality into contemporary culture [2][3] - The rise of micro-short dramas has created a market scale comparable to that of box office films within just five years, with a user base exceeding 662 million [3] Group 3: Cultural Innovation - The rapid evolution of internet literature has led to the emergence of over 200 genres and numerous sub-genres within 20 years, showcasing an unprecedented pace of cultural evolution [5] - The new popular literature is becoming a vital force in mainstream culture, blending popular and refined cultural elements to create a dynamic cultural ecosystem [3][4] - The "new popular literature" movement is broadening the base of artistic creation, allowing for diverse talents to emerge and thrive [4]

Core Insights - The Guangdong cultural industry has shown strong development momentum, leading the nation for over 20 years and achieving high-quality growth through new productive forces in the last five years [1][11]. Group 1: Industry Performance - In 2024, Guangdong's cultural industry revenue is projected to reach 30,252.10 billion yuan, marking a 9.9% increase from the previous year, outpacing the national growth rate by 2.8 percentage points [2][12]. - Guangdong's cultural industry has maintained its position as the national leader for 22 consecutive years, accounting for approximately one-sixth of the national total [2][13]. - In the first three quarters of 2025, revenue from large-scale cultural enterprises in Guangdong exceeded 20,000 billion yuan, with profits surpassing 2,000 billion yuan [2][13]. Group 2: Investment Advantages - The cultural industry in Guangdong boasts nine significant advantages, including a large industrial scale, leading cultural manufacturing, and a concentration of cultural services [2][13]. - Cultural manufacturing achieved a revenue of 12,639.86 billion yuan in 2024, growing by 11.4% and representing 25.5% of the national cultural manufacturing revenue [2][13]. Group 3: Technological Integration - The integration of technology into the cultural industry has led to innovative applications, such as the use of humanoid robots and AR technology during events [4][14]. - Over the past five years, investment in cultural technology integration has doubled, with AIGC technology driving a 200% increase in digital exhibitions [5][15]. Group 4: Cross-Industry Collaboration - The cultural industry and manufacturing sectors in Guangdong have become deeply intertwined, with cultural elements increasingly integrated into products, raising the proportion from 40% to 60% [6][16]. - The opening of new cultural tourism areas has significantly boosted local economies, exemplified by the Kaiping Diaolou and Overseas Chinese Cultural Tourism Area, which is expected to generate over 6 billion yuan in 2024 [6][16]. Group 5: Policy Impact - Guangdong has introduced six major policy packages aimed at supporting the cultural industry, including 87 policy measures across six sectors [7][17]. - In the first three quarters of 2025, Guangzhou's cultural industry revenue reached 4,776.3 billion yuan, while Shenzhen's reached 10,917.64 billion yuan, reflecting significant growth driven by these policies [7][17][18].

Core Insights - The Greater Bay Area (GBA) is rapidly becoming an innovative hub for Chinese culture to reach the world, with significant contributions from online literature, gaming, and animation [1][2] - Guangdong's cultural products and services account for approximately 40% of China's total exports in this sector, covering over 160 countries and regions [1] - The GBA cultural industry is projected to exceed 3 trillion RMB in revenue by 2024, with revenues from large-scale cultural enterprises surpassing 2 trillion RMB and profits exceeding 200 billion RMB in the first three quarters of 2025 [1] Investment Trends - From 2020 to October 2025, the GBA cultural industry has seen 720 financing events, with an estimated total financing amount of approximately 56.41 billion RMB [2] - The majority of financing events (370) are in "cultural intelligence manufacturing," followed by sectors like offline derivatives, AIGC, VR/AR, and gaming, indicating a preference for culturally innovative enterprises with hard technology attributes [2] - The GBA's strong foundation in digital technology and artificial intelligence is expected to drive the global upgrade of cultural products [2] Event Highlights - The 2025 GBA Cultural Industry Investment Conference featured over 300 cultural industry projects and more than 100 financial investment institutions, including 8 investment roadshow events with 60 participating projects [2] - In the past two conferences, 27 roadshow projects have secured financing exceeding 9.5 billion RMB [2]

Core Insights - The event "Cultural New Three Samples" high-quality development exchange and display activity was held in Wuzhen, Zhejiang, focusing on the innovative paths and development prospects of online literature, online film and television, and online games [1][5] - Migu Digital Media Co., Ltd. participated in the event and emphasized the importance of collaboration and innovation in building a cultural ecosystem [1][5] Group 1 - Migu Digital Media's representative highlighted the need for continuous optimization of copyright output and leveraging operator advantages to expand overseas, particularly through short dramas [3] - The company has initiated product cooperation with China Mobile Hong Kong to create a short drama channel and is negotiating with overseas operators in Indonesia, Thailand, and South Korea for short drama distribution [3] - Migu Digital Media aims to integrate digital content with AI technology to enhance its product capabilities and create intelligent digital content verticals [3] Group 2 - The company plans to actively respond to national strategies for cultural export and the "New Three Samples" overseas policy, focusing on international business development [5] - Migu Digital Media intends to establish a quality distribution platform for online literature and short dramas in overseas markets, promoting both cultural and commercial value [5]

Core Insights - The Hangzhou Cultural Expo has become a significant driver of cultural consumption and new productive forces in the region, showcasing a vibrant atmosphere with high participation and sales figures [6][7]. Group 1: Event Performance - The total transaction amount at the main venue reached 6.685 billion yuan, with key cultural industry project signings amounting to 6.235 billion yuan and on-site cultural consumption around 450 million yuan, setting a new record [6]. - The event attracted over 5,800 cultural and creative enterprises and organizations from 66 countries and regions, with international exhibits occupying more than 50% of the total exhibition area [8]. Group 2: Consumer Engagement - The "Cultural Expo Benefit Consumption Season" was launched, distributing over 10,000 "Cultural Expo Benefit Travel Cards" and linking over 600 consumption experience points, successfully creating a new model for consumer benefits and driving consumption exceeding 900 million yuan [8]. Group 3: Industry Collaboration - A total of 14 projects were signed during the opening ceremony, involving an amount of 6.235 billion yuan, alongside over 10 business matchmaking events and the release of significant industry indices and research results [8]. Group 4: Technological Integration - The exhibition featured a "Smart Empowerment" area covering over 30% of the total exhibition space, showcasing nearly 100 innovative applications in AI, robotics, and low-altitude economy [9]. Group 5: Scale and Participation - The event included one main venue and 28 sub-venues, with 79 supporting activities and approximately 2.3 million participants, highlighting the extensive reach and engagement of the expo [9]. Group 6: Future Outlook - The 2026 Hangzhou Cultural Expo aims to achieve breakthroughs in internationalization, professionalism, industrialization, and branding, contributing to the city's goal of becoming an international cultural and creative center [10].