中国青年报客户端讯（中青报·中青网记者 张敏）近期，北京市昌平区文化产业领域呈现出一派生机勃 勃的景象。通过创意赛事激发产业活力，借助传统艺术活化历史场景，昌平正以一系列创新融合的生动 实践，为区域文化产业的高质量发展注入强劲动能。 上周末，居庸关长城上传来阵阵悠扬琴声。40余名来自湖南省邵东市的小学生在长城上奏响古筝。一场 以"传承经典・筝韵长城——奏响文化传承新乐章"为主题的文化实践活动，让千年古迹与千年雅乐深情 对话，为冬日雄关增添了浓厚的文化韵味。 大赛精准设置视听创意、创意设计服务、文化科技融合三大赛道，紧扣区域资源禀赋与产业需求，吸引 超200家参赛主体踊跃参与，征集各类作品256件，涵盖非遗创新、乡村振兴、数字科技等多元领域。经 过多轮专业评审，10件作品获得视听创意赛道卓越奖，一批优质项目分获创意设计赛道、文化科技融合 赛道奖项，全方位展现了昌平文化创新的蓬勃生机。 1月31 日，"传承经典・筝韵长城"文化实践活动在居庸关长城举行。受访者供图 值得关注的是，在颁奖仪式上，昌平文化科技融合算力平台正式签约，文化产业数字平台对外发布，双 平台将为文化企业提供算力支撑、政策检索、资源匹配等全链条服务 ...

辽宁省政协委员尹力建言：以创新繁荣文艺 助推全面振兴 为进一步激发辽宁文化创新活力，尹力建议，应加大艺术扶持力度，充分激发创作主体活力。可通过设 立辽宁省级政府艺术基金，对标国家艺术基金运作模式，构建常态化、年度性的资助与扶持机制，旨在 繁荣艺术创作、培养艺术人才、推广优秀作品。应尽快完善辽宁省艺术最高奖设置，通过基金与奖项的 双重激励，调动各类文艺主体的积极性，逐步建立优质的文艺精品资源储备库。 同时，要深化文艺院团改革，激发专业团体活力。当前，部分国有文艺院团在转企改制后，面临经营困 难、创作经费不足、市场盈利薄弱等挑战。尹力认为，应强化投入，精准施策，着力解决现阶段国有文 艺院团和艺术单位在经营运转、创作生产、基础设施和市场开拓方面的困难，推动改革纵深发展。 人才是文艺繁荣的第一资源。尹力表示，要加强青年文艺人才培养，设立专项扶持计划，在文华奖等平 台上开设青年展演通道，形成引进、培养、使用、激励的全链条机制。现有的文艺人才培训也应增加实 践比重，注重创作实操，并推动文艺工作者深入社会、贴近人民，创作出无愧于时代的优秀作品。 此外，尹力建议加快文化产业发展，激发民营经济活力。通过鼓励外来投资、扶持本地企 ...

【聚才论道】 作者：燕连福（西安交通大学教授） 精准引才，拓宽渠道做大人才"基本盘"。搭建多元化、立体化的引才平台，既注重通过专业赛事发掘民 间艺术人才，也要借助现代化招聘渠道吸引专业人才；既要关注高层次领军人才的引进，也要重视基层 文化工作者的培养，从而形成百花齐放的人才选拔格局。 精细育才，分层分类建强人才"育苗圃"。人才培养不能"一锅煮"，要像园丁育苗一样分层分类、精准滴 灌。在顶层，实施"文化名家造就计划"，培育能扛鼎的领军人物；在中层，推进"中青年文化英才工 程"，锻造承上启下的骨干力量；在基层，加强对青年文化人才的扶持，为"文艺新苗"提供展示平台和 学习机会。例如，北京市通过设立"春燕奖"评选，覆盖电影、电视剧、纪录片等八大门类，为各类文化 人才提供了展示才华的舞台。 精心留才，优化环境打造人才"暖心巢"。在政策层面，完善人才认定和激励机制，提供具有竞争力的薪 酬待遇和发展空间；在服务保障上，着力解决人才在住房安置、子女教育、医疗保障等方面的实际困 难，消除他们的后顾之忧；在精神激励方面，建立健全荣誉体系，营造尊重人才、见贤思齐的浓厚氛 围。通过政策、服务、精神三个维度的协同发力，形成"近者悦、远 ...

作者：张阳（郑州大学文学院、国家语委中华汉字文明研究中心副教授） 书写实践：诸子的传抄与再创 战国典籍简均为传抄本，原作者已无从考证，编抄者兼具"后作者"与"读者"的双重身份。战国时期抄写 群体主要有民间职业抄手与贵族门客书手。职业抄手以忠实传录为职守，偶因记忆偏差、无意识讹误或 方言字词转写而致文本变异；贵族门客书手常兼具学派传人与家臣身份，基于思想立场或政治诉求对文 本进行有意识的改造。典籍简多出自贵族墓葬，存在多版本抄写、汇编痕迹，当为门客集体书写成果， 暗含诸子以文弘道的学术自觉。 一方面，楚简呈现出口传与抄写交替传播特征，故事在口传过程中发生音变，音变处于书写后形成异 文。如上博简《平王与王子木》与《说苑·辨物》的末段可对读。简本"舍食于鼪宿"（简3）中的"宿"与 传本"舍于有萧氏"的"萧"字读音很接近，似口传音变传播导致的异写现象。上博简"酪羹不酸，王曰： 瓮不盖"（简3）与传本"巷之不善，沟之不浚"相对应，"瓮"和"巷"、"酸"和"浚"、"盖"和"善"等或音近 或形近（陈剑：《释上博竹书和春秋金文的"羹"字异体》）。楚王所言酪不酸与巷道不善的缘由存在逻 辑差异，前者以瓮未盖为直接原因，构成因果关 ...

Core Insights - The article highlights the significant developments in the cultural and tourism sector in Sichuan, China, projecting a vibrant future for the industry by 2025, with a focus on innovative growth and cultural consumption [3][4][5]. Group 1: Cultural and Tourism Developments - Sichuan's cultural and tourism sector is set to witness major events in 2025, including the introduction of the first local regulations for ancient book protection and over 12,000 commercial performances [3]. - The retail sales in the cultural and leisure services category are expected to maintain double-digit growth, significantly outpacing the overall service retail growth [3]. - The integration of cultural and tourism resources is emphasized, with various regions exploring paths to deepen this integration, enhancing both industry and public service dimensions [8][9]. Group 2: Economic Impact and Consumer Behavior - The average spending of 1 yuan on concert tickets generates 4.8 yuan in surrounding consumption, indicating a robust economic chain linked to cultural events [5]. - In the first three quarters of the previous year, domestic travel reached 4.998 billion trips, reflecting an 18% year-on-year increase, while cultural and related industries saw a 7.9% revenue growth [5][6]. - The shift from material satisfaction to spiritual cultural consumption is noted as a key trend, showcasing the diverse vitality of the consumer market [3]. Group 3: Innovation and New Business Models - The rapid success of the Shanghai Lego Park, which welcomed over one million visitors in just four months, illustrates the potential of innovative and immersive experiences in attracting tourists [9][10]. - New cultural experiences and business models are emerging, driven by technology and creativity, which are reshaping the tourism landscape and enhancing consumer engagement [10][11]. - The cultural tourism sector is increasingly recognized for its role in economic development and improving quality of life, with a call for further integration of cultural values into economic strategies [10].

晚上7时许，位于武汉南京路西段的保元里巷口已经聚集了不少慕名而来的年轻观众。新老剧迷们手持道具，从一栋栋老宅中走出，跟随演员 穿梭于街巷，体验沉浸式戏剧《保元风云》，穿越回20世纪30年代的江城武汉。 保元里建于1912年，是汉口极具代表性的老里分。里分，是武汉独特的民居建筑，恰如胡同之于北京、里弄之于上海。这些看似陈旧的红砖 瓦房，实则承载着家国情怀与风云变幻的历史记忆。 据介绍，保元里曾长期面临居住密度过高、建筑老化失修等问题。"改造时我们遵循着'最小干预' 原则，完整地保留红顶灰墙、入户天井等原 初风貌，让百年里分焕发新的活力。"保元里市场推广负责人李茜告诉记者。 改造后，保元里一改往日的陈旧杂乱，升级为"日街夜演"的主题街区：白天是潮流商业街，可以满足逛、吃、玩的一站式需求；晚上化身为 沉浸式戏剧剧场，创新消费场景。 图为游客体验沉浸式戏剧。（受访者供图） 图为从高处俯瞰改造后的保元里。（受访者供图） 李茜表示，现在年轻消费群体对于沉浸式、个性化以及文化感的消费需求越来越明显。"《保元风云》打破了传统的观影界限，是年轻人非常 乐于接受的，所以我们晚上这边的年轻消费群体也会非常多。" 菜单吸睛的各类新式 ...

北京市政协委员、中国地质大学（北京）博物馆馆长施光海则把促进文化创新的目光投向了高校博物馆 这片蓝海。通过长期的调研，他发现北京高校馆藏资源丰富，但展厅空间普遍狭小，制约了其社会教育 功能的发挥。"一个小投入，可以撬动大的资源。"他期待专项支持能让这些"藏在深闺"的学术宝藏，更 好地服务于思政教育和博物馆之城建设。 施光海的观察在政府工作报告中找到了坚实的回响——"深化博物馆之城建设"。 "深化"不仅仅是多建几座博物馆。北京市政协委员、北京市帅和律师事务所主任律师沈腾建议，要完善 政策支持体系，设立文化创新专项基金，为文化企业给予研发补贴和融资支持，落实社会力量兴办博物 馆等激励政策，鼓励多元主体参与文化建设。 中青报·中青网记者 张敏 北京中轴线申遗成功、博物馆之城建设亮点纷呈、演艺之城建设成效显著……丰厚的文化资源是北京文 化创新的深厚土壤，逐步勾勒出北京作为全国文化中心的创新脉动。在北京市两会上，文化繁荣发展的 路线图进一步明确。 2026年北京市政府工作报告（以下简称"报告"）提出，将丰富优质文化供给，增强全国文化中心影响 力，激发文化创新创造活力。多位北京市政协委员带着他们的调研思考与一线观察，为政 ...

文 | 陈明一 "山东省作为中华文明的重要发祥地之一，坐拥'孔孟之乡、礼仪之邦'的厚重文化底蕴与黄河、泰山、海洋等多元地理 文化资源，文化产业发展基础坚实。《山东省文化产业科技创新行动计划（2025—2027年）》也提出'全面提升文化科 技创新能力，引领文化产业高质量发展'。" 在今年的山东省"两会"上，山东省政协委员、青岛大学艺术学院院长、山东省音协副主席、青岛市音协主席王静怡，十 分关注文化产业的高质量发展。 在她看来，全球文化产业正经历一场由数字技术引领的深刻变革。以人工智能、大数据、云计算、虚拟现实、区块链等 为代表的数字技术，不仅重塑了文化生产、传播与消费的全链条，更成为激发文化创新活力、提升产业竞争力的核心驱 动力。 最重要的是，近期，中共山东省委《关于制定山东省国民经济和社会发展第十五个五年规划的建议》提出"深入推进数 字强省建设"，并强调"统筹推进数字产业化和产业数字化"。 "与浙江、广东、北京、上海等先进地区相比，山东文化产业仍存在'大而不强、丰而不活'的问题，其症结之一就在于 对数字技术的融合应用广度、深度与速度，尚不足以撬动存量资源的创新性转化与创造性发展。"王静怡分析。 "因此，紧紧抓 ...

Core Viewpoint - The article highlights the immersive theater performance "New An Station: Time Travel," which aims to connect the public with local history through interactive storytelling and cultural engagement [1][9]. Group 1: Event Overview - The performance took place on January 23 at the Wuxi New Wu Wanda Plaza, featuring actors in traditional costumes engaging with the audience [1]. - Participants acted as "time repairers," solving puzzles and exploring historical narratives related to local figures such as Taibo and Zou Zhongyi [3]. Group 2: Cultural Significance - The project is part of Wuxi's "Reading City" initiative, which seeks to integrate history, drama, and public participation, transforming historical culture from books into public spaces [9]. - The performance aims to create a new cultural connection between the public and the city, marking significant progress in cultural innovation and the integration of culture and tourism [9].

Core Viewpoint - The 20th Central Committee's Fourth Plenary Session emphasizes the importance of cultural innovation as a driving force for enhancing social vitality and development, rooted in the preservation of Chinese cultural values and socialist principles [1]. Group 1: Cultural Innovation and Social Vitality - Cultural innovation serves as a powerful spiritual force that injects energy into social vitality by reinforcing social trust, enhancing collaborative efficiency, and providing meaningful support [1]. - The essence of social vitality lies in the internal capacity of social systems to respond to challenges, self-renew, and sustain development, which is composed of social trust, collaborative efficiency, and meaning production [1]. Group 2: Trust and Collaboration - Cultural innovation reshapes discourse systems, narrative forms, and organizational methods to establish a foundation of trust necessary for large-scale cooperation in complex societies [2]. - The innovation in Chinese discourse and narrative systems strengthens the ideological foundation for collective efforts, transforming institutional advantages into tangible improvements in people's lives [2]. Group 3: Governance and Communication - Cultural innovation amplifies social collaborative efficiency by creating new governance methods, communication media, and cooperative ecosystems, fundamentally altering the optimization of social resource allocation [3]. - Innovations such as the "Fengqiao Experience" in governance foster a virtuous cycle of co-construction, co-governance, and shared benefits, enhancing conflict resolution and social integration [3]. Group 4: Meaning Production - The fundamental mission of cultural innovation is to continuously produce and reproduce meaning in the context of societal changes, providing a credible value scale and spiritual coordinates for collective efforts and social progress [4]. - Cultural innovation must creatively transform meaning to address the challenges posed by nihilism in traditional frameworks, ensuring that cultural creation clarifies the reasons for striving and connects individual experiences to broader historical processes [4]. Group 5: Pathways to Enhance Social Vitality - To enhance social vitality, it is essential to solidify value consensus and address the narrowing dilemma of trust construction, which is hindered by homogeneity in innovation sources and algorithmic echo chambers [5]. - Creating a public rational space is crucial for solidifying the communication foundation for collaborative efficiency, as effective social collaboration relies on shared communication rules and predictable behavior patterns [6]. Group 6: Value Narrative Practices - Cultural innovation must establish a sustainable and accessible chain of meaning generation and transformation, linking mainstream narratives to everyday life practices [7]. - The integration of mainstream values into individual life experiences is vital for ensuring that value concepts resonate with the public, transforming grand narratives into practical life logic [8]. Group 7: Cultural Construction and Innovation Ecosystem - A deep understanding of cultural construction laws is necessary to systematically cultivate a cultural innovation ecosystem that unleashes creative potential and social vitality [9].