还不到三年，AI已经从一个陌生的概念，变成生活中随处可见的元素。如今，AI慢慢具备越来越强大的人类书写、表达、情感模拟等能力，它的飞速蔓 延，在带来便利、提高效率的同时，也让大家或多或少感受到了它的负面影响。 前段时间，美国版贴吧Reddit发言人说，2025年上半年他们已经删除了超过4000万条垃圾和虚假内容，其中一个拥有2400万用户的超大社区的管理员 Cassie估计，高达50%的内容，都在某种程度上被AI污染过。 大家使用AI越来越无所顾忌。工作危机、审美危机、思考危机逐渐浮现，AI进步的速度到了吓人的地步，开始大举侵入情感、伦理与日常经验表达的核 心领域。 于是，有一群人开始想办法对抗AI，捍卫自己在数字世界中的"真实性"与"主体性"。他们身处行业不同，接触AI的主要渠道不同，也与AI产生了不同程度 的对抗。写作者因为AI被迫使用更笨拙、更破碎的表达，甚至丧失了表达欲；音乐工作者既要与AI竞争，又得靠AI生存，努力在夹缝中寻找平衡；画手 因为AI被冤枉、被裁员，但也有人因此峰回路转，找到了对抗AI的办法。 未来，我们每个人都需要找到和AI共处的方法，为了保护我们自身的人性，和AI对抗或许是一个必经的 ...

我是意大利人，妻子是中国山东人。3年前，我决定来到中国生活，因为这里既有深厚的历史文化，又 充满朝气。 国产动漫电影《哪吒之魔童闹海》登顶全球动画电影票房榜，潮玩Labubu在世界多地掀起抢购潮，歌 曲《大展鸿图》引发海量外国观众模仿，网络文学《诡秘之主》受海外网友追捧，电视剧《藏海传》在 190个国家和地区播出……2025年，中国文化正以多元姿态跨越山海，"圈粉"全球。 时至岁末，我们邀请5位外国朋友讲述他们眼中的"中国爆款"。让我们跟随他们的讲述，一起感知中华 文化历久弥新的吸引力。 ——编 者 最触动我的，是哪吒的精神 阿尔贝托（意大利） 今年的另一部中国电影《浪浪山小妖怪》，也让我印象深刻。这些小妖怪不是天生不凡的英雄，却力所 能及地守护善良。这种"普通人的英雄梦"格外动人。在意大利文化中，我们也常常颂扬普通人的坚持与 勇敢。 现在，我在中国当老师，还是一名音乐人。我创作的歌曲《在名叫天津的地方》，获得了第二届"你 好，天津"网络短视频大赛一等奖。每当看到自己的歌曲在地铁屏幕上播放，我都特别自豪。 今年，我参加了很多文化活动，还担任了中国欧盟商会晚宴的主持人；我的妻子成功邀请了一个意大利 古典芭蕾舞团 ...

Group 1 - The establishment of "International Tai Chi Day" on March 21 by UNESCO highlights the significance of traditional Chinese culture in promoting health, civilization exchange, and global peace [1] - China's cultural influence is expanding globally, with successful cultural products like Palace Museum's creative merchandise and popular games such as "Black Myth: Wukong" and "Genshin Impact" leading download charts in over 100 countries [1] - The transformation of cultural export from scale expansion to quality enhancement signifies a shift from product output to value dissemination, with three perspectives: cultural foundation, ecological expansion, and algorithmic breakthroughs [1] Group 2 - The essence of traditional Chinese culture serves as a foundation for sustainable cultural export, with successful narratives in games and dramas that creatively transform cultural elements into engaging experiences [2] - The shift from "single product output" to "ecological construction" in cultural export is exemplified by companies like Yuewen Group, which has cultivated over 500,000 overseas creators and produced 770,000 works, establishing a complete ecosystem of content monetization and reader interaction [2] - The integration of new technologies, particularly artificial intelligence, is reshaping the cultural export landscape by enabling personalized and interactive experiences, with AI translation exceeding 50% in many platforms [3] Group 3 - The future of cultural export lies in building high-quality cultural databases and developing intelligent creation platforms to enhance the evolution of cultural products towards mobile, customized, and immersive experiences [3] - The goal is to elevate national cultural soft power and the influence of Chinese culture, ensuring it flourishes and shines in the global cultural landscape [3]

Group 1 - The core theme of the event was the internationalization of Chinese cultural products, focusing on the "new three items" of online literature, web series, and online games [2] - The event featured discussions on content creation, copyright cooperation, cross-border operations, and localization strategies for cultural products [2] - The Thai film market was highlighted as a competitive environment for film production, encouraging Chinese companies to engage in filmmaking and industry exchanges in Thailand [2] - The Middle Eastern market was identified as a significant opportunity for Chinese game content, with a call for increased exports of popular games to the region [2] - Global strategies for promoting top cultural IPs were shared, providing valuable insights for the international operations and cross-industry collaborations of Chinese cultural IPs [2] Group 2 - Practical experiences of Chinese online novels and comics entering markets in South Korea, Indonesia, and Thailand were discussed, emphasizing a dual-driven ecosystem of local creation and global distribution [3] - The event included a signing ceremony for cooperation among three parties to build a cultural industry platform for better outreach of Chinese film content to Southeast Asian audiences [3] - The afternoon session focused on the export practices of trendy toys, new retail, traditional food, and cultural brands, exploring how Chinese brands can effectively tell their stories in overseas markets [3] Group 3 - The Brazilian Foreign Trade Chamber's participation marked a significant step in expanding cooperation in traditional crafts, innovative design, and sustainable development between China and Brazil [4] - Insights were shared on the global practice of "commercial and cultural symbiosis," highlighting the successful internationalization of Chinese classical culture [4] - The analysis of China's AI development under the context of US-China relations emphasized China's advantages in AI infrastructure, industry chain, and global market expansion capabilities [4] Group 4 - The discussion on the future golden period for Chinese cultural design consumer brands to go global highlighted the importance of business models, brand premium, and operational capabilities [5] - The event concluded with a focus on the need for one-stop service solutions for brands looking to expand internationally, using the "New Hangzhou Line" as a case study [5] - The overall event illustrated a vision for the internationalization of Chinese culture, emphasizing resource linkage and cross-border cooperation to enhance the global presence of Chinese cultural brands [5]

Core Insights - The current state of Chinese drama creation is caught between the "loving female" and "abusive female" narratives, leading to a lack of engaging content [1][3] - The success of the drama "灼灼韶华" highlights a return to melodramatic storytelling, contrasting with the more nuanced narratives that audiences desire [3][4] - The rise of "loving female" narratives in internet literature reflects a shift in creative standards, but often results in superficial storytelling that fails to resonate deeply with viewers [4][8] Group 1: Trends in Chinese Drama - The "loving female" narrative has become a standard in recent productions, but often lacks the complexity and conflict that audiences seek [4][5] - The success of "灼灼韶华" indicates a nostalgic return to traditional melodrama, which may not be a sustainable model for future productions [3][4] - The dichotomy between "loving female" and "abusive female" narratives has led to confusion and inconsistency in audience expectations and content creation [5][6] Group 2: Internet Literature Influence - Internet literature has given rise to a new standard of "loving female" narratives, with notable works that explore female empowerment and complex character development [8][10] - Short-form literature platforms have become effective venues for expressing "loving female" themes, often prioritizing emotional impact over narrative depth [10][13] - The popularity of "loving female" narratives in internet literature contrasts with the challenges faced in adapting these themes into television dramas, leading to a disconnect between audience expectations and actual content [13][14] Group 3: Historical Context and Evolution - Historical figures like 琼瑶 have set precedents for "loving female" narratives that respect and portray female complexity, contrasting with contemporary trends that often simplify characters [15][16] - The evolution of "loving female" narratives reflects broader societal changes and the increasing visibility of female voices in storytelling [19] - The call for more nuanced and respectful portrayals of female characters indicates a growing audience demand for depth and authenticity in storytelling [19]

Group 1 - Chinese dramas, referred to as "C-Drama," are gaining significant popularity in overseas markets, particularly in Southeast Asia and Japan, with millions of posts on social media platforms [1] - The unique storytelling and cultural elements of Chinese dramas, such as "Qing Yu Nian" and "Cang Hai Chuan," resonate with global audiences, providing insights into Chinese culture through well-crafted historical settings and costumes [1] - The production quality of Chinese dramas has improved significantly, with top series investing over 10 million yuan per episode, resulting in cinematic quality that appeals to international viewers [1] Group 2 - The cultural trade from China is projected to reach 1.4 trillion yuan by 2024, showcasing strong competitiveness in the global market [2] - The shift from "one-way output" to "deep co-creation" is essential for cultural exports, exemplified by the Thai adaptation of "Thirty Only: Bangkok Edition," which integrates local elements into the narrative [2] - The development of IP (Intellectual Property) is becoming a focus, moving beyond simple copyright sales to include international collaboration and local cultural integration [2] Group 3 - Digital empowerment is becoming a core variable in future competition, with brands like Pop Mart thriving overseas through digital operations and AI tools facilitating the global reach of web literature [3] - The role of digital platforms in cultural exports is evolving from mere channels to engines of growth, as seen with platforms like TikTok and Reels, which significantly boost the visibility of Chinese cultural content [3] - Embracing change, innovation, and open collaboration is crucial for maintaining a competitive edge in the cultural industry, positioning China as a key player in the global cultural trade landscape [3]

Core Insights - The "Wave Plan" launched by the research institute of Zhituo Finance aims to promote industrial collaboration and technological innovation in the Yangtze River Delta region [1] Industry Highlights - Hefei: Over 70 enterprises in the nuclear fusion energy industry cover the entire industrial chain [1] - Shanghai: Pudong's GOI has mobilized 8.6 billion capital over four years to empower 30,000 enterprises [1] - Nanjing: JD.com establishes a regional headquarters worth 10 billion in Jianye [1] - Hangzhou: Promoting the overseas expansion of "new three" cultural products including online literature, web dramas, and online games [1] - Suzhou: "AI + manufacturing" has nurtured 150 industrial large models over two years [1] - Ningbo: The value added of the intelligent photovoltaic industry chain in Yuyao increased by 133.7% in the first half of the year [1] - Wuxi: Deepening cooperation with FAW Liberation to build an automotive industry ecosystem [1] - Nantong: Delivered the world's largest FLNG device, NGUYA [1] - Changzhou: The riverside green transformation empowers the Eastern Carbon Valley and innovative pharmaceutical valley [1]

Group 1: Cultural Industry and International Expansion - The Zhejiang Provincial Secretary Wang Hao emphasized the importance of promoting cultural exports, particularly in online literature, web series, and online games, referred to as the "new three samples" [1] - The market size for online literature exports is projected to exceed 5 billion RMB in 2024, with overseas users reaching over 350 million [1] - The actual sales revenue of independently developed Chinese games in overseas markets is expected to reach 18.557 billion USD in 2024, marking a year-on-year growth of 13.39% [1] Group 2: Policy Support and Initiatives - The Zhejiang provincial government has outlined measures to support the internationalization of the gaming industry, aiming to cultivate high-quality 3A game projects and create an industry cluster for game exports [2] - The Chinese government has called for the orderly opening of the internet and cultural sectors, aiming to enhance international cultural exchanges and cooperation [2] - The Ministry of Commerce has proposed developing a comprehensive industry chain for game exports, from IP creation to overseas operations [3] Group 3: Economic Growth and Cultural Output - The gaming industry is recognized as a new engine for cultural output and economic growth, with various provinces, including Guangdong, implementing policies to enhance the competitiveness of their gaming industries [3] - The cultural "new three samples" are expected to accelerate their international expansion due to collaborative efforts from multiple stakeholders [3]

Group 1: Marine Economy in Guangdong - Guangdong's marine economy is projected to exceed 2 trillion yuan in 2024, accounting for approximately 1/5 of the national total, marking 30 consecutive years of leading the country [1] - The province is accelerating the construction of 15 national-level marine ranches and maintains the largest scale in marine tourism [1] Group 2: Consumer Goods Recycling Policy - The National Development and Reform Commission will allocate the third batch of funds for consumer goods recycling in July, ensuring the policy is implemented smoothly throughout the year [1] Group 3: Banking Sector Adjustments - Major banks are phasing out medium- to long-term large-denomination certificates of deposit due to reduced interest rate advantages, reflecting a shift in cost control and liquidity management strategies [1] Group 4: Stock Market Trends - The A-share market is showing strength, with major indices rising and the brokerage sector experiencing a significant increase, suggesting a potential bull market [2] - The brokerage index surged by 5.52%, with a cumulative increase of 9.49% over three trading days, indicating strong market sentiment [2] Group 5: Gold Market Dynamics - Despite geopolitical tensions in the Middle East, gold prices have declined, suggesting that current prices have already factored in various influences, with potential for future upward momentum [2] Group 6: Short Drama Development in Online Literature - Leading online literature platforms are expanding their content ecosystems by incorporating short dramas, which are often based on popular web literature IPs, as a strategy to tap into new growth opportunities [3] Group 7: Concert Demand Surge - The demand for concert tickets in Beijing has surged, with many fans struggling to secure tickets for popular events, indicating a strong recovery in the live performance market [3]

Core Viewpoint - The 21st China (Shenzhen) International Cultural Industries Fair has opened, featuring a new artificial intelligence exhibition area with over 60 AI companies participating, showcasing a more comprehensive and innovative range of exhibits [1] Group 1: AI Empowerment in Cultural Industries - AI has significantly empowered the cultural and creative sectors, with Guangdong leading the way, contributing 780.6 billion yuan to cultural and related industries in 2023, maintaining its position as the national leader for 22 consecutive years [1][15] - In 2022, Guangdong's animation output exceeded 60 billion yuan, accounting for one-third of the national total, while music and gaming outputs represented one-fourth and 80% of the national totals, respectively [1] Group 2: AI Applications in Gaming - 62% of game studios have adopted AI technologies, with AI NPCs in games like NetEase's "Nirvana in Fire" evolving to interact more dynamically with players [5][8] - AI technologies such as digital twins and model generation enhance game design, breaking the traditional "cost-efficiency-quality" triangle [10] Group 3: AI in Short Video and Script Creation - AI translation has enabled Guangdong-produced short dramas to reach international audiences, facilitating discussions on cultural themes [12][13] - AI has reduced script creation time by 60% and cut video editing from three days to three hours, streamlining the production process [13] Group 4: Cultural Industry Ecosystem in Guangdong - Guangdong's cultural industry benefits from a rich cultural heritage, a mature industry environment, advanced AI infrastructure, and strong policy support [15][17] - The province boasts over 20,000 online writers, a gaming industry valued over 100 billion yuan, and a thriving short video production base [17]