"十一"黄金周，有人走进展厅，在艺术的长河中与历史对话；有人奔赴演唱会，在沉浸式体验中释 放情感；还有人置身火热赛场，为一记精彩进球与万人同频欢呼。这些鲜活的画面共同拼贴出新时代的 文化图景。这背后，有坚实的宏观数据支撑：国家统计局报告显示，2024年，全国居民人均文化娱乐消 费支出达955元，比2020年增长67.8%，增速已跑赢整体消费水平。 这股强劲的文化消费热潮意味着什么？它将如何重塑未来经济？ 无论是为一部电影买单、开启一次旅行，还是收藏一套潮玩手办，这些支出都已超出了基本生存所 需，是典型的"高收入弹性"消费。大众普遍愿意为这些美好体验付费，标志着我国的消费结构升级已步 入新阶段：从满足温饱的"实物型""生存型"消费，加速转向追求品质的"服务型""享受型"消费。这一转 变根植于"十四五"期间居民人均可支配收入的稳步提升与社会保障网络的日益完善，让人们既有"闲 钱"也有"闲心"去追求更高层次的精神富足。 文化消费还是激发创新创造的"催化剂"。旺盛多元的市场需求，倒逼供给侧持续突破。从VR沉浸 式戏剧到AIGC生成动画，从数字博物馆到线上云演出，前沿技术正因为找到了丰富的文化应用场景而 加速落地与迭代 ...

Core Viewpoint - The viral news about the Chinese short drama "Trump Falls in Love with Me, the Cleaner in the White House" is a hoax, highlighting the challenges of cultural exports from China to the U.S. market and the misconceptions surrounding the success of Chinese content abroad [1][2][3]. Summary by Sections Cultural Export and Market Perception - The claim of the short drama's success reflects a broader narrative that Chinese cultural products can achieve significant impact in Western markets, which is often overstated [2][3]. - The concept of "upward strike" (升维打击) suggests that lower-quality, low-cost products can dominate higher-end markets, but this notion is questioned in the context of the content industry [3][4]. Data on Chinese Online Literature - As of November 2024, the cumulative overseas users of Qidian International reached 300 million, with approximately 6,000 Chinese web novels translated and published [4]. - The overseas market revenue for Chinese web literature in 2023 was 4.305 billion yuan, with Southeast Asia being the largest market, followed by North America [5]. Short Drama Market Insights - The overseas short drama market is growing, with a reported in-app purchase revenue of $700 million in Q1 2025, of which the U.S. contributed 49% [6]. - Despite the growth, the short drama market in the U.S. is still small compared to China's, where the short drama market revenue reached approximately 50 billion yuan in 2024 [6][7]. Market Dynamics and Content Consumption - The U.S. short drama market's quarterly revenue is only $350 million, making the claim of a single short drama generating $150 million implausible [7][8]. - The content consumption market is diverse, with various formats coexisting, and the success of one format does not necessarily detract from another [8][9]. Misconceptions and Market Research - The enthusiasm for the "upward strike" theory often stems from a lack of proper market research and understanding of the content landscape [9].

Core Insights - The article highlights the growing global influence of Chinese pop culture, particularly through digital platforms and creative integration of traditional and modern elements [2][4] - The 2025 Global Soft Power Index report indicates that China's soft power has risen to the second position globally, reflecting the increasing international attention on Chinese cultural products [2] - Chinese games, films, and online literature are becoming significant mediums for cultural exchange, especially among younger audiences worldwide [3][5] Group 1: Gaming and Digital Culture - The game "Black Myth: Wukong" is cited as a popular example of how Chinese games are gaining recognition and serving as a window for the world to understand Chinese culture [2] - In 2024, the actual sales revenue of Chinese self-developed games in overseas markets reached $18.557 billion, marking a year-on-year growth of 13.39% [2] Group 2: Film and Visual Media - The film "Ne Zha" has been well-received internationally, with audiences discussing its themes and cultural significance, showcasing the appeal of Chinese mythology and philosophy [3] - The success of Chinese film festivals in countries like Pakistan indicates a growing interest in Chinese cinema among young people [3] Group 3: Online Literature and Streaming - The overseas market for Chinese online literature is projected to exceed 5 billion yuan in 2024, with over 350 million users engaging with this content [5] - Chinese online dramas and literature are increasingly being localized for foreign audiences, enhancing their accessibility and resonance with local cultures [4][5]

Core Insights - The article emphasizes the need for a multi-layered approach to build a new ecosystem for the overseas expansion of domestic IPs, focusing on technological empowerment and narrative upgrades [1][3][4] Group 1: Cultural Industry Expansion - China's cultural industry is transitioning from a one-way output model to a deeper integration model, characterized by successful overseas reception of works like "Ne Zha" and "Mountain and Sea Love" [1][2] - The overseas market for online literature has surpassed 4.35 billion yuan, with nearly 6000 translated works and a significant increase in readership [2] - The gaming sector has seen actual sales revenue of $18.557 billion in 2024, marking a 13.39% year-on-year growth [2] Group 2: Challenges in Cultural Export - Language translation remains a critical barrier, with AI translations often leading to a flattening of classic works [3] - The industry faces challenges such as copyright infringement and reliance on platform revenue, which limits the growth of smaller cultural enterprises [3] - The lack of high-quality Chinese language data in global AI training datasets is becoming a bottleneck for the development of large models [3] Group 3: Future Directions - To avoid the fleeting success of domestic IPs abroad, a focus on technological empowerment and narrative upgrades is essential, including the promotion of philosophical IPs like "Tao Te Ching" [3] - Active participation in establishing global digital cultural trade rules is necessary to enhance China's influence in the global cultural landscape [3][4] - The ultimate goal of cultural export is not merely market expansion but fostering deeper understanding between civilizations, transitioning from "going out" to "going in" [4]

Core Viewpoint - In 2024, China's self-developed game overseas market sales revenue reached $18.557 billion, a year-on-year increase of 13.39%, setting a new historical high. Additionally, the number of overseas publishing authorization contracts for online literature increased by 80%, with the overseas publishing authorization amount growing by over 200% [1][4]. Group 1: Cultural Products and IP Empowerment - The recent growth of cultural products such as online literature, online games, and web dramas in overseas markets is attributed to digital technology and IP empowerment [1][2]. - The integration of digital technology with classic cultural IP has enabled a multi-modal ecosystem, allowing seamless transitions between publishing, film, games, and merchandise, resulting in exponential dissemination effects [2][4]. Group 2: AI and Content Creation - The advancement of AI technology is reshaping the cultural creation ecosystem, enhancing content production quality and efficiency, although challenges such as talent integration remain [1][5]. - AI-generated content (AIGC) models have made significant progress in various aspects, assisting in video content creation and improving quality, efficiency, and cost-effectiveness [5]. Group 3: Cultural and Technological Integration - Effective mechanisms for integrating culture and technology are essential for stimulating innovation in the cultural industry, with a focus on talent integration [6]. - The need for professionals who understand both culture and technology is emphasized, suggesting the breaking down of disciplinary barriers and fostering collaboration between academia and industry [6].

Group 1 - The article highlights the growing international presence of Chinese culture, with products like the TV series "The Story of Roses" being translated into 12 languages and the game "Black Myth: Wukong" gaining global popularity [1] - The 2024 market size for Chinese online literature is projected to exceed 5 billion RMB, with over 350 million overseas users [1] - The actual sales revenue of Chinese self-developed games in overseas markets is estimated at $18.557 billion, with over 1,600 Chinese games launched on the Steam platform, reflecting a year-on-year growth of approximately 45% [1] Group 2 - At the 21st Shenzhen International Cultural Industries Fair, visitors can interact with virtual characters from popular dramas like "Qing Yu Nian" and "Fan Hua," showcasing the overseas dissemination of these IPs [3] - The CEO of Yuewen Group stated that Chinese online literature is leading globally in terms of creative ecology, business models, and technological innovation, with around 6,800 online novels and 1,700 comics being disseminated overseas by the end of 2024 [3] - Game IPs are evolving from "cultural symbols" to "global narratives," with companies like 37 Interactive Entertainment integrating Chinese web literature IPs into games to balance Eastern aesthetics with global storytelling [3] Group 3 - Tencent's approach to overseas content design includes localizing elements, as seen in the Brazilian version of "Honor of Kings," which incorporates local musical instruments [4] - The gaming industry is encouraged to increase investment in self-developed games and to use "world storytelling" to bridge cultural gaps, exemplified by "Black Myth: Wukong" [4] - AI tools are becoming a significant trend in content creation, with AI translation accelerating the scale and multilingual outreach of Chinese online literature, leading to a 180% increase in Japanese users for Yuewen Group and over 350% growth in revenue from non-English works [4]

Core Insights - Chinese online literature is gaining significant global traction, with 350 million users across over 200 countries, utilizing a "creation-feedback-recreation" model and diverse IP pathways [1] - The market size for Chinese online literature IP adaptations is projected to reach 298.56 billion yuan in 2024, reflecting a year-on-year growth of 14.61% [2] Group 1: IP Expansion and Global Partnerships - The IP value chain of Chinese online literature has expanded into various sectors, including publishing, audiobooks, animation, gaming, film, and tourism [4] - Partnerships with global entities like Disney, Netflix, and Sony Pictures have facilitated the international distribution of adapted series, with "Celebrating the Year 2" being the most popular Chinese mainland series on Disney+ [4] - Ten Chinese online literature works have been included in the British Library's collection in 2024, following the inclusion of 16 works in 2022 [4] Group 2: Innovative Models and Cultural Integration - The "Cultural Tourism+" model is being employed to create new overseas experiences, with initiatives like the "25-Year Reunion in Zurich" plan for fans of "Full-Time Expert" [5] - The introduction of AI translation is accelerating the multilingual and large-scale international dissemination of Chinese online literature, with over 3,200 new AI-translated works in 2024, accounting for nearly half of all translated works [7] - The efficiency of AI translation has improved nearly a hundredfold, with costs reduced by over 90%, enhancing user experience and engagement [9] Group 3: Overcoming Cultural Barriers - To address challenges in translation and cultural understanding, companies are promoting original overseas creations and utilizing universal cultural mediums like film and games for cultural translation [10] - A new phase of systematic development in the internationalization of Chinese online literature is underway, with collaborations like the three-year project with the British Library focusing on cultural exchange and IP co-creation [11] - The shift from "curiosity-driven dissemination" to "value resonance output" signifies a transformation in how Chinese cultural brands are establishing a global presence through technology and content [12]