Core Viewpoint - The article highlights the efforts of Ren Chenyang, a fifth-generation inheritor of the traditional craft of making "Qian Ceng Di" cloth shoes, to innovate and preserve this cultural heritage by integrating modern elements and collaborating with popular brands [1][2][10]. Group 1: Background and Personal Journey - Ren Chenyang has dedicated 20 years to the craft of shoe-making at Neiliansheng, transitioning from a hotel management student to a skilled artisan [3][4]. - His childhood experiences with traditional cloth shoes instilled a deep appreciation for this craft, motivating him to pursue a career in shoe-making [3][4]. - Ren's initial training involved rigorous observation and practice, emphasizing the importance of patience and precision in mastering the craft [5][6]. Group 2: Craftsmanship and Techniques - The process of making a complete pair of "Qian Ceng Di" shoes involves over 90 steps and requires more than 40 tools, with a skilled artisan taking about a week to complete a pair [7][9]. - Key techniques include the "fan zhuang" method, which requires meticulous attention to detail, with each shoe needing to be sewn with over 50 precise stitches [6][8]. - The final step involves hammering the shoe soles to ensure durability, showcasing the traditional wisdom embedded in the craft [8]. Group 3: Innovation and Cultural Preservation - Ren Chenyang has initiated efforts to revive the nearly lost art of making Qing Dynasty official boots, successfully recreating the traditional techniques after extensive research [9][10]. - The revival of these traditional crafts is complemented by modern innovations, such as incorporating popular cultural elements into the designs to attract younger consumers [10][11]. - Collaborations with trendy brands and the introduction of themed collections have led to significant sales success, demonstrating the potential for traditional crafts to thrive in contemporary markets [11].

Core Viewpoint - Yang Yuchen, a third-generation inheritor of traditional Chinese cultural heritage, is actively promoting the art of Peking Opera headdress making and other intangible cultural heritage (ICH) projects through innovative teaching methods and digital platforms [3][6][11]. Group 1: Background and Personal Journey - Yang Yuchen was born into an artistic family in Beijing, with a strong influence from his grandparents and parents, who are all recognized inheritors of traditional crafts [5][6]. - Initially pursuing a career in computer science, Yang Yuchen later realized his passion for art and returned to China to study traditional crafts [5][6]. - He underwent rigorous training in traditional techniques, which he considers crucial for his artistic development [6][8]. Group 2: Teaching and Curriculum Development - Yang Yuchen began teaching ICH in schools, adapting his lessons to engage children by integrating storytelling and cultural history into the curriculum [8][9]. - His teaching approach has evolved, leading to increased demand for his classes and higher fees, reflecting the growing interest in traditional crafts among younger generations [8][9]. - He collaborates with other ICH inheritors to develop suitable teaching materials for children, ensuring safety and accessibility in the learning process [9]. Group 3: Innovation and Cultural Promotion - Yang Yuchen is working on a "Panda Headdress" series, blending traditional Peking Opera elements with contemporary trends to attract younger audiences [9][10]. - He utilizes social media platforms to promote ICH, creating engaging content that resonates with modern audiences and expands the reach of traditional arts [9][10]. - His workshop has transformed into a cultural hub that combines teaching, research, and creative development, showcasing the potential for traditional crafts to thrive in contemporary society [11][12].

Core Viewpoint - The event in Guangzhou's Baiyun District showcased the cultural heritage products from Mazhang District, emphasizing the importance of these products in promoting local culture and economic development through collaboration with the Bay Area [2][10]. Group 1: Event Overview - The event was themed "Celebrating Mid-Autumn with Craftsmanship and Harvest" and marked the debut of Mazhang's intangible cultural heritage products in the Bay Area [2][3]. - Nearly a hundred attendees, including leaders, business representatives, and media, gathered to witness the event and enjoy a vibrant "Intangible Cultural Heritage Carnival" [4][5][6]. Group 2: Cultural Significance - The Mazhang District Committee highlighted that products like "Taiping Bao Dan Cake" represent local flavors and the people's aspirations for a better life [8]. - The event is seen as a crucial step for Mazhang culture to "go global," creating new opportunities for resource complementarity and industrial collaboration [9][10]. Group 3: Product Promotion - A "Mazhang Quality Product Selection Center" was inaugurated, serving as a permanent exhibition and sales platform for Mazhang's intangible cultural heritage and specialty agricultural products [13][14]. - The event featured performances of traditional dances and operas, showcasing the cultural richness of Mazhang, which attracted significant audience interest [18][21]. Group 4: Consumer Engagement - The event included a market for intangible cultural heritage products and interactive experiences, allowing attendees to taste local delicacies and engage with the culture [23][24]. - Special promotions, such as discounts and giveaways, encouraged consumer participation, with many expressing satisfaction in supporting heritage preservation while enjoying authentic local cuisine [25][28]. Group 5: Future Initiatives - The Mazhang District plans to conduct further activities aimed at empowering rural revitalization and regional collaboration, exploring sustainable development paths for intangible cultural heritage [31][32]. - The district aims to leverage media resources to enhance market outreach and promote Mazhang's cultural products nationwide [34][37].

Core Viewpoint - The event "Tracing the Footsteps of Huang Daopo, Understanding the Scientific Wisdom in Traditional Textile Techniques" successfully introduced Shanghai students to Hainan's intangible cultural heritage, including Qiong Opera and Li ethnic traditional weaving techniques, fostering cultural exchange between the two regions [1][6]. Group 1: Event Overview - The event took place on September 18 at the Lingyun Cultural Center in Xuhui District, Shanghai, where students engaged with traditional crafts and performances [3]. - Students interacted with national-level inheritor of Li weaving, Hu Chunfang, asking questions about dyeing techniques and the time required to weave scarves [3][4]. - The event featured storytelling about Huang Daopo, a historical figure in textile history, captivating students' attention [3][5]. Group 2: Student Engagement - Students actively participated in hands-on experiences, such as weaving Li brocade, expressing their enjoyment and interest in learning more about the craft [4][5]. - The Qiong Opera performance was adapted for the event, allowing students to sing and dance along with the actors, enhancing their engagement with the cultural content [5][6]. - Students expressed a desire to learn more about Qiong Opera and visit Hainan to experience its rich culture firsthand [5][6]. Group 3: Cultural Significance - The event highlighted the historical connection between Shanghai and Hainan, emphasizing Huang Daopo's role in cultural exchange over 700 years ago [6]. - Experts noted the importance of such activities in fostering cultural confidence among young people and promoting a deeper understanding of Chinese culture [6].

Core Viewpoint - Gansu's Su Bei County, a unique border region, showcases rich cultural heritage and serves as a bridge for cultural exchange with neighboring Mongolia, enhancing tourism and local identity [13][20]. Geography and Demographics - Su Bei County is the largest county in Gansu, covering about one-sixth of the province's total area, with a population of approximately 15,000 [13]. - The county features a 65.018 km long border with Mongolia, making it the only border county in Gansu [13]. Cultural Heritage - Su Bei is home to unique cultural elements, including traditional Mongolian arts such as long tunes, dances, and blessings, which are preserved in their original form [14][20]. - The county hosts the only Ulan Muqi (a type of cultural troupe) in Gansu, which actively participates in cultural exchanges and performances [17][18]. Cultural Events and Exchanges - The "Village BA" basketball tournament, which includes teams from Mongolia, fosters sports and cultural exchanges, enhancing mutual understanding [15][16]. - The Ulan Muqi troupe performs at various events, showcasing local culture and engaging in cross-border cultural activities [17][19]. Traditional Crafts and Art - Notable traditional crafts include the unique summer embroidery of the Mongolian ethnic group, which has been preserved and recognized as a national intangible cultural heritage [20]. - The county's cultural richness is further highlighted by the preservation of traditional blessing songs, which have won national awards [20]. Economic and Cultural Significance - Su Bei County serves as a cultural hub, facilitating exchanges between different cultures and attracting tourists, thereby boosting the local economy [20][21]. - The region's strategic location enhances its role as a logistics and cultural exchange center, connecting Central Asia and the Silk Road [21][22].

Core Viewpoint - The article highlights the unique cultural and geographical significance of Su Bei County in Gansu Province, emphasizing its role as a bridge for cultural exchange between China and Mongolia, particularly through sports and traditional arts. Group 1: Cultural Significance - Su Bei County is the only Mongolian autonomous county in Gansu, with a unique cultural heritage that includes traditional Mongolian arts such as long tunes, dances, and blessings, which are preserved in their original form [6][14]. - The county's geographical location at the intersection of the Mongolian Plateau and the Tibetan Plateau has historically made it a center for cultural exchange, evidenced by similarities in rock art between Su Bei and Mongolia [14]. Group 2: Sports and Community Engagement - The "Village BA" basketball tournament in Su Bei has become a platform for cross-border sports interaction, with teams from Mongolia participating, enhancing community ties and cultural understanding [10][11]. - The event not only promotes sports but also showcases local culture through performances by the Su Bei Ulan Muqi, which integrates traditional arts into modern events [11][12]. Group 3: Preservation of Traditional Arts - The Su Bei Ulan Muqi, established in 1974, is the only Ulan Muqi in Gansu and plays a crucial role in preserving and promoting local cultural heritage through performances and community engagement [12][13]. - Notable figures such as Na Ren Qi Qi Ge, a national-level representative of Mongolian costume heritage, highlight the importance of traditional crafts and their preservation in the face of modernization [14]. Group 4: Economic and Tourism Development - Su Bei County's unique cultural and natural resources position it as a potential tourist destination, attracting visitors interested in its rich heritage and scenic landscapes [6][14]. - The county's strategic location as a logistics hub in the Silk Road Economic Belt enhances its role in international trade and cultural exchanges, further promoting tourism and economic development [15].

Core Insights - The construction of rural museums is positioned as a key initiative for high-quality development and promoting common prosperity in Zhejiang, enhancing the dissemination and influence of rural cultural heritage [1] Group 1: Cultural Heritage and Community Engagement - The Lichun Cultural Display and Experience Center in Jiuhua Village, Quzhou, features an interactive presentation of the Lichun Festival, allowing visitors to immerse themselves in the cultural experience [4] - The Shaoxing Hoh Lake Folk Culture Museum focuses on the changes in rural life, showcasing traditional farming tools, festive items, and clothing [6] - Over 90% of the exhibits in the local culture museum are donated by villagers, with more than 6,400 items representing shared rural memories, highlighting community involvement in cultural preservation [8] Group 2: Educational and Employment Opportunities - The Chuan Shuo Museum in Xikou Village, Hangzhou, transformed from an abandoned factory, allows visitors to operate traditional weaving machines, promoting intangible cultural heritage [10] - The museum houses over 24,000 spindles from 29 countries and features themed exhibition areas that trace the development of textile culture over a millennium, attracting over 100,000 visitors since its opening [12] - The museum aims to innovate local education through intangible cultural heritage transmission, changing public perceptions of museums as accessible community spaces [14]

铭记伟大历史胜利，凝聚正义和平力量。9月3日，纪念中国人民抗日战争暨世界反法西斯战争胜利80周年大会在北京天安门广 场隆重举行。北京工艺美术行业优秀代表受邀参加纪念大会，在现场见证这场展示国家力量、传承民族精神、捍卫世界和平的 盛大仪式。 在这里，大国的钢铁脊梁与人民的炽热情怀同频共振，长安街上的铁流滚滚与工美匠人手中的天工奇巧交相辉映。这不仅集中 展示了传承和弘扬伟大抗战精神，更是为新时代的工美匠人吹响了踔厉奋发、勇毅前行的嘹亮号角。现场的每位代表都心潮澎 湃、无比激动，他们的观礼感言也代表了北京工美人的情怀与心声。 □本报记者 贾淘文 北京市人大代表 北京燕京八绝博物馆馆长 北京金漆镶嵌有限责任公司董事长柏群： "作为一名非遗传承人和文博工作者，在这关键的历史节点，我们更要坚定理想信念，坚定不移地听党话、感党恩、跟党走。同 时，要秉持脚踏实地、求真务实的态度，将我们的博物馆打造得更具特色，让民族产品更加丰富多彩，使非遗传承更具蓬勃活 力，以实际行动为非遗传承事业的发展、北京博物馆之城的建设以及全国文化中心的繁荣，做出新的、更大的贡献！" 第47届世界技能大赛珠宝加工冠军 北京市工艺美术技师学院教师张宇鹏： ...

本报讯(记者李豪悦)9月16日，由优酷出品、阿维塔独家冠名合作的文化体验真人秀节目《非遗之城.宝 藏季》宣布开启非遗传承创新的青春篇章。 优酷人文纪实中心总经理王晓楠借势《非遗之城.宝藏季》，公布了"优酷非遗100城计划"，优酷未来计 划探索全国100座非遗之城，系统讲述非遗故事，认真践行"可持续非遗"。王晓楠表示，优酷人文一直 在说"人文在人"，说到底就是"人如何活着，文如何延续"。所以我们在想，当大家都对于非遗有了认 知，有了初步的了解之后，我们希望传递的是非遗背后的精神，到底是什么成为了岁月精选。 以代际对话让非遗"传下去"，以价值转化让非遗"火起来"，作为优酷平台在人文纪实领域战略布局的重 要一环，《非遗之城.宝藏季》不仅是一档文化体验真人秀节目，更是一次文化传承的创新实践，有望 为非遗传承开辟出一条兼具情怀温度与时代活力的全新路径。 《非遗之城.宝藏季》聚焦非遗的探寻与体验，文化学者单霁翔与青年演员姚安娜将组成旅行搭子，根 据线索对贵州丹寨、重庆荣昌、河南南阳这3座非遗之城展开探索，解码非遗"可持续传承"的奥秘。 优酷人文制片人邓筱喜认为，非遗生态的良好发展离不开"人、在地资源、平台资源"的三方力量 ...

姚安娜呼吁让非遗走进校园。 贵州省丹寨县苗族蜡染技艺传承人张义苹不仅自己传承蜡染非遗技术，还带动丹寨200多位乡村妈妈一 起"织梦"，以实际行动为非遗传承贡献个人力量。亲赴发布会现场的她，向大家传递了蜡染非遗技术可 持续发展"三部曲"——传承、传播、市场："丹寨蜡染历经千年，它是苗家女儿写给世界的信。我们画 了这么久，寄了这么久，我们期待收到世界的回信。"对于当下的"AI＋非遗"热潮，她强调既要拥抱AI 与时俱进，同时也需要坚守"非遗的根与魂"。 在节目总导演周君看来，"非遗之城"看似宏大，实则微观具象。节目团队通过拍摄致敬非遗传承人"一 生尽一事"的信念，上演了一场传统与现代的对话。同时，在拍完这档节目之后，他对非遗的理解也有 了更深刻的认知，"非遗文化的传承与发展，不止于责任，更在于参与、理解和热爱。" 单霁翔强调，非遗是"生活中的文化"。 青年演员姚安娜分享了自己初次体验蜡染时无比震撼的心情，当亲自完成一件"不完美但独一无二的作 品"时，她才真正透彻理解"匠心"的重量。作为一名年轻的非遗研学者，姚安娜还观察到新媒体传播正 成为非遗的全新"传播场"，并顺势呼吁让非遗走进校园，以此拉近与当代年轻人的距离。 ...