Jing Ji Guan Cha Bao

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梁瀚璟:中企出海掘金中东,香港成为“超级联系人”
Jing Ji Guan Cha Bao· 2025-06-20 09:35
Core Insights - Hong Kong is positioning itself as a "super connector" for Chinese enterprises seeking to expand into the Middle East, facilitating deeper cultural and market integration [1][2][3] - The Hong Kong Investment Promotion Agency is focusing on building a comprehensive service system that includes cultural adaptation, market research, and resource integration to support business collaborations [1][2] Group 1: Market Opportunities - The Middle East is becoming a strategic pivot for Chinese companies due to its economic transformation and substantial sovereign wealth funds, creating significant demand across various sectors such as insurance, construction, and entertainment [3][6] - The region's population, while smaller compared to Southeast Asia, is approximately 60 million, yet it presents vast opportunities for growth and investment [6] Group 2: Cultural and Business Practices - Cultural differences pose challenges for Chinese enterprises in the Middle East, where trust and long-term relationships are crucial for business success [3][4] - Chinese companies often use a "dense" communication style in marketing, which contrasts with the Western preference for simplicity and visual appeal, highlighting the need for adaptation in promotional strategies [4][5] Group 3: Strategic Initiatives - The Hong Kong Investment Promotion Agency is actively facilitating connections between Chinese firms and Middle Eastern partners, evidenced by successful collaborations and licensing agreements during recent visits [7][8] - A new trust platform has been established to enhance trade security, allowing for verified transactions between buyers and sellers, thereby addressing the trust deficit that hampers trade expansion [8] Group 4: Future Directions - The agency plans to extend its focus beyond the Middle East to Southeast Asia, targeting markets such as Indonesia, Malaysia, and Thailand for future growth opportunities [9]
《红黄出击》——亨氏如何“劫持”《死侍与金刚狼》,成就一场文化级营销事件
Jing Ji Guan Cha Bao· 2025-06-20 08:52
Core Idea - Heinz executed a remarkable marketing strategy by creating a cultural association with the colors of its products, without an official collaboration with Marvel, effectively "hijacking" the cultural narrative surrounding the film "Deadpool and Wolverine" [1][2]. Group 1: Creative Core - The campaign is characterized as a "cultural hijacking" rather than a traditional partnership, leveraging the color scheme of Deadpool and Wolverine to evoke Heinz's ketchup and mustard [1][2]. Group 2: Strategic Highlights - The marketing strategy involved a comprehensive approach that spanned multiple platforms and media, creating a closed-loop from attention to purchase [3]. - Key tactics included social media engagement, outdoor advertising, cinema experiences, and streaming service promotions [5]. Group 3: Effectiveness Assessment - The campaign generated significant media exposure, with earned media impressions reaching 1.58 billion and an ad interaction rate of 789% of the industry benchmark [5]. - Sales figures showed a 2.9% increase in ketchup sales and an 8.5% increase in mustard sales, with mustard's market share rising by 12% [5]. Group 4: Industry Insights - The campaign exemplifies a new paradigm in brand leveraging, emphasizing the importance of deep integration into cultural narratives rather than superficial collaborations [6][8]. - Successful brand communication transcends mere product sales, aiming to embed the brand into cultural conversations and consumer experiences [8].
陈春花:知识生产力成为引领发展的核心力量
Jing Ji Guan Cha Bao· 2025-06-20 08:09
Group 1 - Traditional industries are facing significant pressure, while emerging industries and companies are experiencing substantial growth, often reaching trillion-dollar valuations, driven by strong knowledge productivity [1] - Knowledge has fundamentally changed its significance, becoming the primary production factor, with capital and labor taking a secondary role, leading to the emergence of knowledge workers [3][4] - The application of knowledge has resulted in new business models and industries, exemplified by the electric vehicle sector, which revitalizes traditional industries through innovative knowledge [5] Group 2 - Knowledge can be categorized into meaningful knowledge, productive knowledge, and behavioral knowledge, with a particular emphasis on the importance of behavioral knowledge [4] - The value of knowledge is distinct from tangible assets, as it can be created, destroyed, and enhanced through collaboration [6][9] - Knowledge has unique characteristics, such as its ability to transcend material existence, empower other factors, shape individuals and society, promote sharing and inclusivity, and possess disruptive qualities [10][11][12][13]
拜树记
Jing Ji Guan Cha Bao· 2025-06-20 08:09
Core Viewpoint - The article reflects on the significance of a thousand-year-old camphor tree, referred to as the "Tree God," highlighting its cultural and historical importance in the context of traditional Chinese craftsmanship and the emotional connection it fosters among artists and locals [1][5]. Group 1: Cultural Significance - The camphor tree is considered a symbol of resilience and is deeply embedded in local culture, representing peace, health, and longevity [5][6]. - The tree's rich volatile oils make furniture made from it not only aesthetically pleasing but also durable and pest-resistant, making it highly valued by the community [5]. Group 2: Artistic Inspiration - The tree serves as a source of inspiration for artists, with its presence influencing their work and creative processes, as seen in the interactions between the narrator and their apprentices [3][4]. - The emotional connection to the tree is evident, as it evokes memories and feelings of nostalgia among those who have interacted with it, reinforcing its role as a muse for artistic expression [2][4]. Group 3: Environmental Concerns - The article notes the recent damage to the tree, with a significant branch breaking off, raising concerns about its preservation and the need for protective measures [2][3]. - The narrator expresses sorrow over the tree's condition, emphasizing the importance of safeguarding such natural monuments for future generations [2][6].
2025图博会 | AI正在重塑出版业生态
Jing Ji Guan Cha Bao· 2025-06-20 07:20
Group 1 - The 31st Beijing International Book Fair opened on June 18, featuring over 1,700 exhibitors from 80 countries and regions, showcasing 220,000 quality books [1] - Malaysia is the guest of honor at this year's fair, with over 50 representatives from the Malaysian education sector and publishing industry attending [1] - The exhibition area is divided into six sections, including thematic books, philosophy and social sciences, ancient books, science and technology, literature and arts, and children's books, highlighting the mutual translation of classic works [1] Group 2 - The 2025 Beijing International Publishing Forum, held on June 19, focused on "New Productive Forces and Global Publishing Cooperation," discussing the integration of publishing and artificial intelligence [2] - Key topics included regional and global cooperation, opportunities and challenges, with over 150 representatives from global publishing units, research institutions, and digital technology companies participating [2] - Experts emphasized the need for innovation-driven and open cooperation in the publishing industry to achieve sustainable high-quality development [3]
2025图博会 | 聚焦雪漠,聚焦“文学流转的力量”
Jing Ji Guan Cha Bao· 2025-06-20 07:19
Core Insights - The third International Academic Forum on Xuemuo's Works was held in Beijing, focusing on the theme "The Power of Literary Circulation" to explore the value and international dissemination of Xuemuo's works, as well as the challenges and opportunities faced by Chinese literature in global contexts [1] Group 1: Significance of Xuemuo's Works - Xuemuo's works have gained widespread attention internationally due to their profound ideological content, unique artistic style, and rich Western cultural characteristics, positioning them as an important window for contemporary Chinese literature to the world [1] - The success of Xuemuo's works abroad is attributed to his solid cultural and literary foundation, which effectively showcases the essence of traditional Chinese culture, as well as his deep understanding of international audiences and overseas dissemination channels [1] Group 2: Global Resonance and Cultural Dialogue - Xuemuo's works are considered a "phenomenon" on the international stage because they address universal spiritual themes that transcend cultural and ideological barriers, resonating with shared human dilemmas and offering Eastern perspectives on overcoming these challenges [2] - The narrative in Xuemuo's works, which discusses suffering, redemption, and transcendence, reveals the human dilemmas behind ecological crises and provides a different paradigm of thought that moves beyond Western anthropocentrism [2] Group 3: Cultural and Philosophical Insights - Xuemuo emphasizes that his works are more cultural than merely fictional, reflecting the ancient Chinese philosophical wisdom of the unity of man and nature, which may reshape global perceptions of ancient Chinese wisdom in the context of modern technology and artificial intelligence [2]
2025图博会 | 西文珍本:西方镜头里的老北京
Jing Ji Guan Cha Bao· 2025-06-20 07:19
Core Insights - The event during the 31st Beijing International Book Fair showcased the design aesthetics of the book "Old Beijing Images in the Rare Western Books of Peking University," highlighting the rebirth of century-old Western literature through design and curation [1] Group 1: Academic Value - The book systematically compiles 145 rare Western texts collected by Peking University Library over the past century, featuring over 1,000 images of Beijing recorded by foreigners from the mid-19th to early 20th century [2] - It presents a thematic compilation of ten categories, including royal architecture, street life, and the Boxer Rebellion, providing a cross-cultural perspective on the transformation of modern Chinese society [2] - The diverse sources of images include works from professional photographers as well as amateur recorders like soldiers and students, contributing to a more objective historical representation [2] Group 2: Design Philosophy - The book designer emphasized a "subtraction philosophy," ensuring that the design serves the content, using high-quality lightweight paper to reduce heaviness and allowing the pages to lay flat for easy reading [2] - The design features a thick spine and a cover illustration of the Summer Palace, symbolizing historical weight while conveying a humanistic warmth, creating a solemn yet approachable visual language [2] Group 3: Exhibition Experience - The curator provided an immersive experience at the PAGEONE Beijing Fang store, allowing visitors to physically interact with the book and view selected old photographs through a "memory wall" [3] - An interactive installation allowed viewers to overlay historical street scenes with modern views, embodying the authors' intent to convey a sense of historical perception [3] - The publication aims to bridge the gap between academic literature and public readership, with plans for further exhibitions and related installations in other cities to enhance the public value of this historical document [3]
林间的调色诗:费迪南德?卢瓦扬?迪?皮加杜与《秋林漫步》?
Jing Ji Guan Cha Bao· 2025-06-20 02:42
(原标题:林间的调色诗:费迪南德?卢瓦扬?迪?皮加杜与《秋林漫步》?) 在法国纳比派艺术的星空中,费迪南德?卢瓦扬?迪?皮加杜(Ferdinand Loyen Du Puigaudeau,1864— 1930)如同被薄雾笼罩的星辰,虽少为大众熟知,却以《秋林漫步》等作品在艺术史中留下不可磨灭的 光晕。这位活跃于 19 世纪末至 20 世纪初的布列塔尼画家,将纳比派的装饰性与后印象派的色彩哲学熔 铸于画笔,在自然景观中编织出超越时代的诗意密码。 皮加杜出生于法国南特,成长于布列塔尼地区的海风与林雾之中。不同于学院派画家的严谨训练,他以 自学方式探索艺术,早期受印象派光色理论启发,后期逐渐融入纳比派 "主观变形" 的创作理念。纳比 派作为 19 世纪末法国重要艺术流派,主张 "艺术应是对自然的主观再创造",这一思想深刻影响了皮加 杜 —— 他拒绝机械描摹自然,而是用色彩作为情感的棱镜,将布列塔尼的森林、海岸转化为充满象征 意味的视觉诗篇。 他的创作生涯几乎与布列塔尼的自然景观绑定。这片被凯尔特文化浸润的土地,以变幻莫测的光影和原 始质朴的生态,成为他永恒的灵感源泉。不同于同时期巴黎艺术家对都市生活的热衷,皮加杜选 ...
数字金融创新聚焦可信基础与风险管控 专家呼吁把握全球资产数字化机遇
Jing Ji Guan Cha Bao· 2025-06-20 01:15
Core Insights - The event highlighted the importance of focusing on credible foundations and risk management in digital financial innovation, as emphasized by industry experts [1][2] - The rise of digital assets and the need for financial institutions to adapt to new trends in the global digital asset market were discussed [1][3] Group 1: Digital Financial Innovation - Li Lihui stressed that short to medium-term digital financial innovation should not rely on vertical models to solve complex problems but should focus on credible foundations and risk management [1][2] - He proposed four key focus areas: high reliability, interpretability, legality, and economic efficiency in deploying AI models within financial institutions [2] - The need for a safe and efficient innovation system was highlighted, along with the importance of bridging the digital divide for smaller financial institutions [2] Group 2: Trends in Digital Assets - Huang Yiping pointed out significant changes in the global digital asset market, including the rise of stablecoins, which now account for over 90% of transactions in the virtual asset market [3] - The rapid development of asset tokenization was noted, with predictions of substantial growth in the next five years as traditional financial institutions engage in this area [3] - The emergence of virtual currency exchange-traded funds (ETFs) provides investors with a way to participate in the market without holding virtual currencies directly [3] Group 3: Risks and Opportunities - Huang Yiping indicated that the changes in the digital asset market could lead to a certain level of substitutability with central bank digital currencies, potentially affecting their future scenarios [3] - The correlation of risks between the virtual asset market and traditional asset markets is increasing, warranting caution despite no direct risk transmission to the dollar market observed yet [3] - The development of the global digital asset market is seen as a trend with both risks and opportunities, suggesting that engagement in trend-driven innovation should be pursued under controlled risk conditions [3]
文徵明:从“笨小孩”到江南“顶流”|历史人物
Jing Ji Guan Cha Bao· 2025-06-20 01:15
Core Viewpoint - Wen Zhengming transformed from an underestimated child into a prominent figure in Jiangnan art, achieving mastery in both calligraphy and painting over nearly ninety years of dedication [1][2]. Group 1: Early Life and Development - Wen Zhengming was perceived as slow-witted in his youth, but his father, Wen Lin, believed in his potential, stating that late bloomers can still achieve greatness [2][3]. - Despite failing the provincial examination nine times, Wen Zhengming's father encouraged him, contrasting his journey with that of his talented friend Tang Yin, who achieved success quickly but later faced downfall due to misconduct [2][3]. Group 2: Artistic Pursuits - At nineteen, Wen Zhengming pursued painting against his father's friend's advice, who suggested he focus on obtaining a degree instead [3]. - His mentor, Shen Zhou, recognized his potential and provided extensive guidance, which laid the foundation for Wen Zhengming's artistic skills [3]. Group 3: Principles and Integrity - Wen Zhengming maintained strong principles, refusing to accept gifts from powerful figures and declining offers to work for them, which showcased his integrity [4][5]. - He was known for his humility and generosity, often supporting younger artists like Qiu Ying by promoting their work despite his own established reputation [6]. Group 4: Legacy and Influence - Wen Zhengming's calligraphy and painting were characterized by elegance and depth, with his works reflecting a blend of traditional styles and personal expression [7][8]. - His influence extended to later generations, particularly in flower-and-bird painting, where he developed a unique style that combined meticulous detail with a refined aesthetic [9][10]. - He preferred regular script and semi-cursive styles, achieving a balance of grace and strength, which distinguished him from contemporaries who favored more flamboyant styles [12].