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雪王都去港交所敲钟了,品牌增长只看流量明星能成吗?
3 6 Ke· 2025-05-30 10:55
Group 1 - The core viewpoint of the article highlights the dual nature of celebrity endorsements in brand marketing, where they can drive sales but also pose significant risks to brand reputation [1] - The brand endorsement market is expected to grow in 2024, with 1,222 brands announcing endorsements, an 11% increase from the previous year [2] - Top-tier celebrities are commanding endorsement fees exceeding 10 million yuan, equivalent to the annual net profit of many small to medium-sized enterprises [2] Group 2 - The case of the brand Perlayah, which saw a significant increase in exposure and interaction after announcing a partnership with celebrity Yi Yang Qianxi, illustrates the potential for immediate sales impact through celebrity endorsements [2][4] - The gum category has shown a remarkable sales growth rate of 38.89% in 2024, indicating a strong market performance [5] - The top three brands in the gum market, Stride, Green Arrow, and Yida, have increased their market share from 88% in 2023 to 92% in 2024, with each brand's growth rate exceeding 20% [6] Group 3 - The endorsement of the youth group "Times Youth" by Stride led to a 23.6% increase in sales after the announcement, demonstrating the strong influence of celebrity endorsements on consumer purchasing decisions [8] - Stride's market share surged by 8.7 percentage points in April, significantly outperforming a competing brand that saw a decline [10] - The social media engagement from the youth demographic contributed 72% of Stride's brand voice, indicating a successful alignment with the target audience [12] Group 4 - The article discusses the trend of brands utilizing non-human endorsements, such as animals and self-created IPs, to mitigate risks associated with celebrity endorsements [15][30] - The use of virtual digital personas for brand endorsements is on the rise, with examples of successful collaborations with beauty brands [40] - Brands are increasingly adopting multi-dimensional endorsement strategies to diversify risk and maximize brand communication effectiveness [51]
SM娱乐股权风云又起,中国粉丝再割一茬?
3 6 Ke· 2025-05-29 12:08
Core Viewpoint - The recent acquisition of SM Entertainment shares by TME (Tencent Music Entertainment) marks a significant shift in the K-Pop landscape, indicating a potential strategy change for SM Entertainment in the Chinese market, despite ongoing internal challenges and controversies [1][4][12]. Group 1: Share Acquisition and Market Impact - HYBE sold its entire stake in SM Entertainment to TME for 243 billion KRW, approximately 1.27 billion RMB, making TME the second-largest shareholder with nearly 10% of the shares [1]. - TME's entry into SM Entertainment enhances its influence, especially considering Tencent's existing stakes in Kakao, the largest shareholder of SM [4]. - The acquisition has sparked speculation among fans regarding potential changes in SM's approach to the Chinese market and its treatment of Chinese fans [4][12]. Group 2: Internal Challenges at SM Entertainment - SM Entertainment has faced significant internal strife, including the ousting of founder Lee Soo-man and ongoing management issues, leading to dissatisfaction among fans and artists [4][8][11]. - The company has been criticized for its handling of artist management and has been labeled as the "net loss king" of K-Pop in 2021, struggling to maintain its competitive edge [5][8]. - Recent incidents, such as the absence of key artists from major events due to mismanagement, have further exacerbated tensions between the company and its fanbase [11]. Group 3: Strategic Shifts and Future Prospects - The partnership with TME is seen as a necessary "new story" for SM Entertainment, potentially revitalizing its business model and stock performance [12][19]. - Historically, SM was a leader in introducing K-Pop to China, but recent years have seen a shift in focus towards Southeast Asia and the U.S. market, with a reduction in opportunities for Chinese trainees [13][15]. - The collaboration with TME may open new avenues for revenue generation, particularly through digital platforms and fan engagement strategies, although it remains uncertain if it will significantly alter the treatment of Chinese fans and artists [19][22]. Group 4: Industry Context and Competitive Landscape - The K-Pop industry is witnessing a consolidation trend, with major players like Kakao, HYBE, and YG also backed by Tencent, raising concerns about potential monopolistic practices in the music market [21]. - TME's previous collaborations with SM, such as the launch of limited-edition merchandise and NFTs, indicate a shift towards leveraging digital assets for fan engagement [22][24]. - The evolving dynamics in the online music market, particularly in China, suggest that SM Entertainment may need to adapt its strategies to remain relevant and competitive amidst changing consumer behaviors and market conditions [19][24].
迪士尼之后,上海又一国际主题乐园开业倒计时,涵盖八大主题区
Xuan Gu Bao· 2025-05-25 23:40
Group 1 - Shanghai Lego Park has completed construction acceptance on May 16, 2023, and is set to open on July 5, 2025, with limited commemorative annual pass products already on sale [1] - The park will feature eight themed areas, over 75 interactive rides, performances, and play attractions, as well as thousands of Lego models made from over 85 million Lego bricks [1] - Lego Group has a historical background dating back to 1916, evolving from a Danish workshop to a global toy leader, with a 2024 projected revenue of 74.3 billion Danish Kroner [1][2] Group 2 - Lego holds a 11.5% market share in the global toy market and a 72.7% share in the building block toy segment, both ranking first in their respective categories [1] - The company focuses on its strengths by standardizing parts design for scale advantages and enhancing playability through compatible parts, while also protecting its innovations through patents [2] - Lego emphasizes continuous innovation, with new products accounting for over 46% of its active product lineup from 2018 to 2024, and expands its commercial footprint through category and audience diversification [2] Group 3 - Jinma Amusement is actively collaborating with various clients to bring world-class IPs, including Lego, into the domestic market [3] - Huajian Group is involved in key projects such as the Jinshan Lego Park [4]
从官宣到破圈:拉芳借势明星代言+创意营销实现品牌声量翻倍增长
Jin Tou Wang· 2025-05-23 05:32
Core Viewpoint - The announcement of Ren Jialun as the new brand ambassador for Lafang successfully leverages fan economy during the 618 e-commerce festival, achieving a remarkable marketing outcome through a combination of timing, location, and strategic alignment [1] Group 1: Brand Strategy - Lafang demonstrates keen market insight and a long-term brand strategy by partnering with Ren Jialun, who has evolved from a newcomer to a recognized actor, aligning with the brand's dedication to craftsmanship and professionalism [1][3] - The collaboration reflects a resonance of professional spirit and shared values of "long-termism" between Lafang and Ren Jialun [3] Group 2: Marketing Approach - Lafang adopts a multi-dimensional marketing strategy, moving away from traditional single-channel communication to a comprehensive online and offline approach, creating a marketing loop that combines traffic generation and emotional resonance [6] - Prior to the official announcement, Lafang established an emotional connection with Ren Jialun's fans through sponsorship of the drama "Wuyou Du," enhancing fan goodwill [6][8] - A series of pre-announcement activities, including teasers and fan engagement events, significantly boosted brand visibility and consumer anticipation, leading to explosive growth in both brand awareness and sales upon the official announcement [8][10] Group 3: Execution and Impact - Following the announcement, Lafang launched an extensive support campaign, including high-profile advertisements in major cities and unique promotional activities, effectively capturing consumer attention [10][13] - The comprehensive marketing matrix created by Lafang effectively addressed consumer needs, successfully completing the transition from promotion to sales [13]
腾讯音乐(1698.HK)25Q1点评:特权、有声驱动SVIP转化 粉丝经济强化非包月收入增长
Ge Long Hui· 2025-05-22 02:29
qoq+2.7%)。我们预期随着SVIP 更高ARPPU 的会员套餐渗透率提升,25Q2 公司ARPPU 将持续提升, 或达11.6 元/月,MPU 或达1.24 亿。 Q1 社交娱乐收入15.5 亿人民币(yoy-11.9%, qoq-4.6%),同比减少主要系对直播互动功能进行了调整 和更严格的合规程序所致。我们预期25Q2 收入或达15.5 亿元(yoy-11%,qoq+0%),同比下滑主要系 公司合续缩紧叠加宏观因素导致。 随着在线音乐付费用户、ARPPU 双增,公司在线音乐收入在整体结构比重持续提高,利润率端有望持 续优化。我们预计 25-27 年归母净利润分别为104/101/112 亿元(25-26 年原预测值为 76/91 亿元,因根据 财报上调arppu,毛利率、其他收益等调整盈利预测)。因25 年有高额其他收益,我们参照可比公司,给 予26 年27 倍P/E,目标价94.86 港币(87.26 人民币),维持"买入"评级。 风险提示 机构:东方证券 研究员:项雯倩/李雨琪/金沐阳 Q1 营收73.6 亿人民币(yoy+8.7%, qoq-1.4%),Q1 毛利率44.07% (yoy+3. ...
“李宁伯伯”的奥运赌局,被一张合影搅局了?
3 6 Ke· 2025-05-21 11:26
对于接下来的市场营销打法,在洛杉矶奥运周期重新牵手中国奥委会的李宁,或许要更上心了。 李宁品牌因为一张合影,再一次陷入了舆论风波。 时隔20年从竞争对手安踏手中抢回中国奥委会的赞助合同,本应是李宁品牌重新出发的绝佳传播集会。但这个传播热点,却全是全红婵粉丝对李宁的不 满。 这一切的舆论,源自于李宁先生与中国奥委会官宣签约的一张合影。5月6日,中国奥委会与李宁品牌在国家体育总局共同举行合作发布仪式,正式宣布李 宁成为2025-2028年中国奥委会体育服装合作伙伴。 在仪式最后,李宁品牌与中国奥委会有关负责人以及跳水奥运冠军组合陈芋汐、全红婵以及乒乓球奥运金牌得主陈梦、马龙等优秀运动员一同合影留念。 而处于合影运动员C位的两位,站在国家体育总局局长高志丹旁边的,是奥运"六金王"马龙。而站在李宁品牌创始人、集团董事长李宁先生旁边的,是巴 黎和东京奥运会跳水女子双人10米台金牌得主陈芋汐。 由于自己喜欢的偶像未能站这次重磅官宣中站在合影的C位,不少全红婵的粉丝"炸锅"了,并将情绪发泄的出口,对准了李宁品牌。 全红婵被李宁伯伯"冷落"? 许多粉丝给出的所谓"理由",是李宁品牌因为全红婵近期的状态和成绩不佳,导致未能在本 ...
为了心爱的偶像哥哥,她们不惜在街头找干爹
Hu Xiu· 2025-05-21 04:30
本文来自微信公众号:日本通 (ID:ribentong-517japan),作者:Jasmine,题图来自:AI生成 你会为自己心爱的偶像花钱支持ta吗? 那么,当手头里的钱已经花光,你会选择等过段时间手头宽裕了再支持ta,还是不择手段获得打赏的钞票呢? 相信能够理性回答这个问题的人不在少数。但很遗憾,现实中总有人义无反顾地选择后者。这一现象在东亚两国的青少年群体中屡见不鲜,日本的一些少女 甚至选择"出卖"自己,只为博双方一笑。 "氪金追星"席卷中日 近些年来,中国青少年花父母的血汗钱在网络平台打赏主播的新闻频频报道。某直播平台后台数据显示,未成年人用户中,连续观看直播超2小时的比例达 43%,其间平均触发打赏行为5.8次。[23]而就在今年4月,一名17岁的中学生利用网络平台的漏洞,天价打赏主播45万元。[16]此外,除了未成年人的自发消 费行为,无良网络主播通过情感绑架等方式诱导青少年为其打赏的例子比比皆是。[16] 而在日本,青少年氪金追星更是愈加疯狂。除了为日本娱乐圈中那些知名偶像或歌手打赏之外,"地下偶像"也日渐成为未成年人迷恋并"砸钱"的对象。其中 触目惊心的是,一些日本少女给地下男偶像们打赏的金 ...
腾讯音乐-SW(01698):25Q1点评:特权、有声驱动SVIP转化,粉丝经济强化非包月收入增长
Orient Securities· 2025-05-21 03:07
Investment Rating - The report maintains a "Buy" rating for Tencent Music [4] Core Views - The online music revenue is expected to continue increasing due to the growth in paid users and ARPPU, leading to an overall improvement in profit margins. The forecasted net profit for the years 2025 to 2027 is 10.41 billion, 10.14 billion, and 11.16 billion RMB respectively, with a target price set at 94.86 HKD [2][4] Financial Performance Summary - The company's revenue for 2023 is projected at 27.75 billion RMB, with a year-on-year growth of -2.1%. This is expected to rise to 31.45 billion RMB in 2025, reflecting a growth of 10.7% [3][9] - Operating profit is forecasted to increase significantly from 4.78 billion RMB in 2023 to 9.44 billion RMB in 2025, marking a growth of 28.5% [3][9] - The net profit attributable to the parent company is expected to grow from 4.92 billion RMB in 2023 to 10.41 billion RMB in 2025, representing a substantial increase of 56.7% [3][9] - The gross margin is anticipated to improve from 35.3% in 2023 to 45.6% in 2025, while the net margin is expected to rise from 17.7% to 33.1% over the same period [3][9] Revenue Breakdown - Online music revenue for Q1 is reported at 5.8 billion RMB, showing a year-on-year increase of 15.9%. The forecast for Q2 is 6.43 billion RMB, with an expected growth of 18.6% [7] - Social entertainment revenue for Q1 is 1.55 billion RMB, down 11.9% year-on-year, with expectations for Q2 to remain flat [7] Market Position and Valuation - The target price of 94.86 HKD corresponds to a P/E ratio of 27 times for 2026, based on comparable company analysis [2][8] - The report highlights a strong performance relative to the Hang Seng Index, with a 1-week absolute performance of 13.51% and a 1-month performance of 30.05% [5]
金店关门、消费遇冷,克价2600元的“黄金谷子”却有人“猛吃”?
3 6 Ke· 2025-05-20 01:06
2025年的中国黄金消费市场正经历冰火两重天。国际金价突破3240美元/盎司,国内足金饰品克价冲破千元,但消费端却寒意逼人:一季度黄金首饰消费 量同比下降26.85%,周大生、中国黄金、老凤祥等头部品牌营收降幅达30%-50%,周大生单季度净关店177家。 金价的剧烈波动正加剧消费者观望情绪,数据显示,传统婚嫁三金需求进一步收缩,投资金条占比攀升至47.6%,折射出行业结构性矛盾——黄金的金融 属性与消费属性正在割裂。 在此背景下,"黄金谷子"(IP联名黄金衍生品)成为破局关键。雷报观察发现,这类产品以"轻量化黄金+IP符号"为核心,将黄金的保值属性与二次元文 化的情感价值叠加,形成独特的消费逻辑。行业数据显示,2024年中国谷子经济市场规模达1689亿元,同比增长40.63%,其中,75%的消费者有收集全系 列谷子的需求。而黄金品牌通过跨界联名,能够将被誉为"塑料黄金"的IP谷子,升级为兼具投资与情感功能的"真金白银"。 这场传统贵金属与二次元文化的碰撞,不仅是消费场景的重构,更是黄金行业从"保值工具"向"情绪容器"进化的关键转折。黄金消费持续疲软下,金店们 如何靠IP破局?"黄金谷子"到底好不好卖?雷报希 ...
消费类电子产品,到底需不需要“品牌信仰”
Sou Hu Cai Jing· 2025-05-18 10:15
Core Viewpoint - The article discusses the evolving relationship between consumers and brands, particularly focusing on Sony and its Xperia 1 Ⅶ smartphone, highlighting the gap between consumer expectations and the actual product offerings [6][12][13]. Group 1: Sony's Xperia 1 Ⅶ Analysis - Xperia 1 Ⅶ is not a poor product in the smartphone industry, featuring high-end specifications such as Snapdragon 8 Gen 1, up to 16GB RAM, and 512GB storage, along with unique camera capabilities [6][8]. - Despite its strengths, the Xperia 1 Ⅶ fails to meet consumer expectations, particularly in display resolution and audio technology, leading to disappointment among loyal users [10][12]. - The decision to exclude advanced audio technology like S-Master from the Xperia 1 Ⅶ is seen as a strategic move to protect Walkman sales, indicating a prioritization of commercial interests over consumer satisfaction [12][19]. Group 2: Consumer Expectations and Brand Faith - Consumer faith in a brand should be based on a rational understanding of its capabilities, rather than blind loyalty, leading to reasonable expectations for product quality [13][15]. - The article contrasts Sony's approach with Meizu's Note 16 series, which, despite deviating from traditional design, successfully meets market needs and attracts new customers [17][19]. - The concept of "fan economy" has shifted from supporting innovative brands to catering to less discerning consumers, which can dilute the integrity of brand loyalty and product quality [21][23]. Group 3: Emotional Value vs. Product Performance - Emotional value can influence purchasing decisions, but it cannot compensate for subpar product performance, as consumers will eventually notice discrepancies in quality [25][27]. - The expectation for self-developed chips in the industry reflects a desire for better performance and cost-effectiveness, indicating that consumers prioritize tangible benefits over brand loyalty [29].