Core Viewpoint - The film "Nanjing Photo Studio" is a powerful portrayal of the Nanjing Massacre, effectively engaging audiences and prompting discussions about historical events [1][2]. Group 1: Film Overview - The film addresses a well-known historical topic, the Nanjing Massacre, which has been depicted in various films from different perspectives [2]. - Directed by Shen Ao, the film uniquely focuses on a photo studio in Nanjing, providing a distinctive angle on the events [3]. Group 2: Performance and Emotional Impact - The performances of the actors, particularly the Japanese military photographer, Liu Haoran, Wang Zhanjun, Gao Ye, and Wang Xiao, are highlighted as exceptional, with Gao Ye's fluency in local dialects being particularly noted [4]. - A poignant scene features Wang Xiao approaching Japanese soldiers with a camera, expressing deep emotional resonance through the use of local dialect, which enhances the film's impact [4][5]. Group 3: Personal Connection and Historical Reflection - The film evokes strong personal memories and emotions related to the city of Nanjing, suggesting a deep connection to the location and its history [5][6]. - There is a desire to visit the Nanjing Massacre Memorial Hall to further explore the historical context presented in the film [7]. Group 4: Cultural Context - The narrative emphasizes that historical tragedies should not be conflated with contemporary relations, highlighting a nuanced understanding of history versus reality [8]. - Japan is portrayed positively in terms of its culture and societal attributes, indicating a complex relationship with the country despite historical grievances [9]. Group 5: Film Recommendations - Among the summer films watched, "Nanjing Photo Studio" stands out as the only one that maintained engagement throughout, suggesting its compelling nature [10]. - The film is recommended for its unique storytelling and emotional depth [12].

本文来自微信公众号：白鲸出海 （ID：baijingapp），作者：李爽 来自市场研究公司Nielsen的数据显示，截至2022年，每个美国家庭平均配备2.3台电视，每个成年人平均每周会花32小时看电视。超高的电视设备密度和 高频的使用习惯，在近年来催生出一个非常细分却吸金能力惊人的工具品类——电视遥控器App。 电视遥控器App，在一些情况下堪称刚需，例如，突然找不到原装遥控或遥控电池耗尽而没有准备备用电池。对于普遍配备多台电视的海外家庭来说，这 样的小麻烦可能会更加频繁。结果是，仅今年5月，电视遥控器App就斩获了超过2000万次的下载量，收入情况同样令人咋舌，用户在这一品类的当月支 出高达1100万美元，美国一直是最重要的收入市场。 看似"无聊"的电视遥控器App，已经吸引了众多开发者投身其中。一个积极的信号是，这不是一个赢家通吃的品类，用户通常会随机选择搜索结果靠前的 产品，而几乎没有品牌忠诚度，这给更多开发者带来了机会。 首先，命名和图标同质化严重。电视遥控器App的名称几乎都是"TV""Remote""Universal""Control"几大关键词的排列组合，再加上"-""·"等符号来规避直 接 ...

本文来自微信公众号：凤凰WEEKLY国际，作者：关珺冉，编辑：漆菲，题图来自：视觉中国 7月20日，东京气温高达34摄氏度，为日本国会参议院选举史上最热的投票日。本次选举打破的另一项纪录是，执政党自民党自1955年成立以来，首次在 国会众参两院皆未能取得过半数席位。 日本国会参议院设有248个议席，议员任期六年，每三年改选一半。此次选举共争夺125个议席，包括74个选区议席、50个比例代表议席和1个补选议席。 最终，多个在野党共获得78个议席，加上48个非改选议席，达到参议院248个总议席的一半。而自民党和公明党共获得47席，加上75个非改选议席，达到 122席。这一数字较改选前的141席大幅减少。 首相石破茂7月21日在自民党总部召开记者会，表示接受此次参议院选举结果，身为自民党总裁，他对此表示歉意。但他表示，眼下有迫在眉睫的美国关 税谈判问题、物价上涨问题，为了不使国政出现停滞，应该尽到责任，他将继续执政。此前，自民党元老、最高顾问麻生太郎已对周围的人表示"不能允 许他继续任职"，展现出明显的"逼宫"态势。 与之相对，国民民主党和参政党等中小在野党，因主张下调消费税税率、日本优先等政策不断在参议院攻城略地 ...

Core Viewpoint - The article discusses the ongoing controversies surrounding Wahaha Group under the leadership of Zong Fuli, particularly focusing on the allegations of asset hollowing and the control of the company's profits by the Zong family through various shadow companies [1][2]. Group 1: Financial Analysis - As of the end of 2022, the total assets of the domestic "Wahaha system" (including external companies) amounted to 37.047 billion yuan, with an operating income of 51.202 billion yuan, operating profit of 6.148 billion yuan, and net profit of 4.767 billion yuan [1]. - In contrast, Wahaha Group (and its 16 directly invested subsidiaries) had total assets of 5.807 billion yuan, with an operating income of 1.403 billion yuan, operating profit of 73.078 million yuan, and net profit of 18.7128 million yuan [1]. - The state-owned assets in Wahaha Group accounted for only 15.67% of the total assets of the "Wahaha system," with operating income and net profit contributions of merely 2.74% and 0.39%, respectively [1]. Group 2: Ownership Structure - The ownership structure of Wahaha Group is clear, with Hangzhou Shangcheng Wen Shang Lv Investment Holding Group Co., Ltd. (state-owned) holding 46%, Zong Fuli inheriting 29.4%, and the employee shareholding meeting holding 24.6% [2]. - The state-owned entity has reported zero investment returns from Wahaha Group from 2021 to 2023, with a book value of only 242 million yuan [2]. Group 3: Corporate Governance and Control - Zong Fuli controls most of the subsidiaries under the "Wahaha system," which are the primary sources of profit for the brand, while Wahaha Group itself has limited influence over the broader commercial empire [1][2]. - The complex ownership structure of the subsidiaries, such as Hong'an Wahaha Beverage Co., Ltd., indicates that Zong Fuli has significant control over these entities, which are crucial for Wahaha's product lines [4][5]. Group 4: Brand and Asset Management - The control of the "Wahaha" brand assets, which includes 387 trademarks, remains with Wahaha Group, but there are ongoing efforts to transfer these trademarks, potentially consolidating Zong Fuli's control over the brand [19][21]. - The estimated value of the "Wahaha" brand is approximately 91.187 billion yuan, highlighting its significance in the company's overall valuation [19]. Group 5: Future Prospects - Zong Fuli's consolidation of power and control over Wahaha may be aimed at preparing the company for a potential public listing, a shift from her father's previous stance against going public [24][25]. - The challenges Zong Fuli faces include modernizing the company's management structure and addressing internal and external pressures, particularly in light of changing consumer preferences and market dynamics [28].

近日，睽违已久的姜文导演终于再度登场。他执导的第七部作品《你行！你上！》登陆大荧幕。我们都知道，姜文是当下罕见的、具有强烈个人风格的 "作者型" 导演，以往既能在商业上收获成功，也能在艺术领域有所建树。加之他极具辨识度的个人形象，一举一动都足以引发从官方到民间的关注与讨 论。 当然，这次也不例外。七年之后，这部名义上是琴童励志成长片、实则被解读为共和国历史隐喻的《你行！你上！》，恰好遇上影业萧条的大环境。与此 前那些 "进步电影" 风格迥异的姜文及其作品，自然又收获了这半年来颇为难得的瞩目与解读。 首当其冲的，必然是键政视角下的解读。自从《让子弹飞》在 B 站爆火后，这部被誉为 "非遗" 的神作及其创作者，一度被推上艺术与商业的双重王座。 连同他此前的作品，无论在电影学院的课堂上，还是互联网的各类终端中，都充斥着不厌其烦、连篇累牍且事无巨细的符号分析与原型追溯。以至于在长 达七年的空窗期后，影迷们第一时间想到的，仍是将影片中的人物、故事等元素还原为共和国历史中的现实，以此证明 "自己看懂了姜文"。 与之相反，在更广阔的文化评论圈中，舆论则往往不那么友好。不少评论者从其视听语言与创作母题的重复中提出质疑，"杂乱 ...

作·嗅之星榜单，以周榜的形式，呈现每周新鲜出炉的优秀作品。2025年7月11日～2025年7月17日，虎嗅第271 期，作·嗅之星的获奖文章分别是： 以下为榜单详情： TOP 2 君泽 《十年过去了,为什么外卖还在大战?》 TOP 3 TOP 1：《公司不在乎你干了多少活》作者：叶小钗 TOP 2：《十年过去了，为什么外卖还在大战？》作者：君泽 TOP 3：《努力真的越来越贬值了？》作者：九边 TOP 4：《阿里的"进"与拼多多的"退"》作者：表外表里 TOP 5：《山姆上架好丽友，中产不干了》作者：山农下山 TOP 6：《99%的程序员都将失业吗？》作者：腾讯研究院 TOP 7：《一代SUV霸主宣布破产》作者：投资界 TOP 8：《为什么那些"停航中国"的外航不回来了？》作者：旅界 TOP 9：《北京的住房空置率到底有多少？》作者：知识分子 IFHHIHIF F 嗅将定期给获奖作者发放奖金,并给予站内推荐等特殊扶 持权益。 TOP 1 叶小钗 《公司不在乎你干了多少活》 九边 《努力真的越来越贬值了?》 110 274 表外表里 《阿里的"进"与拼多多的"退"》 TOPL 山农下山 《山姆上架好丽友,中产不 ...

本文来自微信公众号：深圳微时光 （ID：szdays），作者：白粥，原文标题：《在楼顶养鸡种菜当"农民"的深圳人，一月省下3000元买菜钱》，头图来 自：受访者供图 站在高处看深圳，会发现有些小区和城中村的楼顶或翠绿茂盛，或五彩缤彩，一片生机勃勃。 这些楼顶上的植物盆栽，大部分并非用来观赏的绿植，而是住户们种的瓜果蔬菜和花。 现在，在种菜种花界称霸的，也并非闲来无事的老漂，以此补贴家用，更多的是种菜基因觉醒的年轻人，在工作之外，从土地汲取生命的力量，恢复自身 的元气。 木兰在深圳租了一间顶楼的房子，她在天台上种花、种菜、种瓜、种水果，高难度的高粱、小麦、西瓜等等，她随手就能种出来。菜多到吃不完，她开始 养鸡帮忙吃，吃上了自己养的走地鸡，被称为"天选的老农民。" 欣妍住在小区里，偶然得知附近工业园区楼顶有菜地出租，200元/㎡/年，她想让孩子多接触自然，于是承租下来栽种，并时常带孩子去采摘，每月也能 节省3000元菜钱。 图释：木兰种的水果 一开始，她没有经验，买了一些防水花盆，网购了各种各样的便宜土填充在盆里，当时养了不少植物，但过了几个月都是半死不活的状态。 后来，她研究了一番，发现应该是土不靠谱，但靠谱的 ...

Core Insights - The summer tourism peak season in 2025 is experiencing a significant downturn, with many operators reporting a drop in business and occupancy rates [2][3][10] - Factors such as extreme heat and changing consumer preferences are leading to a shift in travel behavior, with tourists opting for short trips and local experiences instead of traditional long-distance travel [11][14][20] Group 1: Current Situation - A significant number of vacation rentals in Weihai are seeing occupancy rates drop by over 60%, with average room prices halving from 800 yuan to 400 yuan [2][3] - Many operators in the tourism industry are struggling, with reports of low customer traffic and a lack of visitors at popular attractions [4][6] - The overall sentiment among tourism professionals is one of confusion and concern, as they observe a stark contrast between reported tourist numbers in the media and their own experiences [9][10] Group 2: Changing Consumer Behavior - Extreme temperatures have deterred many families from long-distance travel, leading them to seek cooler, local accommodations instead [11][12] - There is a growing trend among urban middle-class families to prioritize comfort and unique experiences over traditional sightseeing, opting for local stays and activities [13][14] - Many tourists are increasingly choosing to visit non-traditional attractions, such as local cultural complexes, which offer a more appealing experience compared to conventional tourist sites [16][20] Group 3: Industry Challenges - The tourism industry is facing a disconnect between consumer demand and traditional service offerings, with many travelers opting for self-organized trips rather than packaged tours [17][18] - The rental car business is booming, indicating a shift in how tourists are approaching travel logistics [19] - The oversupply of accommodations is leading to price wars among hotels and rentals, further complicating the financial viability of the peak season [22] Group 4: Strategies for Recovery - Tourism operators are encouraged to innovate their offerings, such as introducing unique experiences like night tours in zoos to attract visitors [24][25] - There is a push for the development of long-term rental options in smaller cities to cater to the growing demand for immersive travel experiences [26][27] - Travel agencies are exploring new business models, such as charging for customized travel consultations, to enhance their service value and adapt to changing consumer preferences [27]

本文来自微信公众号：新民周刊，作者：海上客，题图来自：视觉中国 日本参议院选举于7月20日如期举行。 一 说不出所料，是投票之前，诸多日本媒体预测、民调机构显示，执政的自民党将可能减少议席。 说出乎意料，是执政的自民党-公明党联盟输得这般个惨！惨到什么地步呢？ 据新华社报道，统计数据表明，截至当地时间7月21日5时30分，日本立宪民主党、日本共产党、日本维 新会、国民民主党、社民党等在野党以及无党派人士已经获得76个议席，加上48个非改选议席，达到参 议院248个总议席的一半，即124席。 而自民党和公明党共获得46席，加上75个非改选议席，达到121席。 虽然计票工作仍在进行中，剩余3个议席的归属尚不得而知，但执政联盟丧失参议院过半数议席已成既 定事实。 换言之，执政联盟已经丧失其执政的基础理由。 怎么办？ 目前看，还有点扑朔迷离！ 首先，尽管执政联盟总票数不抵在野党们，但在野党们尚未组成新的联盟。从政治光谱上看，比如国民 民主党和日本共产党等，确实很难联手。 不出所料又有点出乎意料的结果！ 这当然并不代表新华社判断石破茂仍将继续执政，注意"执政之路更加艰难"。亦即认为石破茂原本在执 政联盟成为少数派政府后 ...

本文来自微信公众号：三表龙门阵，作者：三表的表，题图来自：视觉中国 某地宣传部门不关注正在发生的民生问题却对脱口秀领域跨界监督，这本身就蛮好笑的。 他们指出的"脱口秀滑向性别对立的泥潭"的问题是否存在呢？ 不存在。 是综艺节目制造了这个假想。 一个烫知识——以性别视角观察生活是脱口秀的一大母题，在任何国家都如此。 一个女性在日常的工作与生活中，感受到的困惑与困扰，如果换个性别视角看，也同样存在的话，那么 从艺术创作的角度讲，她们就会缺乏表达的动力。 与"交不上房租"、"房子是三角形"这些事相比，那些因性别造成的诸如月经羞耻、重男轻女、生育焦 虑、职场歧视，或许会真正让女性产生更澎湃的情绪，更充沛的表达欲。 如果我们认为她们频繁讲这种选题是激化两性对立，那不是他们的错，女性切实感受到的个体生活体验 并表达出来，能有什么错呢？ 错的是，脱口秀综艺节目将优秀的女性脱口秀演员聚在了一起，形成了话题的重复及过载。 女性脱口秀演员拿出经过市场验证且过审的段子出来表演，是没有义务考虑是不是其他人也会讲类似的 话题，实际上你再来十季脱口秀综艺，他们依然讲的还是这些。 如果想从根本上消除所谓脱口秀的两性对立问题，那以后只办"全 ...